{"id":23425,"date":"2022-10-26T00:00:00","date_gmt":"2022-10-25T22:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2022\/10\/26\/reproductions-sonores\/"},"modified":"2024-08-15T09:28:05","modified_gmt":"2024-08-15T07:28:05","slug":"reproductions-sonores","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2022\/10\/reproductions-sonores","title":{"rendered":"Sound reproduction"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Coverausschnitt.jpg\" alt=\"\" width=\"554\" height=\"396\" \/><figcaption class=\"wp-caption-text\">Excerpt from the cover of \"Swiss Sound<\/figcaption><\/figure>\n<div class=\"text-section\"><\/div>\n<div class=\"text-section\">\n<p>For over a century, Swiss know-how in audio equipment has enjoyed international recognition, thanks as much to its capacity for innovation as to its high manufacturing standards, often forced to strive for excellence in order to differentiate itself from less expensive foreign competition. In a volume of the <em>Swiss Knowledge<\/em>published by the Ecole Polytechnique F\u00e9d\u00e9rale de Lausanne, Joseph Tarradellas mentions the construction of the first phonograph in 1877 by Edison's Appenzell-born collaborator Johann Kr\u00fcsi, and recalls the historical importance of the town of Sainte-Croix, birthplace of the pioneering Paillard and Thorens brands, recalls the revolutionary nature of Stefan Kudelski's Nagra portable tape recorder, which opened up new horizons for journalists and sound recordists alike, evokes Lenco's popular record players, still much sought-after on the second-hand market today, or the high-end devices developed by Willi Studer under his own name or under the ReVox name. Linking this story to the appearance of various technological developments, such as the advent of LPs, high fidelity, mini-cassettes and digital technology, or to the return to favor of the vinyl record among audiophiles, this pocket-sized book ends with a brief presentation of each of the Swiss workshops and firms active today in the field of sound reproduction, as well as an assessment of the current situation and recent problems (hifi customers still predominantly male, or devices that consume too much energy).<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img loading=\"lazy\" decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/11_crit_buch_Mettraux1-1.jpg\" alt=\"Image \" width=\"180\" height=\"270\" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\"><\/div>\n<div class=\"text-section\">\n<p>Paul Deharme's pioneering essay on a similar theme, supplemented by two other short texts, was published by Allia. In 1929, at a time when radio receivers were rare, he described an experimental form of radio art, using the evocative power of sound to appeal to listeners' unconscious. The profound influence of Freudian psychoanalysis can be felt in his descriptions of the potential of radio drama (\"radio-film\"), for which he prefers music to over-realistic sound effects.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/11_crit_buch_Mettraux2-2.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p><em>Joseph Tarradellas: Swiss sound. Une excellence mondiale, 176 p., Fr. 17.50, EPFL Press, Lausanne 2021, ISBN 9782889154364<\/em><\/p>\n<p><em>Paul Deharme: Pour un art radiophonique, 112 p., \u20ac 12.00, Editions Allia, Paris 2022, ISBN 979-10-304-1480-6<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Two new books look at the history of Swiss audio equipment and the art of radio.<\/strong><\/p>","protected":false},"author":1,"featured_media":23426,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23425","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Reproductions sonores - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2022\/10\/reproductions-sonores\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reproductions sonores - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Deux nouveaux livres se penchent sur l\u2019histoire des appareils audio suisses et sur l\u2019art radiophonique.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2022\/10\/reproductions-sonores\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-10-25T22:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-08-15T07:28:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Coverausschnitt.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"396\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2022\\\/10\\\/reproductions-sonores#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2022\\\/10\\\/reproductions-sonores\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Reproductions sonores\",\"datePublished\":\"2022-10-25T22:00:00+00:00\",\"dateModified\":\"2024-08-15T07:28:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2022\\\/10\\\/reproductions-sonores\"},\"wordCount\":427,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2022\\\/10\\\/reproductions-sonores#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Coverausschnitt.jpg\",\"articleSection\":[\"Critiques\",\"Livres et partitions\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2022\\\/10\\\/reproductions-sonores\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2022\\\/10\\\/reproductions-sonores\",\"name\":\"Reproductions sonores - Revue Musicale Suisse\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2022\\\/10\\\/reproductions-sonores#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2022\\\/10\\\/reproductions-sonores#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Coverausschnitt.jpg\",\"datePublished\":\"2022-10-25T22:00:00+00:00\",\"dateModified\":\"2024-08-15T07:28:05+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2022\\\/10\\\/reproductions-sonores#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2022\\\/10\\\/reproductions-sonores\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2022\\\/10\\\/reproductions-sonores#primaryimage\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Coverausschnitt.