{"version":"1.0","provider_name":"Swiss Music Review","provider_url":"https:\/\/www.revuemusicale.ch\/en","author_name":"Musikzeitung-Redaktion","author_url":"https:\/\/www.revuemusicale.ch\/en\/author\/admin","title":"Streaming : rendre la musique suisse visible - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"8VsyAuYSLK\"><a href=\"https:\/\/www.revuemusicale.ch\/en\/basis\/csm\/2024\/02\/streaming-rendre-la-musique-suisse-visible\">Streaming: making Swiss music visible<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/en\/basis\/csm\/2024\/02\/streaming-rendre-la-musique-suisse-visible\/embed#?secret=8VsyAuYSLK\" width=\"600\" height=\"338\" title=\"&quot;Streaming: making Swiss music visible&quot; - Swiss Music Review\" data-secret=\"8VsyAuYSLK\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/02\/Grafik-3-Share-of-Domestic-Titles-in-NMF-Playlists.png","thumbnail_width":1671,"thumbnail_height":985,"description":"Les plateformes de streaming sont devenues indispensables pour les march\u00e9s de la musique. L\u2019importance des playlists est la plus grande, surtout chez le leader Spotify, mais les artistes suisses ne figurent gu\u00e8re dans ces listes, car il n\u2019y a pas de curateurs qui s\u2019occupent de l\u2019offre et du r\u00e9pertoire suisses. Un obstacle quasiment insurmontable pour g\u00e9n\u00e9rer de la visibilit\u00e9, des streams et, en fin de compte, des revenus."}