{"id":31194,"date":"2025-05-06T10:51:25","date_gmt":"2025-05-06T08:51:25","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=31194"},"modified":"2025-06-06T11:18:52","modified_gmt":"2025-06-06T09:18:52","slug":"frank-martin-emouvant-et-intense","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/critiques\/disques\/2025\/05\/frank-martin-emouvant-et-intense","title":{"rendered":"Frank Martin, moving and intense"},"content":{"rendered":"<figure id=\"attachment_31195\" aria-describedby=\"caption-attachment-31195\" style=\"width: 1000px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-31195 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644.jpg\" alt=\"\" width=\"1000\" height=\"800\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644.jpg 1000w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644-300x240.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644-768x614.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644-15x12.jpg 15w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644-219x175.jpg 219w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644-438x350.jpg 438w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644-920x736.jpg 920w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-31195\" class=\"wp-caption-text\">Quatuor Terpsicordes (Raya Raytcheva, Florestan Darbellay, Caroline Cohen-Adad, Girolamo Bottiglieri) with Fabrizio Chiovetta in the middle. Photo: Patrice Schreyer \/ Claves<\/figcaption><\/figure>\n<p>Some composers of the first half of the 20th<sup>e<\/sup> century are living an unjust purgatory. Erwin Schulhoff, Henri Dutilleux, Bohuslav Martin\u016f, Andr\u00e9 Jolivet... Frank Martin is also one of those composers whose name and a few titles every music lover knows, but little more. That's why this recording is such a godsend!<\/p>\n<p>Three works are performed. The piano quintet, the quartet as well as the <em>Pavane couleur du temps<\/em>. For the first of these, the Terpsycordes quartet has teamed up with pianist Fabrizio Chiovetta, and for the second, the Terpsycordes quartet has teamed up with pianist Fabrizio Chiovetta. <em>Pavane<\/em>to cellist Fran\u00e7ois Grin.<\/p>\n<p>Many works for string quartet and piano turn out to be chamber concerti. In young Frank Martin's quintet, the piano is not used as a soloist accompanied by the strings. Instead, it is treated as an equal to the other instruments, providing different colors. And it is precisely as a magnificent colorist that Fabrizio Chiovetta joins Terpsycordes. His subtle touch favors a roundness that excludes any harshness, even in the strongest nuances. Beautiful piano. In this piece, as in the quartet and the <em>Pavane<\/em>Terpsycordes offers us a lyricism at the level of the bow, thanks to an interpretation imbued with emotion and warmth. Phrases move forward organically, and one senses a total involvement, a love and understanding of this music that brings the listener naturally into these superb pages. There's no overkill, just breathtaking lines, supported by an incredible, luminous, sparkling palette.<\/p>\n<p>One sometimes hears Frank Martin's music described as Calvinistic in its austerity. Nonsense! Here are pages that exude magnificent emotion, intensity and generous humanism. Not to be missed!<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-31196 size-medium\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-300x300.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-1024x1024.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-768x767.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-12x12.jpg 12w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-175x175.jpg 175w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-350x350.jpg 350w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-801x800.jpg 801w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-920x919.jpg 920w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-1400x1398.jpg 1400w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-150x150.jpg 150w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-100x100.jpg 100w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-24x24.jpg 24w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-48x48.jpg 48w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-96x96.jpg 96w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-250x250.jpg 250w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon.jpg 1001w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><em>Frank Martin: Piano Quintet, String Quartet, Pavane couleur du temps. Quatuor Terpsycordes; Fabrizio Chiovetta, piano; Fran\u00e7ois Grin, cello. Claves Records 3081<\/em><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>The Terpsycordes quartet, pianist Fabrizio Chiovetta and cellist Fran\u00e7ois Grin present movingly lyrical chamber music. <\/p>","protected":false},"author":36253,"featured_media":31195,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1615],"tags":[2169,2170,2150,2168],"class_list":["post-31194","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-disques","tag-fabrizio-chiovetta","tag-francois-grin","tag-frank-martin","tag-quatuor-terpsycordes"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Frank Martin \u00e9mouvant et intense - Revue Musicale Suisse<\/title>\n<meta name=\"description\" content=\"Le quatuor Terpsycordes, Fabrizio Chiovetta et Fran\u00e7ois Grin font d\u00e9couvrir des pages de musique de chambre d\u2019un lyrisme touchant.