{"id":29356,"date":"2023-02-22T11:12:18","date_gmt":"2023-02-22T10:12:18","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=29356"},"modified":"2023-02-21T09:20:15","modified_gmt":"2023-02-21T08:20:15","slug":"barreaux-references","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/smz\/2023\/02\/barreaux-references","title":{"rendered":"Behind bars: music as an escape?"},"content":{"rendered":"<figure id=\"attachment_29406\" aria-describedby=\"caption-attachment-29406\" style=\"width: 1400px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-29406\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_Focus_Prison.jpg\" alt=\"\" width=\"1400\" height=\"933\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_Focus_Prison.jpg 1400w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_Focus_Prison-300x200.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_Focus_Prison-1024x683.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_Focus_Prison-600x400.jpg 600w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_Focus_Prison-768x512.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_Focus_Prison-1536x1024.jpg 1536w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_Focus_Prison-2048x1365.jpg 2048w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_Focus_Prison-263x175.jpg 263w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_Focus_Prison-525x350.jpg 525w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_Focus_Prison-1200x800.jpg 1200w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_Focus_Prison-920x613.jpg 920w\" sizes=\"auto, (max-width: 1400px) 100vw, 1400px\" \/><figcaption id=\"caption-attachment-29406\" class=\"wp-caption-text\"><a href=\"https:\/\/unsplash.com\/de\/fotos\/3sn9MUlx2ZE\" target=\"_blank\" rel=\"noopener\"><em>Foto: Megan te Boekhorst\/unsplash.com<\/em><\/a><\/figcaption><\/figure>\n<h3><\/h3>\n<h3>La bibliographie en lien avec l&rsquo;article :<\/h3>\n<h3><strong>\u00ab\u00a0Derri\u00e8re les barreaux : la musique pour s\u2019\u00e9vader ?\u00a0\u00bb<\/strong><\/h3>\n<p>&nbsp;<\/p>\n<p>Boethius. (1991). <em>Consolation de la Philosophie. <\/em>Paris : Payot &amp; Rivages.<\/p>\n<p>Cercle\u0301, A. &amp; Somat, A. (2005). <em>Psychologie Sociale<\/em>. Domont : Dupli-Print<\/p>\n<p>Ellenberger H.F (1994). Histoire de la de\u0301couverte de l\u2019inconscient. Paris : Librairie Arthe\u0300me Fayard<\/p>\n<p>Guenancia, P. (1995). <em>L\u2019identite\u0301<\/em>. Kambouchner (Eds.), <em>Notions de philosophie <\/em>(Collection II, pp.563-634). Mesnil-sur-l&rsquo;Estre\u0301e : Socie\u0301te\u0301 nouvelle Firmin Didot.<\/p>\n<p>Harbert, B. J &amp; Gaines, C. (2019). <em>Souding Lockdown, Singing in Administrative Segregation at the Louisiana Correctional Institute for Women<\/em>. Fast, S. &amp; Jennex (Eds.), Popular Music and the Politics of Hope. New York : Routeledge.<\/p>\n<p>Kuhn, A. (2013). <em>Sommes-nous tous des criminels ? <\/em>Charmey : E\u0301dition de l\u2019He\u0300be<\/p>\n<p>Pe\u0301pin, C. (2018). <em>Les vertus de l\u2019e\u0301chec<\/em>. Paris : Allary E\u0301ditions<\/p>\n<p>Foucault, M. (1975). <em>Surveiller et punir<\/em>. Paris : Galimard<\/p>\n<p>Beney, F. (2021, 10 12). <em>Prison des i\u0302les, une i\u0302le sans a\u0302me<\/em>. Le Nouvelliste, pp. 16.<\/p>\n<p>Parvex, M. (2021,10 12). <em>Derrie\u0300re les murs, la solitude \u00ab qui rend fou \u00bb<\/em>. Nouvelliste, pp. 4-6.<\/p>\n<p>Tappolet, B. (2021, 12 11). <em>De\u0301caler les images de l\u2019incarce\u0301ration<\/em>. Le Temps, pp. 21.<\/p>\n<p>Machuel, T. (2008). <em>Paroles contre l\u2019oubli<\/em> [partition &amp; textes]. Inconnu : Edition Musicales du Tremble.<\/p>\n<p>Cohen, M.L. et al. (2018). <em>Music-Making Behind Bars : The Many Dimensions of Communitiy Music in Prisons<\/em>. The Oxford Handbook of Communitiy Music, 2.<\/p>\n<p>Daveson, B. A et al. (2001). <em>A descriptive study exploring the role of music therapy in prisons<\/em>. The Arts in Psychotherapy, 2, 137-141.<\/p>\n<p>Dickie Johnson, A. et al. (2020). <em>A Qualitatve Study of the Rehabilitative Potential of Music in Prisons and Immigration Removal Centers<\/em>. Routeledge, 2.