{"id":23259,"date":"2019-10-31T00:00:00","date_gmt":"2019-10-30T23:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2019\/10\/31\/les-structures-du-langage-musical\/"},"modified":"2024-08-16T11:00:44","modified_gmt":"2024-08-16T09:00:44","slug":"les-structures-du-langage-musical","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2019\/10\/les-structures-du-langage-musical","title":{"rendered":"The structures of musical language"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/783px-Leonard_Bernstein_2_Allan_Warren.jpg\" alt=\"\" width=\"554\" height=\"402\" \/><figcaption class=\"wp-caption-text\">Leonard Bernstein at a rehearsal, Albert Hall, 1973. Source: Allan Warren \/ wikimedia commons<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>An excellent pedagogue, the conductor and composer outlines his research into an innate universal musical grammar, inspired in part by the generative and transformational grammar of one of the pioneers of psycholinguistics, Noam Chomsky. With a keen sense of popularization and communicative passion, Bernstein explores phonology (sounds), syntax (concrete structures) and semantics (musical and extra-musical meaning), and attempts to determine the deeper structures of musical language, drawing on numerous examples and in-depth analysis of passages from famous scores. Among the key factors he identifies are repetition and its complement, transformation (by deletion, association, permutation, embedding or any other form of variation); ambiguity, which lends interest to music, whether through chromaticism, structural asymmetry or the tension between atonality and tonality; metaphors and other figures of speech such as alliteration, anaphora, antithesis or chiasmus. Even if, in conclusion, Bernstein foresees a synthesis in which all styles and techniques can nourish and enrich each other, as an outline of an answer to the question that underlies the book: \"Where is music going? \"It is regrettable that the last two lectures indulge in dualism, dealing only with the Schoenberg school on the one hand, and Stravinsky and neoclassicism (supposed to save music from subjective expression) on the other, neglecting the many other paths taken by 20th-century composers. This in no way detracts from the merits of this brief introduction to the signifier and signified of music, especially as it is primarily intended to suggest avenues to stimulate further reflection.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/11_crit_buch_Mettraux.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Leonard Bernstein: The Unanswered Question. Six lectures given at Harvard, 312 p., \u20ac 25.00, Editions Minerve, Paris 2018, ISBN 978-2-86931-151-0<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Last year, to mark the centenary of Leonard Bernstein's birth, Editions Minerve published a new translation by Odile Demange of the transcriptions of six lectures given in October and November 1973 as part of the \"Norton Lectures\" at Harvard University, published under the title borrowed from Ives' famous orchestral piece, \"La question sans r\u00e9ponse\". <\/strong><\/p>","protected":false},"author":1,"featured_media":23260,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23259","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Les structures du langage musical - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2019\/10\/les-structures-du-langage-musical\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les structures du langage musical - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"L\u2019an pass\u00e9, \u00e0 l\u2019occasion du centenaire de la naissance de Leonard Bernstein, les Editions Minerve ont fait para\u00eetre une nouvelle traduction, r\u00e9alis\u00e9e par Odile Demange, de la transcription de six conf\u00e9rences donn\u00e9es en octobre et novembre 1973 dans le cadre des \u00ab Norton Lectures \u00bb \u00e0 l\u2019universit\u00e9 Harvard, parues sous le titre emprunt\u00e9 \u00e0 la c\u00e9l\u00e8bre pi\u00e8ce orchestrale de Ives, \u00ab La question sans r\u00e9ponse \u00bb.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2019\/10\/les-structures-du-langage-musical\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-10-30T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-08-16T09:00:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/783px-Leonard_Bernstein_2_Allan_Warren.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"402\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2019\\\/10\\\/les-structures-du-langage-musical#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2019\\\/10\\\/les-structures-du-langage-musical\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Les structures du langage musical\",\"datePublished\":\"2019-10-30T23:00:00+00:00\",\"dateModified\":\"2024-08-16T09:00:44+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2019\\\/10\\\/les-structures-du-langage-musical\"},\"wordCount\":386,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2019\\\/10\\\/les-structures-du-langage-musical#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/783px-Leonard_Bernstein_2_Allan_Warren.jpg\",\"articleSection\":[\"Critiques\",\"Livres et partitions\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2019\\\/10\\\/les-structures-du-langage-musical\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2019\\\/10\\\/les-structures-du-langage-musical\",\"name\":\"Les structures du langage musical - Revue Musicale Suisse\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2019\\\/10\\\/les-structures-du-langage-musical#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2019\\\/10\\\/les-structures-du-langage-musical#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/783px-Leonard_Bernstein_2_Allan_Warren.jpg\",\"datePublished\":\"2019-10-30T23:00:00+00:00\",\"dateModified\":\"2024-08-16T09:00:44+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2019\\\/10\\\/les-structures-du-langage-musical#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2019\\\/10\\\/les-structures-du-langage-musical\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2019\\\/10\\\/les-structures-du-langage-musical#primaryimage\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/783px-Leonard_Bernstein_2_Allan_Warren.