{"id":30483,"date":"2018-06-26T15:15:52","date_gmt":"2018-06-26T13:15:52","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=30483"},"modified":"2024-06-27T15:22:41","modified_gmt":"2024-06-27T13:22:41","slug":"contes-de-fee","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/critiques\/disques\/2018\/06\/contes-de-fee","title":{"rendered":"Fairy Tales"},"content":{"rendered":"
\"\"
Photo: Gerhard Hermes\/pixelio.de<\/figcaption><\/figure>\n

The CD Fairy Tales Without Words<\/em> offers a compilation of works for viola by Robert Schumann, alternating with those written by Hans Ulrich Lehmann and Gy\u00f6rgy Kurt\u00e1g in the spirit of the Romantic composer. This clash of styles is fully convincing, thanks to three outstanding artists in perfect harmony with the sound engineer, who demonstrates high fidelity in the noblest sense of the word!<\/p>\n

Thanks to the three composers, it's the viola that holds the red thread! In the M\u00e4rchenbilder<\/em>J\u00fcrg D\u00e4hler's rich, \"butter-cut\" sound and his ability to tell his \"Fairy Tales\" with the very human voice of his instrument. If the tempo of the violist and Gilles Vonsattel, his excellent pianist, strikes us as unusually slow in the nicht schnell<\/em> of the first movement, the listener is charmed by the wonderfully phrased melody that seems to emanate from the mouth of a beautiful storyteller! But the duet wakes the listener up abruptly in lebhaft<\/em> or even terrify it at speed in rasch<\/em>\u00a0! In his conversation with sound engineer Andreas Werner, D\u00e4hler explains that Schumann originally intended to call the work\u00a0Violageschichten<\/em>\u00a0!<\/p>\n

For the trio M\u00e4rchenerz\u00e4hlungen<\/em>the talented clarinettist Fran\u00e7ois Benda joins our two musicians. In this composition, written just three years before his death, Schumann reveals, throughout the third movement.., mit zartem Ausdruck<\/em>These moving moments are revealed peacefully, but with an inner conviction that stands in stark contrast to the panache of a man. These moving moments are revealed peacefully, but with an inner conviction that contrasts sharply with the panache of sehr markiert<\/em>. As in the four works on this CD, Gilles Vonsattel plays with remarkable clarity, in perfect harmony with his colleagues.<\/p>\n

Commissioned by J\u00fcrg D\u00e4hler following a close collaboration with a composer sad to be out of fashion, Without Words <\/em>(2011) by Hans Ulrich Lehmann was premiered four months after his death in 2013. His twenty-six-minute music is complex, sometimes intense, sometimes ultra-intimate, sometimes cruelly difficult; it explores the limits of avant-garde but non-electronic effects, and rewards effort only insistently. The idea of juxtaposing this world-first recording and concluding the CD with theTribute to R. Sch.<\/em> by Gy\u00f6rgy Kurt\u00e1g, music that is, on the contrary, concise and concentrated, is just brilliant. Unquestionably a success!\"\"<\/p>\n

Fairy Tales Without Words: Werke von Robert Schumann, Hans Ulrich Lehmann und Gy\u00f6rgy Kurt\u00e1g. J\u00fcrg D\u00e4hler, Violin, Viola; Fran\u00e7ois Benda, Klarinette; Gilles Vonsattel, Klavier. Genuin GEN 17485<\/em><\/p>\n

 <\/p>\n

We enjoyed Fran\u00e7ois Benda in Schumann and Kurtag. Back in 2001, this musician of all styles recorded a jazz program with his father, Sebastian, a renowned concert pianist who sadly passed away the following year. Thanks to the initiative of his son and the company Genuin<\/em> that this CD was released in 2017.<\/p>\n

What's particularly captivating is the extraordinary symbiosis between father and son, who together create music like a single performer in the midst of improvisation! This is all the more astonishing given that the piano is variably distant from the clarinet, which is ultra-present. What an exchange! The two dare to tease each other endlessly in Gershwin and Bernstein. Their pleasure in freedom is still ours in the Sonatina<\/em> and the Hot Sonata<\/em> by Schulhoff!<\/p>\n

These two CDs, Kind of Jazz<\/em> and Fairy Tales Without Words<\/em>like many of the label's other recordings Genuin<\/em>are subtitled Artist Consort -<\/em> an alternative approach to today's marketing, i.e. the maintenance of a collective of artists, sound engineers and musicians, who take responsibility for their own repertoire and all decisions, far from the \"fast food\" of the record industry, which all too often predominates.\"\"<\/p>\n

Kind of Jazz. Werke von George Gershwin, Joseph Horovitz, Erwin Schulhoff, Leonard Bernstein, Daniel Schnyder. Fran\u00e7ois Benda, Klarinette; Sebastian Benda, Klavier. Genuin GEN 17465<\/em><\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Clarinettist Fran\u00e7ois Benda performs romantic pages by Schumann, Lehmann and Kurt\u00e1g with violist J\u00fcrg D\u00e4hler and pianist Gilles Vonsatteln, and plays a jazz program with his father. <\/p>","protected":false},"author":1,"featured_media":30486,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1615],"tags":[],"class_list":["post-30483","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-disques"],"acf":[],"yoast_head":"\nContes de f\u00e9e - 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