{"id":23314,"date":"2021-01-18T00:00:00","date_gmt":"2021-01-17T23:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2021\/01\/18\/traites-dinterpretation-et-de-phonetique\/"},"modified":"2024-08-15T16:19:05","modified_gmt":"2024-08-15T14:19:05","slug":"traites-dinterpretation-et-de-phonetique","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2021\/01\/traites-dinterpretation-et-de-phonetique","title":{"rendered":"Treatises on interpretation and phonetics"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/800px-Hof-Musici_Krumlov_2017.jpg\" alt=\"\" width=\"554\" height=\"369\" \/><figcaption class=\"wp-caption-text\">The \u010cesk\u00fd Krumlov opera house has orchestra stands built in 1765\/6, preserved in their original state. Photo: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Hof-Musici_Krumlov_2017.jpg?uselang=de\" target=\"_blank\" rel=\"noopener\">VitVit\/wikimedia commons<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Vocal music cannot be approached without considering the subtle nuances of diction, which are all too often neglected these days. Approximate habits often replace basic knowledge and understanding. In this clear, pedagogically-written treatise on the phonetics of the sung French language, backed up by practical tables, Marie-Paule Hallard, a specialist in this field, details the correspondence between the grapheme and the pronunciation of each grapheme and phoneme, specifies the rules of accentuation and liaison, gives advice on how to improve vowel and consonant articulation, and offers the reader a summary of the principles of interpretation. Easy to use, this manual is an indispensable guide for all singers, for students, amateurs and professionals alike, whether or not they are native French speakers.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/1_2_crit_buch_Mettraux1-1.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>Alongside a career as a violist in renowned early music ensembles, Kai K\u00f6pp concentrates his research on the field of historical interpretation. His book on the practice of orchestral instrumentalists from the Baroque to Romanticism, published in German in 2009, has been excellently translated by violinist Fabien Roussel. Great importance is attached to bow strokes, whose organization and coordination remain essential for ensemble playing. An in-depth study of the different schools and their evolution through various sources offers possible answers to some basic questions linked to the musical performance of early repertoires: how did an instrumentalist play? What articulations were suggested by the indications (or lack of them) on his part? Fifteen examples, taken from works ranging from Lully to Wagner, allow us to apply the knowledge acquired in this abundant and fascinating theoretical corpus.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/1_2_crit_buch_Mettraux2-1.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p><em>Marie-Paule Hallard: Le Fran\u00e7ais chant\u00e9, phon\u00e9tique et aspects de la langue en chant classique, 108 p., \u20ac 27.00, \u00e9ditions Sym\u00e9trie, Lyon 2020, ISBN 978-2-36485-080-4<\/em><\/p>\n<p><em>Kai K\u00f6pp: Historical, Baroque, Classical and Romantic Orchestral Practice, 384 pp,<br \/>\n\u20ac 29.00, \u00e9ditions Sym\u00e9trie, Lyon 2019, ISBN 978-2-36485-051-4<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Editions Sym\u00e9trie has recently published two fundamental works, authentic courses in interpretation. <\/strong><\/p>","protected":false},"author":1,"featured_media":23315,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23314","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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