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/783px-Leonard_Bernstein_2_Allan_Warren.jpg\",\"width\":554,\"height\":402},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2019\\\/10\\\/les-structures-du-langage-musical#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Les structures du langage musical\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"name\":\"Revue Musicale Suisse\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.revuemusicale.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\",\"name\":\"Revue Musicale Suisse\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"width\":1200,\"height\":243,\"caption\":\"Revue Musicale Suisse\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/?hl=de\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"caption\":\"Musikzeitung-Redaktion\"},\"sameAs\":[\"http:\\\/\\\/wundo-docker.io\"],\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/en\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Les structures du langage musical - Revue Musicale Suisse","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2019\/10\/les-structures-du-langage-musical\/","og_locale":"en_US","og_type":"article","og_title":"Les structures du langage musical - Revue Musicale Suisse","og_description":"L\u2019an pass\u00e9, \u00e0 l\u2019occasion du centenaire de la naissance de Leonard Bernstein, les Editions Minerve ont fait para\u00eetre une nouvelle traduction, r\u00e9alis\u00e9e par Odile Demange, de la transcription de six conf\u00e9rences donn\u00e9es en octobre et novembre 1973 dans le cadre des \u00ab Norton Lectures \u00bb \u00e0 l\u2019universit\u00e9 Harvard, parues sous le titre emprunt\u00e9 \u00e0 la c\u00e9l\u00e8bre pi\u00e8ce orchestrale de Ives, \u00ab La question sans r\u00e9ponse \u00bb.","og_url":"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2019\/10\/les-structures-du-langage-musical\/","og_site_name":"Revue Musicale Suisse","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2019-10-30T23:00:00+00:00","article_modified_time":"2024-08-16T09:00:44+00:00","og_image":[{"width":554,"height":402,"url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/783px-Leonard_Bernstein_2_Allan_Warren.jpg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"Musikzeitung-Redaktion","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2019\/10\/les-structures-du-langage-musical#article","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2019\/10\/les-structures-du-langage-musical"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"Les structures du langage musical","datePublished":"2019-10-30T23:00:00+00:00","dateModified":"2024-08-16T09:00:44+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2019\/10\/les-structures-du-langage-musical"},"wordCount":386,"publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2019\/10\/les-structures-du-langage-musical#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/783px-Leonard_Bernstein_2_Allan_Warren.jpg","articleSection":["Critiques","Livres et partitions"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2019\/10\/les-structures-du-langage-musical","url":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2019\/10\/les-structures-du-langage-musical","name":"Les structures du langage musical - Revue Musicale Suisse","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2019\/10\/les-structures-du-langage-musical#primaryimage"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2019\/10\/les-structures-du-langage-musical#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/783px-Leonard_Bernstein_2_Allan_Warren.jpg","datePublished":"2019-10-30T23:00:00+00:00","dateModified":"2024-08-16T09:00:44+00:00","breadcrumb":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2019\/10\/les-structures-du-langage-musical#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2019\/10\/les-structures-du-langage-musical"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2019\/10\/les-structures-du-langage-musical#primaryimage","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/783px-Leonard_Bernstein_2_Allan_Warren.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/783px-Leonard_Bernstein_2_Allan_Warren.jpg","width":554,"height":402},{"@type":"BreadcrumbList","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2019\/10\/les-structures-du-langage-musical#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.revuemusicale.ch\/"},{"@type":"ListItem","position":2,"name":"Les structures du langage musical"}]},{"@type":"WebSite","@id":"https:\/\/www.revuemusicale.ch\/#website","url":"https:\/\/www.revuemusicale.ch\/","name":"Swiss Music Review","description":"","publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revuemusicale.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.revuemusicale.ch\/#organization","name":"Swiss Music Review","url":"https:\/\/www.revuemusicale.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","width":1200,"height":243,"caption":"Revue Musicale Suisse"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/?hl=de"]},{"@type":"Person","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Musikzeitung-Redaktion","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","caption":"Musikzeitung-Redaktion"},"sameAs":["http:\/\/wundo-docker.io"],"url":"https:\/\/www.revuemusicale.ch\/en\/author\/admin"}]}},"publishpress_future_action":{"enabled":false,"date":"1970-01-01 01:00:00","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts\/23259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/comments?post=23259"}],"version-history":[{"count":3,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts\/23259\/revisions"}],"predecessor-version":[{"id":30703,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts\/23259\/revisions\/30703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/media\/23260"}],"wp:attachment":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/media?parent=23259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/categories?post=23259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/tags?post=23259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}