{"version":"1.0","provider_name":"Swiss Music Review","provider_url":"https:\/\/www.revuemusicale.ch\/en","author_name":"Musikzeitung-Redaktion","author_url":"https:\/\/www.revuemusicale.ch\/en\/author\/admin","title":"Num\u00e9ro 05\/2024 \u2013 Focus \u00abJeux de baguettes\u00bb - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"exKQmrKASp\"><a href=\"https:\/\/www.revuemusicale.ch\/en\/smz\/2024\/04\/numero-05-2024-focus-jeux-de-baguettes\">Issue 05\/2024 - Focus \"Jeux de baguettes<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/en\/smz\/2024\/04\/numero-05-2024-focus-jeux-de-baguettes\/embed#?secret=exKQmrKASp\" width=\"600\" height=\"338\" title=\"&#8220;Num\u00e9ro 05\/2024 \u2013 Focus \u00abJeux de baguettes\u00bb&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"exKQmrKASp\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/04\/Titelseite_5_24-300x216-1.jpeg","thumbnail_width":300,"thumbnail_height":216,"description":"Tables des mati\u00e8res Focus En lien direct avec les origines du marimba Jacques Hostettler et Nicolas \u00adSuter forment le Tchiki Duo Origines et diversit\u00e9 des \u00adpercussions \u00e0 clavier R\u00e9sum\u00e9 succinct de l\u2019histoire de ces instruments Les cousins moins connus de la batterie Les percussions m\u00e9lodiques dans les \u00e9coles de musique D\u00e9couvrir la musique en l\u2019explorant [&hellip;]"}