{"version":"1.0","provider_name":"Swiss Music Review","provider_url":"https:\/\/www.revuemusicale.ch\/en","author_name":"Anicia Kohler","author_url":"https:\/\/www.revuemusicale.ch\/en\/author\/anicia-kohler","title":"L\u2019\u00e9cole de musique comme cr\u00e9atrice de r\u00e9seau - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"uvwR2eCIN8\"><a href=\"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2023\/06\/lecole-de-musique-comme-creatrice-de-reseau\">The music school as a network builder<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2023\/06\/lecole-de-musique-comme-creatrice-de-reseau\/embed#?secret=uvwR2eCIN8\" width=\"600\" height=\"338\" title=\"&quot;The music school as network creator&quot; - Swiss Music Review\" data-secret=\"uvwR2eCIN8\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/06\/MS-Kilchberg-Ruschlikon.jpg","thumbnail_width":1400,"thumbnail_height":935,"description":"Gabriel Stampfli a achev\u00e9 en 2022 la fili\u00e8re de MAS \u00ab\u00a0Administration de la musique\u00a0\u00bb \u00e0 la HEAB et obtenu en m\u00eame temps le dipl\u00f4me de directeur d\u2019\u00e9cole ASEM. Dans son travail de master intitul\u00e9 \u00abWir lehren und leben Musik und finden gemeinsam den richtigen Ton\u00bb, il documente le processus de d\u00e9veloppement de l\u2019\u00e9cole de musique de Kilchberg-R\u00fcschlikon (ZH), qu\u2019il dirige depuis l\u2019ann\u00e9e scolaire 2019\/2020."}