{"version":"1.0","provider_name":"Swiss Music Review","provider_url":"https:\/\/www.revuemusicale.ch\/en","author_name":"Anicia Kohler","author_url":"https:\/\/www.revuemusicale.ch\/en\/author\/anicia-kohler","title":"Conf\u00e9rence romande - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"n54vfn81ie\"><a href=\"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2023\/12\/conference-romande\">French-speaking conference<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2023\/12\/conference-romande\/embed#?secret=n54vfn81ie\" width=\"600\" height=\"338\" title=\"&#8220;Conf\u00e9rence romande&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"n54vfn81ie\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/12\/DSC05497.jpg","thumbnail_width":1400,"thumbnail_height":933,"description":"Les directions des \u00e9coles de musique des cantons francophones se sont r\u00e9unies le 1er d\u00e9cembre pour leur Conf\u00e9rence romande. Elles \u00e9taient accueillies par le Conservatoire de Fribourg, une \u00e9cole de musique cantonale comptant plus de 40 sites d\u2019enseignement et quelque 4000 \u00e9l\u00e8ves. \u00abCet \u00e9change est tr\u00e8s pr\u00e9cieux pour nous, en tant qu\u2019unique \u00e9cole de musique du canton\u00bb, explique Nils Perrt, membre de la direction. \u00abElle nous offre l\u2019opportunit\u00e9 de faire la connaissance d\u2019autres \u00e9coles de musique.\u00bb"}