{"id":31171,"date":"2025-04-22T09:50:01","date_gmt":"2025-04-22T07:50:01","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=31171"},"modified":"2025-04-22T09:50:01","modified_gmt":"2025-04-22T07:50:01","slug":"pourquoi-nous-parlons-plus-dinclusion-mais-de-la-musique","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2025\/04\/pourquoi-nous-parlons-plus-dinclusion-mais-de-la-musique","title":{"rendered":"Why we no longer talk about inclusion, but about music"},"content":{"rendered":"<figure id=\"attachment_31172\" aria-describedby=\"caption-attachment-31172\" style=\"width: 660px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-31172\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/JM-Happy-Fridays-web-dersu.ch-1443.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/JM-Happy-Fridays-web-dersu.ch-1443.jpg 1400w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/JM-Happy-Fridays-web-dersu.ch-1443-300x200.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/JM-Happy-Fridays-web-dersu.ch-1443-1024x682.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/JM-Happy-Fridays-web-dersu.ch-1443-600x400.jpg 600w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/JM-Happy-Fridays-web-dersu.ch-1443-768x512.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/JM-Happy-Fridays-web-dersu.ch-1443-1536x1024.jpg 1536w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/JM-Happy-Fridays-web-dersu.ch-1443-18x12.jpg 18w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/JM-Happy-Fridays-web-dersu.ch-1443-263x175.jpg 263w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/JM-Happy-Fridays-web-dersu.ch-1443-525x350.jpg 525w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/JM-Happy-Fridays-web-dersu.ch-1443-1200x800.jpg 1200w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/JM-Happy-Fridays-web-dersu.ch-1443-920x613.jpg 920w\" sizes=\"auto, (max-width: 660px) 100vw, 660px\" \/><figcaption id=\"caption-attachment-31172\" class=\"wp-caption-text\">Happy Fridays music ensemble in Langnau for children from the Langnau School of Music and the Langnau School of Special Education (photos: m\u00e0d)<\/figcaption><\/figure>\n<p class=\"p1\">Fabio da Silva has long aspired to bring music to people who don't have easy access to it. He has already led composition workshops in prisons, and set to music biographies of dependent and very elderly people - so it was only natural that he should also explore new avenues as a music teacher. So he knocked on the door of the Heilp\u00e4dagogischen Schule (HPS), where he found a committed project partner in Jo\u00eblle Bieri. As a former primary school teacher, she had a wealth of experience in teaching music. Since summer 2022, students from the music school and the HPS have been meeting to study songs such as \"Believer\" by Imagine Dragons or \"079\" by Lo &amp; Leduc.<\/p>\n<h3 class=\"p1\"><b>Learning real instruments as a band<\/b><b><\/b><\/h3>\n<p class=\"p1\">At first, these \"Happy Fridays\" focused on percussion, on the instruments of music school students (saxophone and clarinet) and on the skoog (an easy-to-use cube-shaped instrument specially developed for inclusive music). But very quickly, several students expressed a desire to discover acoustic instruments too.<\/p>\n<p class=\"p1\">\"There are some real talents among them,\" Jo\u00eblle Bieri emphasizes. Meanwhile, all participating students also play an instrument - djembe, piano, electric guitar, bass guitar, saxophone, clarinet and percussion - in ensembles of varying geometry. They are supported by a seven-member team of music school teachers and HPS staff. The workshops generally begin with an improvisation, which serves as a warm-up for the students and enables them to practise ensemble playing. The group then works on a piece, developing the melody, rhythm and accompaniment.<\/p>\n<h3 class=\"p1\"><b>A set like any other<\/b><b><\/b><\/h3>\n<p class=\"p1\">\"We don't differentiate between music school and HPS children, so we no longer use the term 'inclusion',\" explains Fabio da Silva. Happy Fridays are just like any other music school ensemble\". A view shared by special needs teacher Jo\u00eblle Bieri: \"The question of who goes to which school is not decisive. The children identify with the project, they've become a team\". The Happy Fridays concerts are well attended, and show the public that this cohabitation comes naturally.<\/p>\n<h3 class=\"p1\"><b>Meeting others <\/b><b><\/b><\/h3>\n<p class=\"p1\">The project is generating a lot of interest within the music school. However, it can also be a source of uncertainty, especially for teachers with no experience of working with children with disabilities. \"I think you simply have to be willing to go out and meet others,\" Jo\u00eblle Bieri points out. \"You have to get to know each other reciprocally, try to look for students where they are at that moment and allow them to discover their talents and the pleasure of making music.