{"id":23409,"date":"2022-05-25T00:00:00","date_gmt":"2022-05-24T22:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2022\/05\/25\/musique-au-20e-siecle\/"},"modified":"2024-08-15T09:42:38","modified_gmt":"2024-08-15T07:42:38","slug":"musique-au-20e-siecle","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2022\/05\/musique-au-20e-siecle","title":{"rendered":"Music in the 20th century"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Bundesarchiv_B_145_Bild-F004566-0002_Darmstadt_Internationaler_Kurs_fuer_neue_Musik.jpg\" alt=\"\" width=\"554\" height=\"397\" \/><figcaption class=\"wp-caption-text\">Summer courtyard with Karl Heinz Stockhausen in Darmstadt in 1957. Photo: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Bundesarchiv_B_145_Bild-F004566-0002,_Darmstadt,_Internationaler_Kurs_f%C3%BCr_neue_Musik.jpg?uselang=de\" target=\"_blank\" rel=\"noopener\">Rolf Unterberg, Bundesarchiv, B 145 Bild-F004566-0002<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>What part does legend play in the genesis and creation of the <em>Quartet for the End of Time<\/em> of Messiaen? To what extent did Webern, an enthusiastic reader in 1941 of <em>Mein Kampf<\/em>Was he fascinated by Nazi ideology, and why was this less-than-stellar aspect of his personality long obscured? Why did proletarian realism and the Zhdanov doctrine crush certain artists and put an end to the Soviet avant-garde? How was the Darmstadt Summer School supported by the USA at the start of the Cold War, with the aim of using serialism for anti-Communist propaganda? What were the first examples of national policies of cultural democratization? Bruno Giner's book, recently published by Delatour, provides precise, concise and lively answers to these and many other questions, exploring the links between some of the composers of the first half of the 20th century and the political context in which they lived. We can also discover, for example, Satie's social commitment, Edgard Var\u00e8se's support for the Spanish Republic, Elsa Barraine's Resistance activities or the musical ensembles of the Mauthausen concentration camp.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/06_crit_buch_Mettraux1.png\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>What has been missing is a comprehensive history of twelve-tone and serial music, from its origins to its final developments, including the contribution of Hauer and his school, and the criticisms levelled at serialism. This expectation is fulfilled by Franck Jedrzejewski's book, published by Brepols, which describes the spread of the Schoenbergian twelve-tone technique to all continents, its influence on numerous creators and its many metamorphoses and mutations (incomplete series, rotations, permutations, use of microtonality, etc.). In a short chapter, he also explores the algebra of series and their classification according to structure. The copious appendices include an extensive repertoire of series, the complete list of series including all twelve possible intervals, string diagrams of all 554 dodecaphonic knot structures and an extensive bibliography.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/06_crit_buch_Mettraux2.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p><em>Bruno Giner: Treize histoires secr\u00e8tes de la musique. Quelques jalons pour la musique europ\u00e9enne du premier XX\u00e8me si\u00e8cle, 196 p., \u20ac 22.00, Editions Delatour France, Sampzon 2022, ISBN 9782752104366<br \/>\n<\/em><\/p>\n<p><em>Franck Jedrzejewski: La musique dod\u00e9caphonique et s\u00e9rielle : une nouvelle histoire, XIII+521 p., \u20ac 130.00, Brepols, Turnhout 2021, ISBN 978-2-503-59486-6<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>The interaction between composers and their ideological or political context, and the history of the spread of serial technique, are the subjects of two recently published works.<\/strong><\/p>","protected":false},"author":1,"featured_media":23410,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23409","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Musique au 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