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Coverausschnitt.jpg\",\"width\":554,\"height\":396},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2022\\\/10\\\/reproductions-sonores#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Reproductions sonores\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"name\":\"Revue Musicale Suisse\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.revuemusicale.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\",\"name\":\"Revue Musicale Suisse\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"width\":1200,\"height\":243,\"caption\":\"Revue Musicale Suisse\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/?hl=de\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"caption\":\"Musikzeitung-Redaktion\"},\"sameAs\":[\"http:\\\/\\\/wundo-docker.io\"],\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/en\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Reproductions sonores - Revue Musicale Suisse","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2022\/10\/reproductions-sonores\/","og_locale":"en_US","og_type":"article","og_title":"Reproductions sonores - Revue Musicale Suisse","og_description":"Deux nouveaux livres se penchent sur l\u2019histoire des appareils audio suisses et sur l\u2019art radiophonique.","og_url":"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2022\/10\/reproductions-sonores\/","og_site_name":"Revue Musicale Suisse","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2022-10-25T22:00:00+00:00","article_modified_time":"2024-08-15T07:28:05+00:00","og_image":[{"width":554,"height":396,"url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Coverausschnitt.jpg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"Musikzeitung-Redaktion","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2022\/10\/reproductions-sonores#article","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2022\/10\/reproductions-sonores"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"Reproductions sonores","datePublished":"2022-10-25T22:00:00+00:00","dateModified":"2024-08-15T07:28:05+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2022\/10\/reproductions-sonores"},"wordCount":427,"publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2022\/10\/reproductions-sonores#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Coverausschnitt.jpg","articleSection":["Critiques","Livres et partitions"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2022\/10\/reproductions-sonores","url":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2022\/10\/reproductions-sonores","name":"Reproductions sonores - Revue Musicale Suisse","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2022\/10\/reproductions-sonores#primaryimage"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2022\/10\/reproductions-sonores#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Coverausschnitt.jpg","datePublished":"2022-10-25T22:00:00+00:00","dateModified":"2024-08-15T07:28:05+00:00","breadcrumb":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2022\/10\/reproductions-sonores#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2022\/10\/reproductions-sonores"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2022\/10\/reproductions-sonores#primaryimage","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Coverausschnitt.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Coverausschnitt.jpg","width":554,"height":396},{"@type":"BreadcrumbList","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2022\/10\/reproductions-sonores#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.revuemusicale.ch\/"},{"@type":"ListItem","position":2,"name":"Reproductions sonores"}]},{"@type":"WebSite","@id":"https:\/\/www.revuemusicale.ch\/#website","url":"https:\/\/www.revuemusicale.ch\/","name":"Swiss Music Review","description":"","publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revuemusicale.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.revuemusicale.ch\/#organization","name":"Swiss Music Review","url":"https:\/\/www.revuemusicale.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","width":1200,"height":243,"caption":"Revue Musicale Suisse"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/?hl=de"]},{"@type":"Person","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Musikzeitung-Redaktion","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","caption":"Musikzeitung-Redaktion"},"sameAs":["http:\/\/wundo-docker.io"],"url":"https:\/\/www.revuemusicale.ch\/en\/author\/admin"}]}},"publishpress_future_action":{"enabled":false,"date":"1970-01-01 01:00:00","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts\/23425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/comments?post=23425"}],"version-history":[{"count":5,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts\/23425\/revisions"}],"predecessor-version":[{"id":30601,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts\/23425\/revisions\/30601"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/media\/23426"}],"wp:attachment":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/media?parent=23425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/categories?post=23425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/tags?post=23425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}