{"id":29422,"date":"2023-02-22T16:22:44","date_gmt":"2023-02-22T15:22:44","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=29422"},"modified":"2023-02-21T16:49:57","modified_gmt":"2023-02-21T15:49:57","slug":"moi-aussi-jy-etais","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2023\/02\/moi-aussi-jy-etais","title":{"rendered":"I was there too"},"content":{"rendered":"<figure id=\"attachment_29427\" aria-describedby=\"caption-attachment-29427\" style=\"width: 2400px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-29427 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/nada-zUXOuRlLEWs-unsplash.jpg\" alt=\"\" width=\"2400\" height=\"1600\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/nada-zUXOuRlLEWs-unsplash.jpg 1400w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/nada-zUXOuRlLEWs-unsplash-300x200.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/nada-zUXOuRlLEWs-unsplash-1024x683.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/nada-zUXOuRlLEWs-unsplash-600x400.jpg 600w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/nada-zUXOuRlLEWs-unsplash-768x512.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/nada-zUXOuRlLEWs-unsplash-1536x1024.jpg 1536w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/nada-zUXOuRlLEWs-unsplash-2048x1365.jpg 2048w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/nada-zUXOuRlLEWs-unsplash-263x175.jpg 263w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/nada-zUXOuRlLEWs-unsplash-525x350.jpg 525w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/nada-zUXOuRlLEWs-unsplash-1200x800.jpg 1200w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/nada-zUXOuRlLEWs-unsplash-920x613.jpg 920w\" sizes=\"auto, (max-width: 2400px) 100vw, 2400px\" \/><figcaption id=\"caption-attachment-29427\" class=\"wp-caption-text\">Photo: <a href=\"https:\/\/unsplash.com\/de\/fotos\/zUXOuRlLEWs\" target=\"_blank\" rel=\"noopener\">Nada\/unsplash.com<\/a><\/figcaption><\/figure>\n<p>Every evening on France Inter, Michka Assayas tells the story of rock and its innumerable anecdotes on her show. <em>Very Good Trip<\/em>. A sexagenarian who became an encyclopedia, he even edited one in the collection <em>Book<\/em> the \"A\" in <em>All You Need is Love<\/em> to the \"Z\" in \"ZZ Top\". Even if he's perfectly tuned in to current musical production, the radio man knows all about the history of this musical revolt, from the Beatles' adventure to Iggy Pop's recent albums, via the splendors of David Bowie, the brilliant melodies of Bob Marley or the convulsions of Prince, musicians to whom he has dedicated some fine summer series.<\/p>\n<p>To the well-established genre of the rock review, Michka Assayas adds a grain of salt: his own. He skilfully mixes his well-documented comments with \"I was there, I remember it well\" whispered in the ear of the listener, who can't help but identify. All the more so as, given the average age of France Inter listeners, these are truly shared experiences. How could they not vibrate once again to the soundtracks of their youth, those of Procol Harum and Deep Purple? The subtitle of the book of interviews he published with his interlocutor Maud Berthomier, \"Une histoire intime de la musique\" (An intimate history of music), shows just how far Assayas has pushed the autobiographical approach. We'll pass over the few family photos, fortunately fewer in number than the concert images and album reproductions, some iconic and others rarer. And therein lies the central merit of this publication, enabling us to discover music that can now be listened to at leisure as we read, thanks to streaming platforms. A playlist even closes each chapter.<\/p>\n<p>As for the discourse, it puts recent musical trends and movements into perspective with social phenomena, especially the voices of various minorities, whether women or Jamaicans in London. Sensitive to the voices of the lost and the excluded, Assayas is a reliable listener, recommending the \"deviant\" New Order or Elvis Costello over the elitists The Police and Genesis.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-29425 aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Muehlethaler-245x300.jpg\" alt=\"\" width=\"245\" height=\"300\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Muehlethaler-245x300.jpg 245w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Muehlethaler-143x175.jpg 143w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Muehlethaler-286x350.jpg 286w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Muehlethaler-300x367.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Muehlethaler.jpg 400w\" sizes=\"auto, (max-width: 245px) 100vw, 245px\" \/><\/p>\n<p><em>Michka Assayas: Very Good Trip, une histoire intime de la musique, interviews with Maud Berthomier 216 p., \u20ac 34.00, GM Editions, Paris 2022, ISBN 9782377971930<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>An intimate history of rock music in three hundred essential songs, told by Michka Assayas.<\/p>","protected":false},"author":1,"featured_media":29427,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[1659,1660,1658],"class_list":["post-29422","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions","tag-histoire-du-rock","tag-jacques-muhlethaler","tag-michka-assayas"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Moi aussi j\u2019y \u00e9tais - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2023\/02\/moi-aussi-jy-etais\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Moi aussi j\u2019y \u00e9tais - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Une histoire intime de la musique rock en trois cents chansons incontournables racont\u00e9 par Michka Assayas.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2023\/02\/moi-aussi-jy-etais\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-02-22T15:22:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/nada-zUXOuRlLEWs-unsplash.