{"version":"1.0","provider_name":"Swiss Music Review","provider_url":"https:\/\/www.revuemusicale.ch\/en","author_name":"Musikzeitung-Redaktion","author_url":"https:\/\/www.revuemusicale.ch\/en\/author\/admin","title":"Nabucco \u00e0 la Cath\u00e9drale - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"QoX9eI7hqZ\"><a href=\"https:\/\/www.revuemusicale.ch\/en\/news\/resonance\/2018\/09\/nabucco-a-la-cathedrale\">Nabucco at the Cathedral<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/en\/news\/resonance\/2018\/09\/nabucco-a-la-cathedrale\/embed#?secret=QoX9eI7hqZ\" width=\"600\" height=\"338\" title=\"&quot;Nabucco at the Cathedral&quot; - Swiss Music Review\" data-secret=\"QoX9eI7hqZ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/NabuccoRender-Copy.jpg","thumbnail_width":554,"thumbnail_height":317,"description":"L\u2019orchestre Amabilis de Lausanne et l\u2019ensemble vocal Horizons d\u2019Yverdon-les-Bains pr\u00e9senteront le c\u00e9l\u00e8bre op\u00e9ra \u00abNabucco\u00bb de Verdi les 17, 18, 20 et 21 novembre \u00e0 la cath\u00e9drale de Lausanne. C\u2019est dans une version in\u00e9dite et quelque peu audacieuse que le th\u00e8me de l\u2019immigration au c\u0153ur de cet op\u00e9ra sera mis \u00e0 l\u2019honneur."}