{"id":30369,"date":"2024-06-29T12:24:27","date_gmt":"2024-06-29T10:24:27","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=30369"},"modified":"2024-10-22T11:25:41","modified_gmt":"2024-10-22T09:25:41","slug":"une-perle-dans-le-monde-du-crossover","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/critiques\/disques\/2024\/06\/une-perle-dans-le-monde-du-crossover","title":{"rendered":"A pearl in the world of crossovers"},"content":{"rendered":"<p>&nbsp;<\/p>\n<figure id=\"attachment_30372\" aria-describedby=\"caption-attachment-30372\" style=\"width: 877px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-30372 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Clara-Barry.jpg\" alt=\"\" width=\"877\" height=\"673\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Clara-Barry.jpg 877w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Clara-Barry-300x230.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Clara-Barry-768x589.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Clara-Barry-16x12.jpg 16w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Clara-Barry-228x175.jpg 228w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Clara-Barry-456x350.jpg 456w\" sizes=\"auto, (max-width: 877px) 100vw, 877px\" \/><figcaption id=\"caption-attachment-30372\" class=\"wp-caption-text\">Clara Barry. Photo : DR<\/figcaption><\/figure>\n<p>In the 1960s, the Swingle Singers divided music lovers by recording <em>Jazz Sebastian Bach<\/em>. Many of them were outraged. How can you \"attack\" Bach by \"swinging\" him? It was a time when the cantatas performed by Karl Richter were one of the benchmarks. In 1970, Harnoncourt and Leonhardt conducted the first volume of a 60-disc series of the complete cantatas. A bombshell in the recording world. With their historically documented interpretations, the beginning of a long story, they could only prove the Swingle Singers right: it had become obvious that Bach had to \"swing\"!<\/p>\n<p>Clara Barry takes an even bolder gamble: jazzing up Bart\u00f3k's melodies. As with the Swingle Singers, some afficionados will be shocked. But we're spellbound! Let's not forget the composer's friendship with Benny Goodman...<\/p>\n<p>First flash: the voice. Just don't get stuck in habits. Clara Barry does not sing \"operatically\". Note that when Bart\u00f3k criss-crossed the countryside to record the folk melodies that often inspired his works, the singers he captured were not singing Pamina at the Budapest opera. Clara Barry uses a jazzy vocal projection, coloring the melodies in innovative ways. She tells a story and takes us by the hand with great sensitivity.<\/p>\n<p>Second flash: harmony. Of course, Bart\u00f3k is a master of harmony. But here, if the spirit remains, Emil Sp\u00e1nyi's piano adorns Bart\u00f3k's melodies with colors reminiscent of Bill Evans or Keith Jarret. The result is overwhelming! M\u00e1ty\u00e1s Szandai makes the pizzicati of his double bass sing with a unique poetic involvement, and Hector L\u00e9na-Schroll's trumpet lights up one of the tracks on this CD, a unique and all-too-brief appearance! A song by Kod\u00e1ly and two Swedish folk pieces complete the program.<\/p>\n<p>The crossover trend, the hybridization of two musical genres, has not only produced masterpieces. Here, we are faced with a pearl. It doesn't sacrifice one style for another (Bart\u00f3k\/Jazz), but rather takes the gamble of fusing genres to create something totally innovative. The gamble really paid off.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-30370 size-medium\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/07_crit_cd_Dagon-300x298.jpg\" alt=\"\" width=\"300\" height=\"298\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/07_crit_cd_Dagon-300x298.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/07_crit_cd_Dagon-1024x1017.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/07_crit_cd_Dagon-768x763.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/07_crit_cd_Dagon-12x12.jpg 12w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/07_crit_cd_Dagon-176x175.jpg 176w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/07_crit_cd_Dagon-352x350.jpg 352w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/07_crit_cd_Dagon-806x800.jpg 806w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/07_crit_cd_Dagon-920x914.jpg 920w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/07_crit_cd_Dagon-1400x1390.jpg 1400w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/07_crit_cd_Dagon-150x150.jpg 150w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/07_crit_cd_Dagon-100x100.jpg 100w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/07_crit_cd_Dagon-24x24.jpg 24w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/07_crit_cd_Dagon-48x48.jpg 48w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/07_crit_cd_Dagon-96x96.jpg 96w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/07_crit_cd_Dagon.jpg 1007w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><em>Clara Barry sings Bart\u00f3k. Emil Sp\u00e1nyi, piano; M\u00e1ty\u00e1s Szandai, bass. Claves 50-3088<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Clara Barry adorns Bart\u00f3k's melodies with jazz colors. Two musical genres give birth to something totally innovative. <\/p>","protected":false},"author":1,"featured_media":30372,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1615],"tags":[2051,2052,2053,2055,2054],"class_list":["post-30369","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-disques","tag-bela-bartok","tag-clara-barry","tag-emil-spanyi","tag-hector-lena-schroll","tag-matyas-szandai"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Une perle dans le monde du crossover - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/en\/critiques\/disques\/2024\/06\/une-perle-dans-le-monde-du-crossover\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Une perle dans le monde du crossover - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Clara Barry pare les m\u00e9lodies de Bart\u00f3k de couleurs jazz. 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