{"id":22977,"date":"2013-07-03T00:00:00","date_gmt":"2013-07-02T22:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2013\/07\/03\/memoire-et-histoire\/"},"modified":"2024-08-16T15:14:09","modified_gmt":"2024-08-16T13:14:09","slug":"memoire-et-histoire","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2013\/07\/memoire-et-histoire","title":{"rendered":"Memory and history"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/CahierAus.jpg\" alt=\"\" width=\"554\" height=\"359\" \/><figcaption class=\"wp-caption-text\">Detail of volume 22 cover<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>A cultural association dedicated to world music and dance, Ateliers d'ethnomusicologie (ADEM) was founded in Geneva in 1983. Among its many activities (fifty courses, as varied as South Indian percussion, Galician bagpipes and Balinese dance, introductory courses in schools, help for migrant musicians, organization of concerts and festivals) is the annual publication of Cahiers d'ethnomusicologie. Each volume includes a major dossier that makes up around three-quarters of the work, an interview and detailed reviews of books, mainly in French and English, CDs and doctoral theses.<\/p>\n<p>In recent years, the following topics have been addressed: <em>musical gesture, musical forms, musical identities, performance(s), emotions, ethical issues, the artist's life<\/em>while this year's issue will be entitled <em>notes of humor<\/em>.<\/p>\n<p>For example, the dossier devoted to <em>memory, traces, history<\/em>published in 2009 in the 22\u00e8me cahier, consists of an introduction followed by twelve articles, constituting the proceedings of an international colloquium held at the Universit\u00e9 de Nice Sophia-Antipolis in 2008. This incursion into the historical functions of musical memory and orality addresses, for example, the question of transmission, or the far more complex relationship between writing and orality than is generally thought. Doesn't the material safeguarding of oral tradition by means of the record also imply the fabrication of a kind of fixed orthodoxy? In recent decades, memory has been revalued as a historical source that complements the written word and archaeology. Myths, epics, narratives and ritual acts linked to music have thus acquired additional scientific significance. One of the recurring themes of the book is the loss of memory, both individual and collective, and the responses to it. Articles are devoted more specifically, for example, to the memory of improvisers in South Indian music, to oral laments in Brittany under the Ancien R\u00e9gime, or to musical transmission in a nomadic context.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Cahierklein.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Cahiers d'ethnomusicologie, volume 22, m\u00e9moire, traces, histoire, Ateliers d'ethnomusicologie, Geneva, 2009<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Cahiers d'ethnomusicologie has been published since 1988. Each volume includes a major dossier that makes up about three-quarters of the work.<\/strong><\/p>","protected":false},"author":1,"featured_media":22978,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-22977","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>M\u00e9moire et histoire - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2013\/07\/memoire-et-histoire\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"M\u00e9moire et histoire - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Les Cahiers d\u2019ethnomusicologie paraissent depuis 1988. Chaque volume comprend un important dossier formant environ les trois quarts de l\u2019ouvrage.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2013\/07\/memoire-et-histoire\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2013-07-02T22:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-08-16T13:14:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/CahierAus.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"359\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2013\\\/07\\\/memoire-et-histoire#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2013\\\/07\\\/memoire-et-histoire\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"M\u00e9moire et histoire\",\"datePublished\":\"2013-07-02T22:00:00+00:00\",\"dateModified\":\"2024-08-16T13:14:09+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2013\\\/07\\\/memoire-et-histoire\"},\"wordCount\":413,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2013\\\/07\\\/memoire-et-histoire#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/CahierAus.jpg\",\"articleSection\":[\"Critiques\",\"Livres et partitions\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2013\\\/07\\\/memoire-et-histoire\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2013\\\/07\\\/memoire-et-histoire\",\"name\":\"M\u00e9moire et histoire - 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