{"id":31597,"date":"2025-11-27T09:40:54","date_gmt":"2025-11-27T08:40:54","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=31597"},"modified":"2026-03-26T09:49:20","modified_gmt":"2026-03-26T08:49:20","slug":"numero-10-2025-focus-ia","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/smz\/2025\/11\/numero-10-2025-focus-ia","title":{"rendered":"Issue 11_12\/2025 - \"AI\" Focus"},"content":{"rendered":"
\"\"
Michael Harenberg, fotografiert von Holger Jacob<\/figcaption><\/figure>\n

Inhaltsverzeichnis<\/h3>\n

Focus<\/strong><\/h3>\n

Statistics will never compose music
\n<\/strong>Interview with Michael Harenberg and AI<\/em><\/p>\n

 <\/p>\n

AI as a creative partner
\n<\/strong>Holly Herndon and Mat Dryhurst's artistic research<\/em><\/p>\n

 <\/p>\n

The emergence of the I-Art-ist figure
\n<\/strong>L\u2032IA in music creation and pedagogy<\/p>\n

(Italics: French summaries of German articles)<\/em><\/p>\n

<\/h3>\n

Reviews<\/h3>\n

New books, albums, sheet music<\/a><\/p>\n

 <\/p>\n

Echo\u00a0<\/strong><\/h3>\n

(The space available in the print edition is not sufficient for everything we wish to publish. This table of contents also lists articles that only appear online, or of which the print edition contains only an extract. Most of these articles were published before the print edition).<\/em><\/p>\n

An unbreakable bond with Switzerland<\/strong><\/a>
\nNicolas Dorin and Pierre-Michel Menger talk about Pierre Boulez.<\/p>\n

 <\/p>\n

Basis<\/strong><\/h3>\n

Articles and association news<\/p>\n

Eidgen\u00f6ssischer Orchesterverband (EOV) \/ Soci\u00e9t\u00e9 F\u00e9d\u00e9rale des Orchestres (SFO)<\/a><\/p>\n

Konferenz Musikhochschulen Schweiz (KMHS) \/ Conference of Swiss Colleges of Music (CHEMS)<\/a><\/p>\n

Kalaidos Musikhochschule \/ Kalaidos High School of Music<\/a><\/p>\n

Schweizer Musikrat (SMR) \/ Swiss Music Council (CSM)<\/a><\/p>\n

Swissmedmusica (SMM) \/ Swiss Association of Music Medicine (SMM)<\/a><\/p>\n

Schweizerische Musikforschende Gesellschaft (SMG) \/ Swiss Musicological Society (SSM)<\/a><\/p>\n

Schweizerischer Musikerverband (SMV) \/ Union Suisse des Artistes Musiciens (USDAM)<\/a><\/p>\n

Schweizerischer Musikp\u00e4dagogischer Verband (SMPV) \/ Soci\u00e9t\u00e9 Suisse de P\u00e9dagogie Musicale (SSPM)<\/a><\/p>\n

SONART - Musikschaffende Schweiz<\/a><\/p>\n

Stiftung Schweizerischer Jugendmusikwettbewerb (SJMW)<\/a><\/p>\n

Arosa Kultur<\/a><\/p>\n

SUISA - Genossenschaft der Urheber und Verleger von Musik<\/a><\/p>\n

Verband Musikschulen Schweiz (VMS) \/ Swiss Association of Music Schools (ASEM)<\/a><\/p>\n

 <\/p>\n

IA baroque
\n<\/strong>Michael Kube's riddle<\/p>\n

________________________________________<\/p>\n

Order this issue for CHF 10.- (+ CHF 2.- postage)<\/a><\/strong><\/p>","protected":false},"excerpt":{"rendered":"

