{"id":30475,"date":"2019-05-29T15:06:14","date_gmt":"2019-05-29T13:06:14","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=30475"},"modified":"2024-06-27T15:11:36","modified_gmt":"2024-06-27T13:11:36","slug":"faure-sob","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/critiques\/disques\/2019\/05\/faure-sob","title":{"rendered":"Faur\u00e9's more or less secret spirit"},"content":{"rendered":"<figure id=\"attachment_30476\" aria-describedby=\"caption-attachment-30476\" style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-30476 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Das-SOB-im-Theater_c_BennoHunziker.jpg\" alt=\"\" width=\"554\" height=\"369\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Das-SOB-im-Theater_c_BennoHunziker.jpg 554w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Das-SOB-im-Theater_c_BennoHunziker-300x200.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Das-SOB-im-Theater_c_BennoHunziker-18x12.jpg 18w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Das-SOB-im-Theater_c_BennoHunziker-263x175.jpg 263w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Das-SOB-im-Theater_c_BennoHunziker-525x350.jpg 525w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><figcaption id=\"caption-attachment-30476\" class=\"wp-caption-text\">Basel Symphony Orchestra. Photo: Benno Hunziker<\/figcaption><\/figure>\n<p>Despite its English title, the CD <em>The Secret Faur\u00e9 <\/em>offers a fine retrospective of fin-de-si\u00e8cle works, some less well known, but all faithful to Gabriel Faur\u00e9's profoundly French soul. Authenticity seems guaranteed with the reproduction of a seascape by Eug\u00e8ne Boudin. Interpretation of this corpus is entrusted to the Basel Symphony Orchestra, conducted by Ivor Bolton, the Balthasar-Neumann Women's Choir and two renowned soloists, who make use of B\u00e4renreiter's recent critical edition to <em>Caligula<\/em>, <em>Shylock <\/em>and<em> Penelope<\/em>. Yet, despite the existence of countless passages of great beauty, something essential is missing from this interpretation of Faur\u00e9.<\/p>\n<p>While the ultra-spacious acoustics of Dornach's Goetheanum bring an airy, alluring sonority to the orchestra's magnificent solos, they swell the tutti and parasitize transparency. While the standing waves in this hall are technically better mastered than on a recent Beethoven CD, they frequently create a thickness that masks the fine nuances of the orchestration and hinders understanding of the texts, sung by the women's choir and the two soloists. It's true that consonant diction doesn't seem to be Olga Peretyatko's main preoccupation, as she pronounces French in her own way, while enjoying her lyrical flights of fancy. The rich, articulate voice of tenor Benjamin Bruns in <em>Shylock<\/em> poses few problems. With a magnifying glass to read the texts, printed small in the booklet in favor of double-page photographs, we discover the beauty of the texts and the seven stanzas that the soprano does not sing.<\/p>\n<p>Faur\u00e9's interpretation requires the gradual, tireless construction of a long-term architectural vision, where each phrase, long or short, should prepare the next.  On this CD, the orchestral works sometimes suffer from a slight over-interpretation that precipitates attention to the immediate, without sufficiently underpinning the structure and maintaining breathing. Moreover, the <em>Caligula <\/em>would gain in strength if we reduced the pauses between movements, and <em>Pell\u00e9as and M\u00e9lisande<\/em> wouldn't need three seconds of silence between its first two phrases! Better than words, listening to Ernest Ansermet's version, recorded with the <em>Prelude<\/em> from<em> Penelope <\/em>fifty-six years ago (Decca\/Eloquence), exemplifies the natural sobriety also found in Armin Jordan and a whole tradition of French conductors. Yes, if Faur\u00e9's spirit remains elusive, it is by no means secret...<img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-30477 aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/SOB_Cover.jpg\" alt=\"\" width=\"180\" height=\"180\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/SOB_Cover.jpg 180w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/SOB_Cover-12x12.jpg 12w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/SOB_Cover-175x175.jpg 175w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/SOB_Cover-150x150.jpg 150w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/SOB_Cover-100x100.jpg 100w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/SOB_Cover-24x24.jpg 24w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/SOB_Cover-48x48.jpg 48w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/SOB_Cover-96x96.jpg 96w\" sizes=\"auto, (max-width: 180px) 100vw, 180px\" \/><\/p>\n<div class=\"text-section\">\n<p><em>The Secret Faur\u00e9. Orchestral Songs &amp; Suites. Olga Peretyatko, Sopran; Benjamin Bruns, Tenor; Balthasar-Neumann-Chor; Sinfonieorchester Basel; Leitung Ivor Bolton. Sony classical 19075818582 <\/em><\/p>\n<p><em>The Secret Faur\u00e9 II is also available: Sony Classical 19075936402<br \/>\n(Berceuse, Romance, Ballade, \u00c9l\u00e9gie, Masques et Bergamasques, Pavane, Suite d'orchestre) <\/em><\/p>\n<p><em>The Secret Faur\u00e9 III is in preparation. <\/em><\/p>\n<\/div>\n<p><em>\u00a0<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Ivor Bolton conducts the Basel Symphony Orchestra, soloists and choir in a performance of songs and suites for orchestra. <\/p>","protected":false},"author":1,"featured_media":30476,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1615],"tags":[],"class_list":["post-30475","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-disques"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>L\u2019esprit de Faur\u00e9 plus ou 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