{"version":"1.0","provider_name":"Swiss Music Review","provider_url":"https:\/\/www.revuemusicale.ch\/en","author_name":"Musikzeitung-Redaktion","author_url":"https:\/\/www.revuemusicale.ch\/en\/author\/admin","title":"Des racines \u00e0 la nature, la rythmique Jaques-Dalcroze poursuit son \u00e9volution - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"dMdzh8OR6K\"><a href=\"https:\/\/www.revuemusicale.ch\/en\/smz\/2024\/05\/la-rythmique-jaques-dalcroze-poursuit-son-evolution\">From roots to nature, Jaques-Dalcroze rhythm continues to evolve<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/en\/smz\/2024\/05\/la-rythmique-jaques-dalcroze-poursuit-son-evolution\/embed#?secret=dMdzh8OR6K\" width=\"600\" height=\"338\" title=\"&quot;From roots to nature, Jaques-Dalcroze rhythm continues to evolve&quot; - Revue Musicale Suisse\" data-secret=\"dMdzh8OR6K\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/05\/Dalcroze_web.jpg","thumbnail_width":1347,"thumbnail_height":1000,"description":"A la rencontre d\u2019H\u00e9l\u00e8ne Nicolet, nouvelle directrice de l\u2019Institut Jaques-Dalcroze (IJD) depuis le 15 ao\u00fbt 2023, succ\u00e9dant \u00e0 Silvia Del Bianco, nous avons r\u00e9colt\u00e9 les graines et plantations futures de sa ligne directrice. Nous avons abord\u00e9 les th\u00e9matiques \u00e9v\u00e9nementielles actuelles et futures de l\u2019Institut, ses principes p\u00e9dagogiques, ainsi que les liens entre la pens\u00e9e dalcrozienne et le management."}