{"id":29870,"date":"2023-10-26T15:25:48","date_gmt":"2023-10-26T13:25:48","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=29870"},"modified":"2023-11-19T17:35:54","modified_gmt":"2023-11-19T16:35:54","slug":"concours-nicati-2023","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/service\/2023\/10\/concours-nicati-2023","title":{"rendered":"Nicati 2023 Competition"},"content":{"rendered":"<figure id=\"attachment_29929\" aria-describedby=\"caption-attachment-29929\" style=\"width: 1400px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-29929\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN1.jpg\" alt=\"\" width=\"1400\" height=\"754\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN1.jpg 1400w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN1-300x162.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN1-1024x551.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN1-768x414.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN1-1536x827.jpg 1536w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN1-2048x1103.jpg 2048w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN1-325x175.jpg 325w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN1-650x350.jpg 650w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN1-1485x800.jpg 1485w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN1-920x495.jpg 920w\" sizes=\"auto, (max-width: 1400px) 100vw, 1400px\" \/><figcaption id=\"caption-attachment-29929\" class=\"wp-caption-text\"><a href=\"https:\/\/www.nicati.ch\" target=\"_blank\" rel=\"noopener\">https:\/\/www.nicati.ch<\/a>. Graphic designer: Thomas Hirter<\/figcaption><\/figure>\n<p>The 10th edition of the Nicati Competition, the Swiss contemporary music competition organized by the Nicati-de Luze Foundation, took place in Lucerne from August 21 to 27. It was hosted by HSLU-Musik, partner of the event. Three categories were present: Solo and Ensemble, where candidates performed Swiss and international compositions written after 1945, and the Open Space category with creations not in conventional concert form. The Competition brought together many facets of contemporary music: instrumental and vocal pieces, musical theater, electronics, multimedia works and multidisciplinary performances.<\/p>\n<p>6 ensembles, 14 soloists and 9 open space projects from all over Switzerland were selected. Over 7 days, the public was free to attend 26 concerts and 11 performances, including the finals followed by aperitifs for all.<\/p>\n<p>Prizes for the finalists amount to CHF 48,000, with first prizes including the opportunity to perform in the IGNM Bern, SMC Lausanne and FNML Luzern seasons.<\/p>\n<h3>Best of 2023<\/h3>\n<p><strong>Ensemble Interpretation Award<\/strong><\/p>\n<p><strong>1st<\/strong> Duet 2.26. Clara Giner Franco (flute), H\u00e8ctor Rodr\u00edguez Palacios (flute)<\/p>\n<figure id=\"attachment_29933\" aria-describedby=\"caption-attachment-29933\" style=\"width: 2362px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-29933 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN2.jpg\" alt=\"\" width=\"2362\" height=\"1890\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN2.jpg 1250w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN2-300x240.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN2-1024x819.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN2-768x615.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN2-1536x1229.jpg 1536w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN2-2048x1639.jpg 2048w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN2-219x175.jpg 219w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN2-437x350.jpg 437w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN2-1000x800.jpg 1000w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN2-920x736.jpg 920w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN2-1400x1120.jpg 1400w\" sizes=\"auto, (max-width: 2362px) 100vw, 2362px\" \/><figcaption id=\"caption-attachment-29933\" class=\"wp-caption-text\">Duet 2.26. Photo: Erwin Fonseca<\/figcaption><\/figure>\n<p><strong>2nd<\/strong> Duo Signal. Adri\u00e1n Albaladejo D\u00edaz (trombone), Alejandro Oliv\u00e1n Lopez (saxophones)<\/p>\n<figure id=\"attachment_29934\" aria-describedby=\"caption-attachment-29934\" style=\"width: 1920px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-29934 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN3.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN3.jpg 1400w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN3-300x169.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN3-1024x576.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN3-768x432.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN3-1536x864.jpg 1536w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN3-311x175.jpg 311w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN3-622x350.jpg 622w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN3-1422x800.jpg 1422w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN3-920x518.jpg 920w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption id=\"caption-attachment-29934\" class=\"wp-caption-text\">Duo Signal. Photo: Erwin Fonseca<\/figcaption><\/figure>\n<p><strong>3rd<\/strong> Moser String Quartet. Ariadna Bataller Calatayud (viola), Lea Galasso (cello), Kanon Miyashita (violin), Patricia Muro Francia (violin)<\/p>\n<figure id=\"attachment_29935\" aria-describedby=\"caption-attachment-29935\" style=\"width: 2268px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-29935 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN4.jpg\" alt=\"\" width=\"2268\" height=\"1276\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN4.jpg 1400w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN4-300x169.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN4-1024x576.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN4-768x432.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN4-1536x864.jpg 1536w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN4-2048x1152.jpg 2048w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN4-311x175.jpg 311w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN4-622x350.jpg 622w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN4-1422x800.jpg 1422w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN4-920x518.jpg 920w\" sizes=\"auto, (max-width: 2268px) 100vw, 2268px\" \/><figcaption id=\"caption-attachment-29935\" class=\"wp-caption-text\">Moser String Quartet. Photo: Erwin Fonseca<\/figcaption><\/figure>\n<p><strong>Solo Performance Award<\/strong><\/p>\n<p><strong>1st<\/strong> Francesco Palmieri (guitars)<\/p>\n<figure id=\"attachment_29936\" aria-describedby=\"caption-attachment-29936\" style=\"width: 2268px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-29936 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN5.jpg\" alt=\"\" width=\"2268\" height=\"1512\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN5.jpg 1400w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN5-300x200.