{"version":"1.0","provider_name":"Swiss Music Review","provider_url":"https:\/\/www.revuemusicale.ch\/en","author_name":"Musikzeitung-Redaktion","author_url":"https:\/\/www.revuemusicale.ch\/en\/author\/admin","title":"Rondo a capriccio \u00ab\u00a0Col\u00e8re pour un sou perdu\u00a0\u00bb - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"7ZtSR3goIa\"><a href=\"https:\/\/www.revuemusicale.ch\/en\/dossiers\/2020\/10\/rondo-a-capriccio-colere-pour-un-sou-perdu\">Rondo a capriccio \"Anger for a lost penny<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/en\/dossiers\/2020\/10\/rondo-a-capriccio-colere-pour-un-sou-perdu\/embed#?secret=7ZtSR3goIa\" width=\"600\" height=\"338\" title=\"&#8220;Rondo a capriccio \u00ab\u00a0Col\u00e8re pour un sou perdu\u00a0\u00bb&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"7ZtSR3goIa\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Haare-Mitte.jpg","thumbnail_width":554,"thumbnail_height":290,"description":"Chacque vendredi, Beethoven est ici. Pour le 250e anniversaire de la naissance de Beethoven, la Revue Musicale Suisse jettera chaque semaine un \u0153il sur une \u0153uvre diff\u00e9rente de son catalogue. Aujourd'hui pour le Rondo a capriccio pour piano en sol majeur \u00ab Col\u00e8re pour un sou perdu \u00bb."}