{"id":31031,"date":"2025-01-23T09:37:52","date_gmt":"2025-01-23T08:37:52","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=31031"},"modified":"2025-04-17T11:55:04","modified_gmt":"2025-04-17T09:55:04","slug":"massenet-leclectique","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/critiques\/livres-et-partitions\/2025\/01\/massenet-leclectique","title":{"rendered":"Massenet the eclectic"},"content":{"rendered":"<figure id=\"attachment_31039\" aria-describedby=\"caption-attachment-31039\" style=\"width: 1280px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-31039 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/01\/Portrait_Massenet.jpg\" alt=\"\" width=\"1280\" height=\"905\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/01\/Portrait_Massenet.jpg 1280w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/01\/Portrait_Massenet-300x212.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/01\/Portrait_Massenet-1024x724.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/01\/Portrait_Massenet-768x543.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/01\/Portrait_Massenet-18x12.jpg 18w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/01\/Portrait_Massenet-248x175.jpg 248w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/01\/Portrait_Massenet-495x350.jpg 495w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/01\/Portrait_Massenet-1131x800.jpg 1131w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/01\/Portrait_Massenet-920x650.jpg 920w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><figcaption id=\"caption-attachment-31039\" class=\"wp-caption-text\">Jules Massenet seated at his desk, working, between 1885 and 1895. Photo: Paul Cardon, <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Portrait_du_compositeur_Jules_Emile_Fr%C3%A9d%C3%A9ric_Massenet_(1842-1912)._PH8927.jpg?uselang=de\" target=\"_blank\" rel=\"noopener\">Mus\u00e9e Carnavalet \/ wikimedia commons<\/a><\/figcaption><\/figure>\n<p>Much admired in her day, she was soon out of fashion, scorned, prudishly accused of sentimentality, shyly appreciated with shame, usually limited to listening to her two most famous works, <em>Manon<\/em> and <em>Werther<\/em>The music of Jules Massenet deserves much better than the condescension it has long received, often due to a lack of understanding of the diversity and eclecticism of his output, which explored all the genres and registers of lyric theater, tackling the most varied subjects: grand opera, op\u00e9ra-comique, fairy tale, lyric drama, miracle, sung comedy, verist episode, among others. As a craftsman with a perfect command of his craft, subtly mastering vocal writing, prosody, dramaturgical effectiveness, orchestration and form, he probed the psychology of the characters, highlighting the female protagonists as independent-minded heroines and revealing the potential fragility of the men, doubly at odds with the phallocratic society of the time. A Massenet specialist, Jean-Christophe Branger has written a landmark monograph for the prestigious collection of biographies that Fayard has been devoting to major composers for almost half a century. Thanks to his extensive research, he has revealed new facets of the author of <em>Herodias<\/em>It also tells the story of his works and how they were perceived, including their posthumous destiny, which saw Messiaen express his delight at such sincere music, and Poulenc proclaim that, like the Eiffel Tower, his \"I'm not the only one in the world! <em>Manon<\/em> was part of the Paris skyline.<img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-31040 aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/01\/01_02_crit_buch_Mettraux-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/01\/01_02_crit_buch_Mettraux-195x300.jpg 195w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/01\/01_02_crit_buch_Mettraux-8x12.jpg 8w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/01\/01_02_crit_buch_Mettraux-114x175.jpg 114w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/01\/01_02_crit_buch_Mettraux-228x350.jpg 228w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/01\/01_02_crit_buch_Mettraux-300x462.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/01\/01_02_crit_buch_Mettraux.jpg 325w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/p>\n<p><em>Jean-Christophe Branger: Jules Massenet : une vie au service du th\u00e9\u00e2tre, 1080 p., \u20ac 49.00, Fayard, Paris 2024, ISBN 9782213704852<\/em><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>A detailed biography of Massenet reveals little-known aspects of the French composer's personality, who wrote a wide variety of lyric works.<\/p>","protected":false},"author":1,"featured_media":31039,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[2119,2118],"class_list":["post-31031","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions","tag-jean-christophe-branger","tag-jules-massenet"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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