{"id":30345,"date":"2024-06-25T11:43:30","date_gmt":"2024-06-25T09:43:30","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=30345"},"modified":"2024-06-18T11:45:13","modified_gmt":"2024-06-18T09:45:13","slug":"la-formation-musicale-et-la-politique-une-chronique","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2024\/06\/la-formation-musicale-et-la-politique-une-chronique","title":{"rendered":"Musical training and politics: a chronicle"},"content":{"rendered":"<p class=\"p1\">In autumn 2012, cries of joy ran through the Swiss music scene: the people and cantons had overwhelmingly accepted the \"youth+music\" initiative. \"A resounding success,\" notes Christine Bouvard, ex-president of ASEM, who was at the forefront of the voting campaign and implementation work. On behalf of ASEM, she has just published a chronicle retracing the high points of this story. \"We were all very moved,\" she explains. \"Nevertheless, we were aware that the work had only just begun. Here's a look back at the main stages of this process.<\/p>\n<p class=\"p1\"><b>2008: The \"Youth and Music\" popular initiative is submitted.<\/b><\/p>\n<p class=\"p1\">More than twenty associations from the Swiss music sector have joined forces to develop the text of the initiative with a broadly-based political committee, with the aim of encouraging musical training in Switzerland. The demands relate to the following areas:<\/p>\n<ul class=\"ul1\">\n<li class=\"li1\"><b>General encouragement:<\/b> Equal opportunities and access to musical training for all children and young people in schools, music schools and the amateur sector.<\/li>\n<li class=\"li1\"><b>Basic encouragement: <\/b>High quality musical training from school to tertiary level.<\/li>\n<li class=\"li1\"><b>Encouraging talent:<span class=\"Apple-converted-space\">\u00a0<\/span><\/b> Encouraging young musical talent as part of a national strategy.<\/li>\n<\/ul>\n<p class=\"p1\">The initiative is submitted with over 150,000 signatures. The first setback: the Federal Council and Parliament refuse to interfere with cantonal sovereignty in educational matters.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\"><b>2012: Confederation counter-proposal<\/b><\/p>\n<p class=\"p1\">The Federal Council decided in favor of a counter-proposal. After carefully assessing the situation, the initiative committee decides to withdraw the popular initiative, in the hope that implementation will follow the original demands.<\/p>\n<p class=\"p1\"><b>September 23, 2012: Three-quarters yes!<\/b><\/p>\n<p class=\"p1\">The Confederation's counter-proposal on musical training is accepted by<span class=\"Apple-converted-space\">\u00a0 <\/span>72.7% of the vote. The associations take the liberty of celebrating this victory, although they are aware that it is only a first step.<\/p>\n<p class=\"p1\"><b>2018: General promotion through \"Youth and Music\".<\/b><\/p>\n<p class=\"p1\">The Confederation adopts the \"Youth and Music\" program, laying the foundations for general support. In addition, Art. 12a of the Cultural Promotion Act was added to regulate fees for music schools. This second point has been heavily criticized by music industry associations, not least because it misses the initial objective of harmonizing public contributions across Switzerland. An initial evaluation by the FOC in 2019 gives the \"Youth and Music Program\" a good rating, but considers that Article 12a and the measures relating to school fees have not been effective. In an OFC survey of all music schools, around 40% of the directors questioned said that access to their school was not equal opportunity friendly.<\/p>\n<p class=\"p1\"><b>2022: Fostering talent with the \"Jeunes Talents Musique\" program<\/b><\/p>\n<p class=\"p1\">In 2022, the FOC launches the framework concept for the \"Jeunes Talents Musique\" program. The document defines the basic and formal conditions for musical talent, and regulates the financial support provided by the Confederation to the cantons.<\/p>\n<p class=\"p1\"><b>Basic support: what's next?<\/b><\/p>\n<p class=\"p1\">The Confederation leaves the cantons full responsibility for implementing Article 67a of the Swiss Constitution on the question of basic support (paragraph 2, music teaching in schools). Ten years after the vote, it has to be said that no significant changes have been made. In its position paper on the Message Culture 2025-2028, ASEM proposes to organize a round table with all the associations concerned, as well as the Swiss Confederation and the EDK.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">After completing her work on the chronicle (downloadable from the ASEM website), Christine Bouvard has one memory above all: that of solidarity between the associations. \"It was teamwork for a common cause\", she says. With regard to the initial objectives that have not yet been achieved, particularly in the implementation of art. 67a, para. 2, she explains: \"Political work is not like a construction project - it is constantly evolving, with advances and sometimes setbacks.\" She wishes the presidents of the music associations much courage and perseverance in their commitment to musical training in Switzerland.