{"id":22951,"date":"2022-10-26T00:00:00","date_gmt":"2022-10-25T22:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2022\/10\/26\/un-compositeur-de-lieder-peu-connu\/"},"modified":"2024-03-12T18:06:19","modified_gmt":"2024-03-12T17:06:19","slug":"un-compositeur-de-lieder-peu-connu","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/critiques\/disques\/2022\/10\/un-compositeur-de-lieder-peu-connu","title":{"rendered":"A little-known lieder composer"},"content":{"rendered":"<p><img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Perler_Werner_Rushton_Wahnfried_klein.jpg\" alt=\"\" \/><\/p>\n<div class=\"text-section\">\n<p>Hermann L\u00e9vi (1839-1900) is celebrated in the literature as one of the most important conductors of his time. A close friend of Brahms and then Wagner, whose Parsifal he conducted at the Bayreuth premiere, he was also a friend of Bruckner, a composer he took to heart to conduct. By contrast, L\u00e9vi is little known as a composer. The CD by bass-baritone Ren\u00e9 Perler and pianist Edward Rushton fills a gap.<\/p>\n<p>The 10 or so Lieder recorded are pure jewels in the tradition of Schumann and Brahms. Edward Rushton's round, suspended tone envelops Ren\u00e9 Perler's clear diction to perfection. Following in the footsteps of Fischer-Dieskau, the singer brilliantly narrates the poems, coloring every word without ever lapsing into preciousness. Sensitivity and intelligence join hands: great art. Ren\u00e9 Perler and Edward Rushton rounded off these fine discoveries with Lieder by Brahms, Schumann and Heinrich von Herzogenberg. If this composer is somewhat celebrated by our oratorio choirs (<em>Die Geburt Christi<\/em>Mass in E minor, <em>Todtenfeier<\/em>,<em> Passion<\/em>...), these magnificent works for voice and piano are unfortunately not sufficiently featured in recital programs.<\/p>\n<p>One might be surprised to see this CD end with melodies by Duparc. We must remember how much the French composer was a fervent admirer of Wagner, as was L\u00e9vi. And so it's only natural that four of these melodies should round off this fine recording, all the better for Ren\u00e9 Perler's faultless French diction.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/11_crit_cd_Dagon.png\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Der letzte Gruss: Lieder by Hermann Levi, Johannes Brahms, Henri Duparc, Heinrich von Herzogenberg and Robert Schumann. Ren\u00e9 Perler, Bassbaritone; Edward Rushton, Piano. Prospero PROSP0018<\/em><img decoding=\"async\" class=\"media photo large\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Rushton_Wagnerfluegel_Schnitt_klein.jpg\" alt=\"Image \" \/><\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo large\">\n<dd class=\"longdesc\">Edward Rushton accompanies the lieder on Richard Wagner's Steinway.<\/dd>\n<\/dl>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Ren\u00e9 Perler sings Lieder by L\u00e9vi, Brahms, Duparc, Herzogenberg and Schumann with sensitivity and intelligence. The recording took place at the Villa Wahnfried, with Edward Rushton accompanying L\u00e9vi's idol, Richard Wagner, on his Steinway. <\/strong><\/p>","protected":false},"author":1,"featured_media":22952,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1615],"tags":[1847,1845,1846],"class_list":["post-22951","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-disques","tag-edward-rushton","tag-hermann-levi","tag-rene-perler"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Un compositeur de lieder peu connu - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/en\/critiques\/disques\/2022\/10\/un-compositeur-de-lieder-peu-connu\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Un compositeur de lieder peu connu - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Ren\u00e9 Perler chante des lieder de L\u00e9vi, Brahms, Duparc, Herzogenberg et Schumann avec sensibilit\u00e9 et intelligence. 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