<\/p>\n<p>Doxat-Pratt, S. (2021). <em>Musical communities in the society of captives : Exploring the impact of music making on the world of prison. Musicae Scientiae<\/em>, 3, 290-302.<\/p>\n<p>Gue\u0301tin, S. (2010). <em>Musicothe\u0301rapie en milieu carce\u0301ral. Revue Franc\u0327aise de Musicothe\u0301rapie<\/em>, XXVIII\/1.<\/p>\n<p>Harbert, B. J., (2013). <em>Only Time : Musical Means to the personal, the private, and the polis at the Louisana Correctional Institute for Women<\/em>. American Music, 2, 31-2.<\/p>\n<p>Laster, A. (1975). <em>Musique et peuple dans les anne\u0301es 1830<\/em>. Revue de la socite\u0301te\u0301 des revues romantiques, 9, 77-83.<\/p>\n<p>Maddox, A. (2021). <em>On the Machinery of Moral Improvement : Music and Prison Reform in the Penal Colony on Norfolk Island<\/em>. Musicology Australia, 34-2.<\/p>\n<p>Mangoang, A. (2021). <em>A reward rather than a right : Facilitators\u2019 perspectives on the place of muscic in Norwegian prison exceptionalism<\/em>. Musicae Scientiae, 274-289<\/p>\n<p>Molon, L. (2012). <em>Le chant choral comme outil de re\u0301insertion en milieu carce\u0301ral.<\/em> L\u2019Atrium, revue e\u0301le\u0301ctronique du CNSMD de Lyon.<\/p>\n<p>Saurier, D. et al. (2021). <em>Art et culture en prison : la possibilite\u0301 d\u2019une rencontre ?<\/em> Champ pe\u0301nal\/Penal field, Vol. XI.<\/p>\n<p>Tustatad, L. et al. (2013). <em>Music therapy inside and outside prison \u2013 A freedom practice ?<\/em> Nordic Journal of Music Therapy. 22-3. 210-232.<\/p>\n<p>Ucciani, L. (2019). <em>La musique du temps<\/em>. Le temps. 22.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Intensive musical practice offers the opportunity to provide lasting support for a person's process of reconstruction and development. By forging bold work habits, previously unexplored reflections will open the door to new horizons. <\/p>","protected":false},"author":1,"featured_media":29406,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1565,1611],"tags":[1640,1642,1641],"class_list":["post-29356","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-smz","category-universite","tag-bibliographie","tag-musique-en-prison","tag-sarah-metrailler"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Derri\u00e8re les barreaux : la musique pour s\u2019\u00e9vader ? - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/en\/smz\/2023\/02\/barreaux-references\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Derri\u00e8re les barreaux : la musique pour s\u2019\u00e9vader ? - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"La pratique musicale intensive offre la possibilit\u00e9 d\u2019accompagner durablement le processus de reconstruction d\u2019une personne en vue de son d\u00e9veloppement. En forgeant d\u2019audacieuses habitudes de travail, des r\u00e9flexions jusqu\u2019alors inexplor\u00e9es ouvriront la porte \u00e0 de nouveaux horizons.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/en\/smz\/2023\/02\/barreaux-references\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-02-22T10:12:18+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_Focus_Prison.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1400\" \/>\n\t<meta property=\"og:image:height\" content=\"933\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2023\\\/02\\\/barreaux-references#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2023\\\/02\\\/barreaux-references\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Derri\u00e8re les barreaux : la musique pour s\u2019\u00e9vader ?\",\"datePublished\":\"2023-02-22T10:12:18+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2023\\\/02\\\/barreaux-references\"},\"wordCount\":478,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2023\\\/02\\\/barreaux-references#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/03_Focus_Prison.jpg\",\"keywords\":[\"bibliographie\",\"musique en prison\",\"Sarah M\u00e9trailler\"],\"articleSection\":[\"SMZ\",\"Universit\u00e9\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2023\\\/02\\\/barreaux-references\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2023\\\/02\\\/barreaux-references\",\"name\":\"Derri\u00e8re les barreaux : la musique pour s\u2019\u00e9vader ? 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