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-30346\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3.png\" alt=\"\" width=\"666\" height=\"666\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3.png 1000w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3-300x300.png 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3-1024x1024.png 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3-768x768.png 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3-1536x1536.png 1536w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3-2048x2048.png 2048w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3-12x12.png 12w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3-175x175.png 175w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3-350x350.png 350w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3-800x800.png 800w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3-920x920.png 920w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3-1400x1400.png 1400w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3-150x150.png 150w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3-100x100.png 100w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3-24x24.png 24w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3-48x48.png 48w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3-96x96.png 96w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3-250x250.png 250w\" sizes=\"auto, (max-width: 666px) 100vw, 666px\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>The story of how musical training came to be enshrined in the Federal Constitution reads like a detective story. A novel with ups and downs, difficult passages, but which also pays tribute to the strong relationships forged between the associations.<\/p>","protected":false},"author":21891,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[56],"tags":[],"class_list":["post-30345","post","type-post","status-publish","format-standard","hentry","category-asem"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La formation musicale et la politique: une chronique - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2024\/06\/la-formation-musicale-et-la-politique-une-chronique\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La formation musicale et la politique: une chronique - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"L\u2019histoire de l\u2019inscription de la formation musicale dans la Constitution f\u00e9d\u00e9rale se lit comme un roman policier. Un roman avec des hauts et des bas, des passages difficiles, mais qui rend aussi hommage aux relations fortes nou\u00e9es entre les associations.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2024\/06\/la-formation-musicale-et-la-politique-une-chronique\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2024-06-25T09:43:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3.png\" \/>\n<meta name=\"author\" content=\"Anicia Kohler\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Anicia Kohler\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2024\\\/06\\\/la-formation-musicale-et-la-politique-une-chronique#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2024\\\/06\\\/la-formation-musicale-et-la-politique-une-chronique\"},\"author\":{\"name\":\"Anicia Kohler\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/e4ba37136bd24461e8c7874590a4762f\"},\"headline\":\"La formation musicale et la politique: une chronique\",\"datePublished\":\"2024-06-25T09:43:30+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2024\\\/06\\\/la-formation-musicale-et-la-politique-une-chronique\"},\"wordCount\":802,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2024\\\/06\\\/la-formation-musicale-et-la-politique-une-chronique#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2024\\\/06\\\/3.png\",\"articleSection\":[\"ASEM\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2024\\\/06\\\/la-formation-musicale-et-la-politique-une-chronique\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2024\\\/06\\\/la-formation-musicale-et-la-politique-une-chronique\",\"name\":\"La formation musicale et la politique: une chronique - Revue Musicale Suisse\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2024\\\/06\\\/la-formation-musicale-et-la-politique-une-chronique#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2024\\\/06\\\/la-formation-musicale-et-la-politique-une-chronique#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2024\\\/06\\\/3.png\",\"datePublished\":\"2024-06-25T09:43:30+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2024\\\/06\\\/la-formation-musicale-et-la-politique-une-chronique#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2024\\\/06\\\/la-formation-musicale-et-la-politique-une-chronique\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2024\\\/06\\\/la-formation-musicale-et-la-politique-une-chronique#primaryimage\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2024\\\/06\\\/3.png\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2024\\\/06\\\/3.png\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2024\\\/06\\\/la-formation-musicale-et-la-politique-une-chronique#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"La formation musicale et la politique: une chronique\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"name\":\"Revue Musicale Suisse\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.revuemusicale.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\",\"name\":\"Revue Musicale Suisse\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"width\":1200,\"height\":243,\"caption\":\"Revue Musicale Suisse\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/?hl=de\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/e4ba37136bd24461e8c7874590a4762f\",\"name\":\"Anicia Kohler\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/6ea00b417b00b657b92c811768262d33fd76a3d20dcab3e19ff7f2a1eedf1412?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/6ea00b417b00b657b92c811768262d33fd76a3d20dcab3e19ff7f2a1eedf1412?