{"version":"1.0","provider_name":"Swiss Music Review","provider_url":"https:\/\/www.revuemusicale.ch\/en","author_name":"Anicia Kohler","author_url":"https:\/\/www.revuemusicale.ch\/en\/author\/anicia-kohler","title":"Le top 3: piano, guitare, violon - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"kyTR5bqJs0\"><a href=\"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2026\/08\/le-top-3-piano-guitare-violon\">The top 3: piano, guitar, violin<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2026\/08\/le-top-3-piano-guitare-violon\/embed#?secret=kyTR5bqJs0\" width=\"600\" height=\"338\" title=\"&#8220;Le top 3: piano, guitare, violon&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"kyTR5bqJs0\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/C2A2166-Quadrat.jpg","thumbnail_width":1000,"thumbnail_height":1000,"description":"Le rapport de la statistique 2025 de l\u2019Association suisse des \u00e9coles de musique montre clairement quels sont les instruments les plus enseign\u00e9s aux enfants et aux jeunes dans les \u00e9coles de musique. Cette ann\u00e9e encore, pas de surprise: le piano vient en t\u00eate, devan\u00e7ant largement la guitare puis le violon \u00e0 la troisi\u00e8me place. Pour savoir pourquoi ces instruments sont si appr\u00e9ci\u00e9s, nous avons discut\u00e9 avec trois professeur-es de musique."}