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/en\/critiques\/disques\/2025\/05\/frank-martin-emouvant-et-intense\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Frank Martin \u00e9mouvant et intense - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Le quatuor Terpsycordes, Fabrizio Chiovetta et Fran\u00e7ois Grin font d\u00e9couvrir des pages de musique de chambre d\u2019un lyrisme touchant.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/en\/critiques\/disques\/2025\/05\/frank-martin-emouvant-et-intense\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-05-06T08:51:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-06T09:18:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Pia Schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Pia Schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2025\\\/05\\\/frank-martin-emouvant-et-intense#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2025\\\/05\\\/frank-martin-emouvant-et-intense\"},\"author\":{\"name\":\"Pia Schwab\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/78905bdf5c0bbd6ffcfe2b8f4fe6c868\"},\"headline\":\"Frank Martin \u00e9mouvant et intense\",\"datePublished\":\"2025-05-06T08:51:25+00:00\",\"dateModified\":\"2025-06-06T09:18:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2025\\\/05\\\/frank-martin-emouvant-et-intense\"},\"wordCount\":364,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2025\\\/05\\\/frank-martin-emouvant-et-intense#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2025\\\/04\\\/Terpsycordes_schreyer_2300644.jpg\",\"keywords\":[\"Fabrizio Chiovetta\",\"Fran\u00e7ois Grin\",\"Frank Martin\",\"Quatuor Terpsycordes\"],\"articleSection\":[\"Critiques\",\"Disques\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2025\\\/05\\\/frank-martin-emouvant-et-intense\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2025\\\/05\\\/frank-martin-emouvant-et-intense\",\"name\":\"Frank Martin \u00e9mouvant et intense - Revue Musicale Suisse\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2025\\\/05\\\/frank-martin-emouvant-et-intense#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2025\\\/05\\\/frank-martin-emouvant-et-intense#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2025\\\/04\\\/Terpsycordes_schreyer_2300644.jpg\",\"datePublished\":\"2025-05-06T08:51:25+00:00\",\"dateModified\":\"2025-06-06T09:18:52+00:00\",\"description\":\"Le quatuor Terpsycordes, Fabrizio Chiovetta et Fran\u00e7ois Grin font d\u00e9couvrir des pages de musique de chambre d\u2019un lyrisme touchant.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2025\\\/05\\\/frank-martin-emouvant-et-intense#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2025\\\/05\\\/frank-martin-emouvant-et-intense\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2025\\\/05\\\/frank-martin-emouvant-et-intense#primaryimage\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2025\\\/04\\\/Terpsycordes_schreyer_2300644.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2025\\\/04\\\/Terpsycordes_schreyer_2300644.jpg\",\"width\":1000,\"height\":800,\"caption\":\"Lieu : Salle de Musique - La Chaux-de-Fonds - Neuch\u00e2tel - Suisse \\\/ Droits d'utilisation uniquement pour CLAVES RECORDS\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2025\\\/05\\\/frank-martin-emouvant-et-intense#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Frank Martin \u00e9mouvant et intense\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"name\":\"Revue Musicale Suisse\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.revuemusicale.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\",\"name\":\"Revue Musicale Suisse\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"width\":1200,\"height\":243,\"caption\":\"Revue Musicale Suisse\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/?hl=de\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/78905bdf5c0bbd6ffcfe2b8f4fe6c868\",\"name\":\"Pia Schwab\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"caption\":\"Pia Schwab\"},\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/en\\\/author\\\/pia-schwab\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Frank Martin \u00e9mouvant et intense - Revue Musicale Suisse","description":"Le quatuor Terpsycordes, Fabrizio Chiovetta et Fran\u00e7ois Grin font d\u00e9couvrir des pages de musique de chambre d\u2019un lyrisme touchant.