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/6ea00b417b00b657b92c811768262d33fd76a3d20dcab3e19ff7f2a1eedf1412?s=96&d=mm&r=g\",\"caption\":\"Anicia Kohler\"},\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/en\\\/author\\\/anicia-kohler\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Music education and politics: a chronicle - Swiss Music Review","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2024\/06\/la-formation-musicale-et-la-politique-une-chronique\/","og_locale":"en_US","og_type":"article","og_title":"La formation musicale et la politique: une chronique - Revue Musicale Suisse","og_description":"L\u2019histoire de l\u2019inscription de la formation musicale dans la Constitution f\u00e9d\u00e9rale se lit comme un roman policier. Un roman avec des hauts et des bas, des passages difficiles, mais qui rend aussi hommage aux relations fortes nou\u00e9es entre les associations.","og_url":"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2024\/06\/la-formation-musicale-et-la-politique-une-chronique\/","og_site_name":"Revue Musicale Suisse","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2024-06-25T09:43:30+00:00","og_image":[{"url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3.png","type":"","width":"","height":""}],"author":"Anicia Kohler","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"Anicia Kohler","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2024\/06\/la-formation-musicale-et-la-politique-une-chronique#article","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2024\/06\/la-formation-musicale-et-la-politique-une-chronique"},"author":{"name":"Anicia Kohler","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/e4ba37136bd24461e8c7874590a4762f"},"headline":"La formation musicale et la politique: une chronique","datePublished":"2024-06-25T09:43:30+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2024\/06\/la-formation-musicale-et-la-politique-une-chronique"},"wordCount":802,"publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2024\/06\/la-formation-musicale-et-la-politique-une-chronique#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3.png","articleSection":["ASEM"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2024\/06\/la-formation-musicale-et-la-politique-une-chronique","url":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2024\/06\/la-formation-musicale-et-la-politique-une-chronique","name":"Music education and politics: a chronicle - Swiss Music Review","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2024\/06\/la-formation-musicale-et-la-politique-une-chronique#primaryimage"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2024\/06\/la-formation-musicale-et-la-politique-une-chronique#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3.png","datePublished":"2024-06-25T09:43:30+00:00","breadcrumb":{"@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2024\/06\/la-formation-musicale-et-la-politique-une-chronique#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revuemusicale.ch\/basis\/asem\/2024\/06\/la-formation-musicale-et-la-politique-une-chronique"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2024\/06\/la-formation-musicale-et-la-politique-une-chronique#primaryimage","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3.png","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/3.png"},{"@type":"BreadcrumbList","@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2024\/06\/la-formation-musicale-et-la-politique-une-chronique#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.revuemusicale.ch\/"},{"@type":"ListItem","position":2,"name":"La formation musicale et la politique: une chronique"}]},{"@type":"WebSite","@id":"https:\/\/www.revuemusicale.ch\/#website","url":"https:\/\/www.revuemusicale.ch\/","name":"Swiss Music Review","description":"","publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revuemusicale.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.revuemusicale.ch\/#organization","name":"Swiss Music Review","url":"https:\/\/www.revuemusicale.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","width":1200,"height":243,"caption":"Revue Musicale Suisse"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/?hl=de"]},{"@type":"Person","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/e4ba37136bd24461e8c7874590a4762f","name":"Anicia Kohler","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/6ea00b417b00b657b92c811768262d33fd76a3d20dcab3e19ff7f2a1eedf1412?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/6ea00b417b00b657b92c811768262d33fd76a3d20dcab3e19ff7f2a1eedf1412?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6ea00b417b00b657b92c811768262d33fd76a3d20dcab3e19ff7f2a1eedf1412?s=96&d=mm&r=g","caption":"Anicia Kohler"},"url":"https:\/\/www.revuemusicale.ch\/en\/author\/anicia-kohler"}]}},"publishpress_future_action":{"enabled":false,"date":"1970-01-01 01:00:00","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts\/30345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/users\/21891"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/comments?post=30345"}],"version-history":[{"count":1,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts\/30345\/revisions"}],"predecessor-version":[{"id":30347,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts\/30345\/revisions\/30347"}],"wp:attachment":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/media?parent=30345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/categories?post=30345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/tags?post=30345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}