Inhaltsverzeichnis Focus Les statistiques ne composeront jamais de musique Entretien avec Michael Harenberg et l\u2019IA   L\u2019IA comme partenaire cr\u00e9ative La recherche artistique de Holly Herndon et Mat Dryhurst   L\u2019\u00e9mergence de la figure d\u2019I-Art-iste L\u2032IA dans la cr\u00e9ation et p\u00e9dagogie musicale (En italique: r\u00e9sum\u00e9 fran\u00e7ais des articles en allemand) Critiques Nouveaut\u00e9s livres, albums, partitions […]<\/p>\n","protected":false},"author":36252,"featured_media":31580,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1565],"tags":[2291,2292,2103,2293,2294,2295,2296,2297,2298,2115,2299,2300,2301,2302,2303,2287,2132,2304,2305],"class_list":["post-31597","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-smz","tag-aneas-humm","tag-camerata-zurich","tag-donaueschinger-musiktage","tag-ensemble-arcimboldo","tag-esther-hoppe","tag-francesco-piemontesi","tag-holly-herndon","tag-howard-griffiths","tag-i-art-iste","tag-intelligence-artificielle","tag-ki-kunstler","tag-mat-dryhurst","tag-michael-harenberg","tag-mozart-gemalde","tag-musikkollegium-winterthur","tag-pierre-boulez","tag-podcast","tag-stiftung-arvore","tag-thilo-hirsch"],"acf":[],"yoast_head":"\nNum\u00e9ro 11_12\/2025 \u2013 Focus \u00ab\u00a0IA\u00a0\u00bb - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/en\/smz\/2025\/11\/numero-10-2025-focus-ia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Num\u00e9ro 11_12\/2025 \u2013 Focus \u00ab\u00a0IA\u00a0\u00bb - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Inhaltsverzeichnis Focus Les statistiques ne composeront jamais de musique Entretien avec Michael Harenberg et l\u2019IA   L\u2019IA comme partenaire cr\u00e9ative La recherche artistique de Holly Herndon et Mat Dryhurst   L\u2019\u00e9mergence de la figure d\u2019I-Art-iste L\u2032IA dans la cr\u00e9ation et p\u00e9dagogie musicale (En italique: r\u00e9sum\u00e9 fran\u00e7ais des articles en allemand) Critiques Nouveaut\u00e9s livres, albums, partitions […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/en\/smz\/2025\/11\/numero-10-2025-focus-ia\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-11-27T08:40:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-26T08:49:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/11\/SMZ_Cover_11-12_2025_Web.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1375\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jean Damien Humair\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jean Damien Humair\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2025\\\/11\\\/numero-10-2025-focus-ia#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2025\\\/11\\\/numero-10-2025-focus-ia\"},\"author\":{\"name\":\"Jean Damien Humair\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/1b30ea7776e9b81b23463f6dc0e62de1\"},\"headline\":\"Num\u00e9ro 11_12\\\/2025 \u2013 Focus \u00ab\u00a0IA\u00a0\u00bb\",\"datePublished\":\"2025-11-27T08:40:54+00:00\",\"dateModified\":\"2026-03-26T08:49:20+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2025\\\/11\\\/numero-10-2025-focus-ia\"},\"wordCount\":302,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2025\\\/11\\\/numero-10-2025-focus-ia#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2025\\\/11\\\/SMZ_Cover_11-12_2025_Web.jpg\",\"keywords\":[\"\u00c4neas Humm\",\"Camerata Z\u00fcrich\",\"Donaueschinger Musiktage\",\"Ensemble Arcimboldo\",\"Esther Hoppe\",\"Francesco Piemontesi\",\"Holly Herndon\",\"Howard Griffiths\",\"I-Art-iste\",\"Intelligence artificielle\",\"KI-K\u00fcnstler\",\"Mat Dryhurst\",\"Michael Harenberg\",\"Mozart-Gem\u00e4lde\",\"Musikkollegium Winterthur\",\"Pierre Boulez\",\"Podcast\",\"Stiftung \u00c1rvore\",\"Thilo Hirsch\"],\"articleSection\":[\"SMZ\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2025\\\/11\\\/numero-10-2025-focus-ia\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2025\\\/11\\\/numero-10-2025-focus-ia\",\"name\":\"Num\u00e9ro 11_12\\\/2025 \u2013 Focus \u00ab\u00a0IA\u00a0\u00bb - 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