{"id":22053,"date":"2013-01-14T00:00:00","date_gmt":"2013-01-13T23:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2013\/01\/14\/la-passion-de-radulescu-a-porrentruy\/"},"modified":"2023-01-18T17:41:20","modified_gmt":"2023-01-18T16:41:20","slug":"la-passion-de-radulescu-a-porrentruy","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/news\/resonance\/2013\/01\/la-passion-de-radulescu-a-porrentruy","title":{"rendered":"Radulescu's Passion in Porrentruy"},"content":{"rendered":"<img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/MRadulescu-et-MDoeller-prA\u00a9parateur-des-choeurs-de-Graz.jpg\" alt=\"\" \/>\n<div class='text-section'>\n<p>In composing his Passion, Michael Radulescu was concerned to link his composition, which sets to music texts over 2,000 years old, with the history of 21st-century citizens. The instrumentation includes 2 double basses, 2 flutes and 1 percussion group for each of the 2 choirs. In the middle of these two poles is a group of 4 violas da gamba, 4 trombones and the bass soloist, Ulf B\u00e4stlein, as the \"voice of Jesus\". The violas da gamba play the only instrumental solo, which takes place at a crucial moment, when Jesus realizes the extent of his solitude in the face of the ordeal that awaits him. This musical scenography is of poignant intensity.<\/p>\n<p>The action of the passion narrative is introduced by a plaintive melody, carried by Pia Hansen's alto voice, on an ancient text translated by Luther. Existential questions resonate: who will help us remain free? Who will help us when we face death?<\/p>\n<p>This introduction shakes up the listener, throwing him or her straight into the heart of the reflection. The end of the same text constitutes the work's epilogue: when the listener has caught his breath, after so much emotion and tension, appeasement finally arrives. With a deep breath from the viola, a sense of peace pervades the music.<\/p>\n<p>In conjunction with the concerts, the Fondation pro Musica has invited Pascale Rouet, author of a book on the subject, to share her analysis of Michael Radulescu's musical language. A lecture for the general public will take place on Sunday March 24 at 3.15pm.<\/p>\n<p><strong>The dates<br \/> <\/strong><em>Porrentruy<\/em><br \/> <em>Jesuit Church<\/em><br \/> Saturday, March 23, 8 p.m.; Sunday, March 24, 5 p.m., lecture at 3:15 p.m.<\/p>\n<p><strong>Find out more:<\/strong> <a href='http:\/\/www.tribunes-baroques.ch'>www.tribunes-baroques.ch<\/a><\/p>\n<p><strong>Photo:<\/strong> Michael Radulescu (right) with Josef Doeller, Graz choir coach. <\/p>\n<\/p><\/div>","protected":false},"excerpt":{"rendered":"<p><strong>This spring, the Tribunes baroques 2013 will present a Swiss premiere: the revival, under his own direction, of \"Passion\", a work by Michael Radulescu composed in 2003. After Vienna and Graz, two performances will be given in Porrentruy, on March 23 and 24. <\/strong><\/p>","protected":false},"author":1,"featured_media":22054,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1603,2],"tags":[],"class_list":["post-22053","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classique","category-resonance"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La Passion de Radulescu \u00e0 Porrentruy - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/en\/news\/resonance\/2013\/01\/la-passion-de-radulescu-a-porrentruy\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Passion de Radulescu \u00e0 Porrentruy - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Ce printemps, les Tribunes baroques 2013 pr\u00e9senteront un \u00e9v\u00e9nement en premi\u00e8re suisse: la reprise, sous sa propre direction, de \u00abPassion\u00bb, \u0153uvre de Michael Radulescu compos\u00e9e en 2003. 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