\" Collaboration within the animation team testifies to a strong commitment based on mutual esteem and support. Fabio da Silva sees Happy Fridays as an enrichment alongside the individual teaching of his saxophone students. Today, a number of HPS students take part in Happy Fridays classes.<span class=\"Apple-converted-space\">\u00a0 <\/span>Jo\u00eblle Bieri and Fabio da Silva are delighted with this initiative.<\/p>\n<h3 class=\"p1\"><b>1<\/b><span class=\"s1\"><b><sup>er<\/sup><\/b><\/span><b> ASEM Best Practices Competition Award<\/b><\/h3>\n<p class=\"p1\">On the financial side, the two project partners have found a good solution: they share the costs equally. And each institution assumes the personnel costs of its own employees. To ensure that the music school's pupils, all of whom already take individual lessons, can participate in the ensemble classes free of charge, those in charge of the project regularly seek various funding opportunities in the form of foundations and other contributions to the project. Both the music school and the SPH plan to develop and expand the project. \"It would be great if it could encourage other music schools to launch this type of project,\" notes Fabio da Silva. Obtaining the 1<span class=\"s1\"><sup>er<\/sup><\/span> prize in the ASEM best practice competition could be a first step in this direction. Congratulations!<\/p>","protected":false},"excerpt":{"rendered":"<p>Oberemmental Music School and Langnau School of Special Education offer a joint music workshop. The \"Happy Fridays\" are an opportunity for mutual learning. Fabio da Silva, saxophone teacher and member of the school management, and Jo\u00eblle Bieri, special education teacher, give their impressions.<\/p>","protected":false},"author":21891,"featured_media":31172,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[56],"tags":[],"class_list":["post-31171","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-asem"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pourquoi nous parlons plus d&#039;inclusion, mais de la musique - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2025\/04\/pourquoi-nous-parlons-plus-dinclusion-mais-de-la-musique\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pourquoi nous parlons plus d&#039;inclusion, mais de la musique - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"L\u2019\u00e9cole de musique d\u2019Oberemmental et l\u2019\u00e9cole de p\u00e9dagogie sp\u00e9cialis\u00e9e de Langnau proposent un atelier musical commun. Les \u00abHappy Fridays\u00bb sont un espace d\u2019apprentissage r\u00e9ciproque. Fabio da Silva, professeur de saxophone et membre de la direction de l\u2019\u00e9cole, et Jo\u00eblle Bieri, enseignante sp\u00e9cialis\u00e9e, livrent leurs impressions.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2025\/04\/pourquoi-nous-parlons-plus-dinclusion-mais-de-la-musique\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-04-22T07:50:01+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/JM-Happy-Fridays-web-dersu.ch-1443.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1400\" \/>\n\t<meta property=\"og:image:height\" content=\"933\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Anicia Kohler\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Anicia Kohler\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2025\\\/04\\\/pourquoi-nous-parlons-plus-dinclusion-mais-de-la-musique#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2025\\\/04\\\/pourquoi-nous-parlons-plus-dinclusion-mais-de-la-musique\"},\"author\":{\"name\":\"Anicia Kohler\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/e4ba37136bd24461e8c7874590a4762f\"},\"headline\":\"Pourquoi nous parlons plus d&rsquo;inclusion, mais de la musique\",\"datePublished\":\"2025-04-22T07:50:01+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2025\\\/04\\\/pourquoi-nous-parlons-plus-dinclusion-mais-de-la-musique\"},\"wordCount\":837,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2025\\\/04\\\/pourquoi-nous-parlons-plus-dinclusion-mais-de-la-musique#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2025\\\/04\\\/JM-Happy-Fridays-web-dersu.ch-1443.jpg\",\"articleSection\":[\"ASEM\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2025\\\/04\\\/pourquoi-nous-parlons-plus-dinclusion-mais-de-la-musique\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2025\\\/04\\\/pourquoi-nous-parlons-plus-dinclusion-mais-de-la-musique\",\"name\":\"Pourquoi nous parlons plus d'inclusion, mais de la musique - 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