{"version":"1.0","provider_name":"Swiss Music Review","provider_url":"https:\/\/www.revuemusicale.ch\/en","author_name":"Anicia Kohler","author_url":"https:\/\/www.revuemusicale.ch\/en\/author\/anicia-kohler","title":"L\u2019innovation est dans les t\u00eates - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"x3IcGkUTol\"><a href=\"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2024\/11\/linnovation-est-dans-les-tetes\">Innovation is in the mind<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2024\/11\/linnovation-est-dans-les-tetes\/embed#?secret=x3IcGkUTol\" width=\"600\" height=\"338\" title=\"&#8220;L\u2019innovation est dans les t\u00eates&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"x3IcGkUTol\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/11\/Zukunftslabor_portraet-zg.jpeg","thumbnail_width":1228,"thumbnail_height":960,"description":"Les participantes et participants au Forum sur la formation musicale prendront notamment part \u00e0 un atelier consacr\u00e9 au \u00abdesing thinking\u00bb, une m\u00e9thode centr\u00e9e sur l\u2019utilisateur et l\u2019utilisatrice qui permet \u00e0 des \u00e9quipes m\u00e9lang\u00e9es de d\u00e9velopper des solutions innovantes. Simona Hofmann et Urs D\u00e4twiler, du Zukunftslabor (laboratoire du futur), animeront le programme de l\u2019apr\u00e8s-midi. Ils sont convaincus que les meilleures id\u00e9es ne doivent pas forc\u00e9ment changer le monde et que chaque \u00e9quipe peut trouver des id\u00e9es innovantes."}