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN5-1024x683.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN5-600x400.jpg 600w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN5-768x512.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN5-1536x1024.jpg 1536w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN5-2048x1365.jpg 2048w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN5-263x175.jpg 263w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN5-525x350.jpg 525w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN5-1200x800.jpg 1200w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN5-920x613.jpg 920w\" sizes=\"auto, (max-width: 2268px) 100vw, 2268px\" \/><figcaption id=\"caption-attachment-29936\" class=\"wp-caption-text\">Francesco Palmieri. Photo: Erwin Fonseca<\/figcaption><\/figure>\n<p><strong>2nd<\/strong> Alexandre Ferreira Silva (percussion)<\/p>\n<figure id=\"attachment_29937\" aria-describedby=\"caption-attachment-29937\" style=\"width: 1400px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-29937 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN6.jpg\" alt=\"\" width=\"1400\" height=\"788\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN6.jpg 1400w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN6-300x169.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN6-1024x576.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN6-768x432.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN6-1536x864.jpg 1536w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN6-311x175.jpg 311w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN6-622x350.jpg 622w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN6-1422x800.jpg 1422w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN6-920x518.jpg 920w\" sizes=\"auto, (max-width: 1400px) 100vw, 1400px\" \/><figcaption id=\"caption-attachment-29937\" class=\"wp-caption-text\">Alexandre Ferreira Silva. Photo: Erwin Fonseca<\/figcaption><\/figure>\n<p><strong>3rd<\/strong> Nora Bertogg (voice)<\/p>\n<figure id=\"attachment_29938\" aria-describedby=\"caption-attachment-29938\" style=\"width: 2268px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-29938 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN7.jpg\" alt=\"\" width=\"2268\" height=\"1512\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN7.jpg 1400w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN7-300x200.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN7-1024x683.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN7-600x400.jpg 600w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN7-768x512.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN7-1536x1024.jpg 1536w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN7-2048x1365.jpg 2048w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN7-263x175.jpg 263w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN7-525x350.jpg 525w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN7-1200x800.jpg 1200w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN7-920x613.jpg 920w\" sizes=\"auto, (max-width: 2268px) 100vw, 2268px\" \/><figcaption id=\"caption-attachment-29938\" class=\"wp-caption-text\">Nora Bertogg. Photo: Erwin Fonseca<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p><strong>Open space awards<\/strong><\/p>\n<p><strong>1st<\/strong> Can Etterlin (composition and performance)<\/p>\n<figure id=\"attachment_29939\" aria-describedby=\"caption-attachment-29939\" style=\"width: 2268px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-29939 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN8.jpg\" alt=\"\" width=\"2268\" height=\"1512\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN8.jpg 1400w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN8-300x200.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN8-1024x683.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN8-600x400.jpg 600w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN8-768x512.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN8-1536x1024.jpg 1536w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN8-2048x1365.jpg 2048w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN8-263x175.jpg 263w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN8-525x350.jpg 525w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN8-1200x800.jpg 1200w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN8-920x613.jpg 920w\" sizes=\"auto, (max-width: 2268px) 100vw, 2268px\" \/><figcaption id=\"caption-attachment-29939\" class=\"wp-caption-text\">Can Etterlin. Photo: Erwin Fonseca<\/figcaption><\/figure>\n<p><strong>2nd<\/strong> Ludmilla Mercier and Andrea Zamengo (composition and performance)<\/p>\n<figure id=\"attachment_29940\" aria-describedby=\"caption-attachment-29940\" style=\"width: 1920px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-29940 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN9.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN9.jpg 1400w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN9-300x169.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN9-1024x576.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN9-768x432.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN9-1536x864.jpg 1536w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN9-311x175.jpg 311w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN9-622x350.jpg 622w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN9-1422x800.jpg 1422w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/10\/CN9-920x518.jpg 920w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption id=\"caption-attachment-29940\" class=\"wp-caption-text\">Andrea Zamengo and Ludmilla Mercier. Photo: Erwin Fonseca<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>The next edition is scheduled for 2025.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Website : <a href=\"http:\/\/nicati.ch\" target=\"_blank\" rel=\"noopener\">nicati.ch<\/a><\/strong><\/p>\n<p><strong>Instagram: concoursnicati2023<\/strong><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>A new, forward-looking edition.<\/p>","protected":false},"author":1,"featured_media":29929,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1693,30],"tags":[1838],"class_list":["post-29870","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concours","category-service","tag-concours-nicati"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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