{"version":"1.0","provider_name":"Swiss Music Review","provider_url":"https:\/\/www.revuemusicale.ch\/en","author_name":"Musikzeitung-Redaktion","author_url":"https:\/\/www.revuemusicale.ch\/en\/author\/admin","title":"Num\u00e9ro 09-10\/2024 \u2013 Focus \u00abm\u00e9c\u00e8nes\u00bb - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"JNThy85PZr\"><a href=\"https:\/\/www.revuemusicale.ch\/en\/smz\/2024\/09\/numero-09-10-2024-focus-mecenes\">Issue 09-10\/2024 - Focus on patrons<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/en\/smz\/2024\/09\/numero-09-10-2024-focus-mecenes\/embed#?secret=JNThy85PZr\" width=\"600\" height=\"338\" title=\"&quot;Issue 09-10\/2024 - Focus on patrons&quot; - Swiss Music Review\" data-secret=\"JNThy85PZr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/09\/Cover_SMZ_9-10-24_Web-300x229-1.jpg","thumbnail_width":300,"thumbnail_height":229,"description":"Table des mati\u00e8res Focus La m\u00e9c\u00e8ne de la musique \u00adcontemporaine Tabea \u00adZimmermann nous parle de la Fondation pour la musique Ernst von Siemens Les m\u00e9lodies de la m\u00e9lomane milliardaire Aline Foriel-Destezet soutient la musique classique Ma m\u00e9c\u00e8ne et moi Quelques conseils d\u2032une sp\u00e9cialiste\u00a0 Chatten \u00fcber &#8230; &#8230; die Finanzierung von\u00a0 Musikprojekten Hedy Graber und Timothy [&hellip;]"}