{"version":"1.0","provider_name":"Swiss Music Review","provider_url":"https:\/\/www.revuemusicale.ch\/en","author_name":"Pia Schwab","author_url":"https:\/\/www.revuemusicale.ch\/en\/author\/pia-schwab","title":"Destins de compositeurs du 20e si\u00e8cle - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"1JCHARGPrI\"><a href=\"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2026\/06\/biographies\">The destinies of 20th-century composers<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2026\/06\/biographies\/embed#?secret=1JCHARGPrI\" width=\"600\" height=\"338\" title=\"&#8220;Destins de compositeurs du 20e si\u00e8cle&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"1JCHARGPrI\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/06\/Strawinsky_fountain.jpg","thumbnail_width":1200,"thumbnail_height":822,"description":"Portraits de compositeurs r\u00e9cemment parus : une monographie consacr\u00e9e au musicien suisse oubli\u00e9 Robert Oboussier, compl\u00e9t\u00e9e par une parution discographique, les premi\u00e8res biographies en fran\u00e7ais de Hans Werner Henze et de Carl Orff, ainsi que des entretiens avec Igor Stravinsky et avec le contemporain Philippe Hersant."}