{"version":"1.0","provider_name":"Swiss Music Review","provider_url":"https:\/\/www.revuemusicale.ch\/en","author_name":"Jean Damien Humair","author_url":"https:\/\/www.revuemusicale.ch\/en\/author\/jean-damien-humair","title":"Num\u00e9ro 06_07\/2025 \u2013 Focus \u00ab\u00a0Postdisciplinaire\u00a0\u00bb - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"rEBN2AHPVX\"><a href=\"https:\/\/www.revuemusicale.ch\/en\/smz\/2025\/06\/numero-04_05-2025-focus-postdisciplinaire\">Issue 06_07\/2025 - \"Post-disciplinary\" focus<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/en\/smz\/2025\/06\/numero-04_05-2025-focus-postdisciplinaire\/embed#?secret=rEBN2AHPVX\" width=\"600\" height=\"338\" title=\"&quot;Issue 06_07\/2025 - Focus &quot;Postdisciplinary&quot;&quot; - Swiss Music Review\" data-secret=\"rEBN2AHPVX\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/06\/Cover_06_07_Web-300x215-1.jpg","thumbnail_width":300,"thumbnail_height":215,"description":"Table des mati\u00e8res Focus Pour en finir avec les classifications Entretien avec Xavier Dayer M\u00e9langer les genres, la prise de risques est passionnante L\u2019Ensemble Vide r\u00e9unit musique et autres formes d\u2019art La programmation postdisciplinaire et ses pi\u00e8ges L\u2019organisateur de concerts bee-flat \u00e0 Berne remplace les cat\u00e9gories par la notion d\u2019urgence Chat\u2009: Lisa et Tom discutent [&hellip;]"}