{"version":"1.0","provider_name":"Swiss Music Review","provider_url":"https:\/\/www.revuemusicale.ch\/en","author_name":"Anicia Kohler","author_url":"https:\/\/www.revuemusicale.ch\/en\/author\/anicia-kohler","title":"Tester des instruments pendant une ann\u00e9e - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"0DyKhmRIjw\"><a href=\"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2023\/06\/tester-des-instruments-pendant-une-annee\">Testing instruments for a year<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2023\/06\/tester-des-instruments-pendant-une-annee\/embed#?secret=0DyKhmRIjw\" width=\"600\" height=\"338\" title=\"&#8220;Tester des instruments pendant une ann\u00e9e&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"0DyKhmRIjw\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/06\/Musikschulkindergarten.jpg","thumbnail_width":1400,"thumbnail_height":933,"description":"Dans le \u00abMusikkindergarten\u00bb (jardin d\u2019enfants musical) de l\u2019\u00e9cole de musique d\u2019Olten, des enfants s\u2019initient \u00e0 la musique pendant 75 minutes par semaine. Ils testent des instruments, chantent et font des exercices rythmiques, acqu\u00e9rant ainsi une bonne base pour suivre plus tard l\u2019enseignement individuel."}