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1400\" \/>\n\t<meta property=\"og:image:height\" content=\"933\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/02\\\/moi-aussi-jy-etais#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/02\\\/moi-aussi-jy-etais\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Moi aussi j\u2019y \u00e9tais\",\"datePublished\":\"2023-02-22T15:22:44+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/02\\\/moi-aussi-jy-etais\"},\"wordCount\":441,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/02\\\/moi-aussi-jy-etais#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/nada-zUXOuRlLEWs-unsplash.jpg\",\"keywords\":[\"Histoire du rock\",\"Jacques Muhlethaler\",\"Michka Assayas\"],\"articleSection\":[\"Critiques\",\"Livres et partitions\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/02\\\/moi-aussi-jy-etais\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/02\\\/moi-aussi-jy-etais\",\"name\":\"Moi aussi j\u2019y \u00e9tais - Revue Musicale Suisse\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/02\\\/moi-aussi-jy-etais#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/02\\\/moi-aussi-jy-etais#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/nada-zUXOuRlLEWs-unsplash.jpg\",\"datePublished\":\"2023-02-22T15:22:44+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/02\\\/moi-aussi-jy-etais#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/02\\\/moi-aussi-jy-etais\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/02\\\/moi-aussi-jy-etais#primaryimage\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/nada-zUXOuRlLEWs-unsplash.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/nada-zUXOuRlLEWs-unsplash.jpg\",\"width\":1400,\"height\":933},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/02\\\/moi-aussi-jy-etais#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Moi aussi j\u2019y \u00e9tais\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"name\":\"Revue Musicale Suisse\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.revuemusicale.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\",\"name\":\"Revue Musicale Suisse\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"width\":1200,\"height\":243,\"caption\":\"Revue Musicale Suisse\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/?hl=de\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"caption\":\"Musikzeitung-Redaktion\"},\"sameAs\":[\"http:\\\/\\\/wundo-docker.io\"],\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/en\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Moi aussi j\u2019y \u00e9tais - Revue Musicale Suisse","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2023\/02\/moi-aussi-jy-etais\/","og_locale":"en_US","og_type":"article","og_title":"Moi aussi j\u2019y \u00e9tais - Revue Musicale Suisse","og_description":"Une histoire intime de la musique rock en trois cents chansons incontournables racont\u00e9 par Michka Assayas.","og_url":"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2023\/02\/moi-aussi-jy-etais\/","og_site_name":"Revue Musicale Suisse","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2023-02-22T15:22:44+00:00","og_image":[{"width":1400,"height":933,"url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/nada-zUXOuRlLEWs-unsplash.jpg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"Musikzeitung-Redaktion","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/02\/moi-aussi-jy-etais#article","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/02\/moi-aussi-jy-etais"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"Moi aussi j\u2019y \u00e9tais","datePublished":"2023-02-22T15:22:44+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/02\/moi-aussi-jy-etais"},"wordCount":441,"publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/02\/moi-aussi-jy-etais#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/nada-zUXOuRlLEWs-unsplash.jpg","keywords":["Histoire du rock","Jacques Muhlethaler","Michka Assayas"],"articleSection":["Critiques","Livres et partitions"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/02\/moi-aussi-jy-etais","url":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/02\/moi-aussi-jy-etais","name":"Moi aussi j\u2019y \u00e9tais - Revue Musicale Suisse","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/02\/moi-aussi-jy-etais#primaryimage"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/02\/moi-aussi-jy-etais#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/nada-zUXOuRlLEWs-unsplash.jpg","datePublished":"2023-02-22T15:22:44+00:00","breadcrumb":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/02\/moi-aussi-jy-etais#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/02\/moi-aussi-jy-etais"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/02\/moi-aussi-jy-etais#primaryimage","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/nada-zUXOuRlLEWs-unsplash.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/nada-zUXOuRlLEWs-unsplash.jpg","width":1400,"height":933},{"@type":"BreadcrumbList","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/02\/moi-aussi-jy-etais#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.revuemusicale.ch\/"},{"@type":"ListItem","position":2,"name":"Moi aussi j\u2019y \u00e9tais"}]},{"@type":"WebSite","@id":"https:\/\/www.revuemusicale.ch\/#website","url":"https:\/\/www.revuemusicale.ch\/","name":"Swiss Music Review","description":"","publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revuemusicale.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.revuemusicale.ch\/#organization","name":"Swiss Music Review","url":"https:\/\/www.revuemusicale.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","width":1200,"height":243,"caption":"Revue Musicale Suisse"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/?hl=de"]},{"@type":"Person","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Musikzeitung-Redaktion","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","caption":"Musikzeitung-Redaktion"},"sameAs":["http:\/\/wundo-docker.io"],"url":"https:\/\/www.revuemusicale.ch\/en\/author\/admin"}]}},"publishpress_future_action":{"enabled":false,"date":"1970-01-01 01:00:00","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts\/29422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/comments?post=29422"}],"version-history":[{"count":5,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts\/29422\/revisions"}],"predecessor-version":[{"id":29429,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts\/29422\/revisions\/29429"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/media\/29427"}],"wp:attachment":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/media?parent=29422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/categories?post=29422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/tags?post=29422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}