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revuemusicale.ch\/en\/critiques\/disques\/2025\/05\/frank-martin-emouvant-et-intense\/","og_locale":"en_US","og_type":"article","og_title":"Frank Martin \u00e9mouvant et intense - Revue Musicale Suisse","og_description":"Le quatuor Terpsycordes, Fabrizio Chiovetta et Fran\u00e7ois Grin font d\u00e9couvrir des pages de musique de chambre d\u2019un lyrisme touchant.","og_url":"https:\/\/www.revuemusicale.ch\/en\/critiques\/disques\/2025\/05\/frank-martin-emouvant-et-intense\/","og_site_name":"Revue Musicale Suisse","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2025-05-06T08:51:25+00:00","article_modified_time":"2025-06-06T09:18:52+00:00","og_image":[{"width":1000,"height":800,"url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644.jpg","type":"image\/jpeg"}],"author":"Pia Schwab","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"Pia Schwab","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2025\/05\/frank-martin-emouvant-et-intense#article","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2025\/05\/frank-martin-emouvant-et-intense"},"author":{"name":"Pia Schwab","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/78905bdf5c0bbd6ffcfe2b8f4fe6c868"},"headline":"Frank Martin \u00e9mouvant et intense","datePublished":"2025-05-06T08:51:25+00:00","dateModified":"2025-06-06T09:18:52+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2025\/05\/frank-martin-emouvant-et-intense"},"wordCount":364,"publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2025\/05\/frank-martin-emouvant-et-intense#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644.jpg","keywords":["Fabrizio Chiovetta","Fran\u00e7ois Grin","Frank Martin","Quatuor Terpsycordes"],"articleSection":["Critiques","Disques"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2025\/05\/frank-martin-emouvant-et-intense","url":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2025\/05\/frank-martin-emouvant-et-intense","name":"Frank Martin \u00e9mouvant et intense - Revue Musicale Suisse","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2025\/05\/frank-martin-emouvant-et-intense#primaryimage"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2025\/05\/frank-martin-emouvant-et-intense#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644.jpg","datePublished":"2025-05-06T08:51:25+00:00","dateModified":"2025-06-06T09:18:52+00:00","description":"Le quatuor Terpsycordes, Fabrizio Chiovetta et Fran\u00e7ois Grin font d\u00e9couvrir des pages de musique de chambre d\u2019un lyrisme touchant.","breadcrumb":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2025\/05\/frank-martin-emouvant-et-intense#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revuemusicale.ch\/critiques\/disques\/2025\/05\/frank-martin-emouvant-et-intense"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2025\/05\/frank-martin-emouvant-et-intense#primaryimage","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644.jpg","width":1000,"height":800,"caption":"Lieu : Salle de Musique - La Chaux-de-Fonds - Neuch\u00e2tel - Suisse \/ Droits d'utilisation uniquement pour CLAVES RECORDS"},{"@type":"BreadcrumbList","@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2025\/05\/frank-martin-emouvant-et-intense#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.revuemusicale.ch\/"},{"@type":"ListItem","position":2,"name":"Frank Martin \u00e9mouvant et intense"}]},{"@type":"WebSite","@id":"https:\/\/www.revuemusicale.ch\/#website","url":"https:\/\/www.revuemusicale.ch\/","name":"Swiss Music Review","description":"","publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revuemusicale.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.revuemusicale.ch\/#organization","name":"Swiss Music Review","url":"https:\/\/www.revuemusicale.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","width":1200,"height":243,"caption":"Revue Musicale Suisse"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/?hl=de"]},{"@type":"Person","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/78905bdf5c0bbd6ffcfe2b8f4fe6c868","name":"Pia Schwab","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","caption":"Pia Schwab"},"url":"https:\/\/www.revuemusicale.ch\/en\/author\/pia-schwab"}]}},"publishpress_future_action":{"enabled":false,"date":"1970-01-01 01:00:00","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts\/31194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/users\/36253"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/comments?post=31194"}],"version-history":[{"count":1,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts\/31194\/revisions"}],"predecessor-version":[{"id":31197,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts\/31194\/revisions\/31197"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/media\/31195"}],"wp:attachment":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/media?parent=31194"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/categories?post=31194"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/tags?post=31194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}