{"id":23007,"date":"2014-02-05T00:00:00","date_gmt":"2014-02-04T23:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2014\/02\/05\/la-theorie-musicale-au-20e-siecle-et-telemann\/"},"modified":"2024-08-16T15:02:04","modified_gmt":"2024-08-16T13:02:04","slug":"la-theorie-musicale-au-20e-siecle-et-telemann","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2014\/02\/la-theorie-musicale-au-20e-siecle-et-telemann","title":{"rendered":"Music theory in the 20th century - and Telemann"},"content":{"rendered":"

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Under the scientific direction of Nicolas Donin and Laurent Feneyrou, an international panel of specialists in twentieth-century Western music, including several Swiss musicologists (P. Alb\u00e8ra, R. Brotbeck, R. Campos, T. Hirsbrunner, G. Starobinski), has produced an incomparable work: a vast panorama that has no equivalent in the French language. Nearly 70 chapters are devoted to writing techniques, from Sch\u00f6nberg, Scriabin and D'Indy to Zimmermann, Xenakis and Ligeti; from the Orchestration treatise<\/em> from Koechlin to Musical language technique <\/em>of Messiaen; from Dadaism, microtonal music and polytonality to minimalism, spectralism and live electronics.<\/p>\n

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One of the advantages of this book is that it does not limit itself to the theoretical writings of composers, but also addresses the compositional process itself. Another quality of this work is its non-discriminatory approach, with no stylistic apriori, thus illustrating the fascinating diversity of twentieth-century music. Published in two large hardback volumes, this work is a must for anyone wishing to deepen their musical knowledge of the last hundred years.<\/p>\n

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Nicolas Donin and Laurent Feneyrou, scientific editors, Th\u00e9ories de la composition musicale au XXe si\u00e8cle, 1840 p. in 2 volumes, \u20ac 395.00, Editions Sym\u00e9trie, Lyon 2013, ISBN 978-2-914373-60-9 <\/em><\/p>\n

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Telemann's autobiographies<\/h3>\n
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In a much lighter format, Editions Sym\u00e9trie has published the three more or less short autobiographies written by Telemann at Mattheson's request (for his Grosse Generalbassschule<\/em> of 1731 and its Grundlage einer Ehrenpforte<\/em> of 1740, as well as for the Musikalisches Lexikon<\/em> (1732) by Bach's cousin Johann Gottfried Walther, the first musical dictionary in German. Not without humor, Telemann describes how, as a precocious and gifted child, he was forbidden to play music for part of his youth, and how he disobeyed, becoming a self-taught musician. He recounts his apprenticeship in French and Italian styles, and the influence of Polish folk musicians, from whom \"an attentive listener could pick up a lifetime's worth of ideas in eight days\". We enter the intimate world of the man considered to be the most prolific composer of all time, thanks to his \"naturalness, which cannot stand idleness\", making him live \"in continuous and joyful activity\". His boundless imagination combined with hard work enabled him, for example, to write almost 200 orchestral overtures (suites) in just two years. A short but illuminating introduction also describes this period, during which a specifically German culture was beginning to assert itself.<\/p>\n

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Georg Philipp Telemann, Autobiographies, introduction and translation by Gabrielle Marcq, 96 p., \u20ac 9.50, Editons Sym\u00e9trie, Lyon 2013, ISBN 978-2-914373-90-6 <\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Over the years, Editions Sym\u00e9trie has published a vast selection of books devoted to music and musicology, as well as correspondence and writings by musicians. Two recent examples: <\/strong><\/p>","protected":false},"author":1,"featured_media":23008,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23007","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"\nLa th\u00e9orie musicale au 20e si\u00e8cle \u2013 et Telemann - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2014\/02\/la-theorie-musicale-au-20e-siecle-et-telemann\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La th\u00e9orie musicale au 20e si\u00e8cle \u2013 et Telemann - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Au fil des ans, les Editions Sym\u00e9trie ont fait para\u00eetre un vaste choix de livres consacr\u00e9s \u00e0 la musique et \u00e0 la musicologie, ainsi qu\u2019aux correspondances et \u00e9crits de musiciens. 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