{"id":23162,"date":"2017-11-08T00:00:00","date_gmt":"2017-11-07T23:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2017\/11\/08\/compositeurs-a-lhonneur\/"},"modified":"2024-08-16T11:43:35","modified_gmt":"2024-08-16T09:43:35","slug":"compositeurs-a-lhonneur","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2017\/11\/compositeurs-a-lhonneur","title":{"rendered":"Composers in the spotlight"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Julien_Francois_Zbinden_1991_Plans-Fixes.jpg\" alt=\"\" width=\"554\" height=\"380\" \/><figcaption class=\"wp-caption-text\">Julien-Fran\u00e7ois Zbinden 1991 during the filming of \"Plans-Fixes\". Photo: Jean Mayerat, Rolle<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>In addition to biographies written by musicologists, there are many other ways of presenting the life, thought and work of composers. The genre of autobiography can take many forms. Composer and pianist Julien-Fran\u00e7ois Zbinden, who celebrates his 100th birthday this month (cf. <a href=\"\/en\/dms\/archiv\/smz\/2017\/11\/articles\/archiv-11-Resonance.pdf\/\">article <em>RMS <\/em>11_2017, page 32<\/a>) talks relatively little about music, and even less about his works, true to what he declared when his first book came out seven years ago: \"to offer a few reflections of my thoughts and a few images of my existence, because the sum of my musical works reveals what I feel, but by no means who I am.\" Thus, this book alternates a gallery of memories recounted through a multitude of anecdotes told with humor (childhood, friendships, travel) with an imaginary dialogue enabling him to question semantics, tackle the difficult question of free will, and praise slowness and patience in an excited society that forgets the virtues of silence. Convinced that the time of divine beliefs and prophets is over, he adds that \"the time of wisdom must come or humanity will disappear.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/11_crit_Buch_Zbinden.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>Andr\u00e1s Farkas's work with his father Ferenc, a Hungarian composer, is somewhere between a biography and an autobiography. Although he is the only non-Roman composer mentioned in this article, his son, a conductor based in the canton of Vaud, has links with Switzerland. Apart from the great personalities such as Bart\u00f3k, Kod\u00e1ly, Kurt\u00e1g and Ligeti, other 20th-century Hungarian composers have had little exposure outside their native country. Farkas, who was born in the Austro-Hungarian Empire in 1905 and died in 2000, recounts a century of upheaval, loss, horror and disillusionment. A prolific composer, especially of vocal music, he also produced numerous film and stage scores. A representative of the neo-classical tradition, he trained many of his pupils.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Farkas.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>Neither musicologist nor historian, Jean Winiger presents Joseph Bovet with all his passion and talent as an actor and director, using a lyricism that sometimes makes it difficult to grasp what is the author's invention and what is based on proven facts. In any case, it is based on numerous testimonials from people who knew the \"singing abbot\", whose melody <em>Up on the mountain<\/em> is popular the world over - as far afield as Australia, Vietnam and Mongolia - far more than the composer's name. The emotion that emanates from a work like <em>Nouthra Dona di Maortse<\/em>The success of his music, for example, was no accident: his perfect knowledge of choral writing, the art of harmonization and the use of diatonism inspired by plainchant all played their part. Winiger underscores the extent to which this great lover of nature and simple folk's love of music went hand in hand with his desire to alleviate suffering, transmit joy and hope, and introduce the general public to culture. With this in mind, the tireless leader of Fribourg's choral life devoted himself without counting the cost, despite the clouds of jealousy and slander that gathered over his head, darkening his last years.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/11_crit_Buch_Bovet.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>Finally, a short booklet presents the current catalog of works by Valais composer and organist Marie-Christine Raboud-Theurillat, born in 1948, whose touching, modal works deserve to be better known, particularly her chamber music output. These 74 opus numbers, written over a period of twenty years, offer emotionally rich inner landscapes. Faur\u00e9, Bart\u00f3k and Messiaen are among the composers who inspired this engaging musical personality.<\/p>\n<\/div>\n<div class=\"text-section\">\n<p><em>Julien-Fran\u00e7ois Zbinden : de Vous \u00e0 Moi, 176 p., Fr. 27.00 ; Editions de l'Aire, Vevey 2017, ISBN 9782940586677<\/em><\/p>\n<p>Andr\u00e1s Farkas : Mon p\u00e8re m'a racont\u00e9... La vie du compositeur hongrois Ferenc Farkas, \u20ac 19.00, Delatour France, Sampzon, ISBN 978-2-7521-0307-9<\/p>\n<p><em>Jean Winiger: L'Abb\u00e9 Bovet. L\u00e0-haut sur la montagne. Au-del\u00e0 de la l\u00e9gende, 200 p., Fr. 35.00, Editions Cab\u00e9dita, Bi\u00e8re 2017, ISBN 978-2-88295-767-2<\/em><\/p>\n<p><em>Marie-Christine Raboud-Therillat, compositrice et organiste : liste des oeuvres conserv\u00e9es \u00e0 la M\u00e9diath\u00e8que Valais, by Annie Thiessoz Reynard and Jean-Louis Matthey, pref. by Damian Elsig, foreword by Antonin Scherrer, 37 p., M\u00e9diath\u00e8que Valais, Sion 2017<br \/>\n<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>The number of books devoted to composers from French-speaking Switzerland is increasing, a welcome sign of renewed interest in their work. If we can't present them all, here are four very different examples.<\/strong><\/p>","protected":false},"author":1,"featured_media":23163,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23162","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Compositeurs \u00e0 l\u2019honneur - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2017\/11\/compositeurs-a-lhonneur\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Compositeurs \u00e0 l\u2019honneur - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Les ouvrages consacr\u00e9s aux compositeurs romands se multiplient, signe r\u00e9jouissant d\u2019un int\u00e9r\u00eat renouvel\u00e9 pour leurs \u0153uvres. 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