{"version":"1.0","provider_name":"Swiss Music Review","provider_url":"https:\/\/www.revuemusicale.ch\/en","author_name":"fabian.renz","author_url":"https:\/\/www.revuemusicale.ch\/en\/author\/fabian-renz","title":"Un d\u00e9s\u00e9quilibre parfait - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"JqqSNy3fwI\"><a href=\"https:\/\/www.revuemusicale.ch\/en\/allgemein\/2026\/10\/un-desequilibre-parfait\">A Perfect Imbalance<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/en\/allgemein\/2026\/10\/un-desequilibre-parfait\/embed#?secret=JqqSNy3fwI\" width=\"600\" height=\"338\" title=\"&#8220;Un d\u00e9s\u00e9quilibre parfait&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"JqqSNy3fwI\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/05_echo_vincenti.jpeg","thumbnail_width":960,"thumbnail_height":569,"description":"Il n\u2019y en a pas mille en ville de Gen\u00e8ve, \u00e0 se d\u00e9dier \u00e0 la construction, \u00e0 la r\u00e9paration, \u00e0 la vente ainsi qu\u2019\u00e0 tout ce qui concerne la guitare. Quelques magasins et des luthiers qui se comptent sur les doigts d\u2019une main. Or, quand il s\u2019agit de guitare classique, l\u2019adresse de r\u00e9f\u00e9rence est l\u2019atelier de Jacques Vincenti."}