{"version":"1.0","provider_name":"Swiss Music Review","provider_url":"https:\/\/www.revuemusicale.ch\/en","author_name":"Katrin Spelinova","author_url":"https:\/\/www.revuemusicale.ch\/en\/author\/spelkat","title":"FORMATION MUSICALE - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"YEWTPe9igg\"><a href=\"https:\/\/www.revuemusicale.ch\/en\/basis\/formation-musicale\">MUSICAL TRAINING<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/en\/basis\/formation-musicale\/embed#?secret=YEWTPe9igg\" width=\"600\" height=\"338\" title=\"&#8220;FORMATION MUSICALE&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"YEWTPe9igg\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/05\/musikalische-bildung-schweiz-logo-musikzeitung.webp","thumbnail_width":1200,"thumbnail_height":600,"description":"Formation musicale en Suisse &nbsp; Enseignement, chorales, \u00e9veil musical, encouragement des talents et formation professionelle : l\u2019enseignement musical en Suisse est tr\u00e8s diversifi\u00e9. L\u2019Association suisse des \u00e9coles de musique suisses (ASEM) et la Conf\u00e9rence des Hautes \u00c9coles de Musique pr\u00e9sentent les principaux acteurs et les publics cibles sous la label commun commune \u00ab\u00a0Formation musicale en [&hellip;]"}