{"version":"1.0","provider_name":"Swiss Music Review","provider_url":"https:\/\/www.revuemusicale.ch\/en","author_name":"Jean Damien Humair","author_url":"https:\/\/www.revuemusicale.ch\/en\/author\/jean-damien-humair","title":"Num\u00e9ro 2\/2026, focus \u00ab\u00a0 opinion \u00bb - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"szEuf8fTX9\"><a href=\"https:\/\/www.revuemusicale.ch\/en\/smz\/2026\/03\/numero-2-2026-focus-opinion\">Issue 2\/2026, focus on \u00abopinion\u00bb<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/en\/smz\/2026\/03\/numero-2-2026-focus-opinion\/embed#?secret=szEuf8fTX9\" width=\"600\" height=\"338\" title=\"\u201cIssue 2\/2026, focus \u00abopinion\u00bb\u201d - Swiss Music Review\" data-secret=\"szEuf8fTX9\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26.jpg","thumbnail_width":1399,"thumbnail_height":1000,"description":"Table des mati\u00e8res Focus Les artistes \u2013 m\u00e9c\u00e8nes culturels de la soci\u00e9t\u00e9\u200a? Entretien avec Estelle Revaz, premi\u00e8re musicienne professionnelle \u00e9lue au Conseil national. Elle repr\u00e9sente le Parti socialiste genevois et poursuit en parall\u00e8le une carri\u00e8re internationale de violoncelliste. Pop et populisme La politique aime se servir de messages musicaux percutants, parfois m\u00eame contre la volont\u00e9 [&hellip;]"}