{"id":31623,"date":"2025-12-27T09:06:26","date_gmt":"2025-12-27T08:06:26","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=31623"},"modified":"2026-04-15T10:56:47","modified_gmt":"2026-04-15T08:56:47","slug":"lettre-ouverte-concernant-le-vote-sur-linitiative-200-francs-ca-suffit-en-mars-2026","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/politique\/2025\/12\/lettre-ouverte-concernant-le-vote-sur-linitiative-200-francs-ca-suffit-en-mars-2026","title":{"rendered":"Open letter concerning the vote on the \"200 francs is enough\" initiative in March 2026"},"content":{"rendered":"<p><em>Zurich, December 2025<\/em><\/p>\n<p>Dear musicians, cultural creators and users of SRG programming,<br \/>\ndear Mrs Susanne Wille,<\/p>\n<p>In March 2026, we will be voting on the \"200 francs is enough\" initiative. From the outset, we are taking a stand against this attack on our public broadcasting service. SRG is committed to providing independent information, representing the cultural diversity of our country, building bridges between science and the general public, and publicizing the concerns of minorities. It fulfils its mission in all regions and languages of the country. In fulfilling this mission, it is indispensable to our country in maintaining democracy and strengthening the sense of belonging. No private, commercial channel driven by vested interests can fulfil these tasks, even in part. We are called upon to show our solidarity with the SRG in discussions and public appearances over the coming months, and to ensure that the above-mentioned initiative is rejected.<\/p>\n<p>This obligation is binding. However, we must protest in the strongest possible terms against the measures decided by the SRG management in recent months. The right-wing populists' strategy of undermining democratic conditions includes attacks on independent media and the freedom of science and the arts. The abolition of programs, for example in the fields of literature and science and, more recently, in the field of music - \"Musik unserer Zeit\" in German-speaking Switzerland - is a premature concession to the above-mentioned right-wing tendencies and an abandonment of the central points enshrined in the public service remit.<\/p>\n<p>The major Swiss cultural associations have so far refrained from taking a public stance on these cuts, probably in order not to weaken the referendum campaign against the initiative to halve SRG funding by criticizing the latter. However, in view of the current situation and future developments, it is necessary to make a firm commitment to maintaining sufficient funding for the SRG, and to criticize the decisions taken by its management. SRG deserves our support because of its unique characteristics. Its current strategy of adapting to market demands is tantamount to ignoring the mission that justifies adequate public funding. Instead of cutting programs such as \"Wissenschaftsmagazin\" and \"Musik unserer Zeit\", the management's strategy in the referendum campaign should, for example, be to resolutely pursue the dialogue between science and society, and to meticulously nurture in-depth journalistic work in the cultural sector.<\/p>\n<p>Market researchers may consider listeners of Espace2's music and literary columns to be negligible, just like the die-hard fans of \"Klassiktelefon\" or the loyal audience of \"Echo der Zeit\" - to stay within the realm of radio programs. In the run-up to the next vote, we must not forget that this loyal audience is ready to mobilize in defense of SRG.<\/p>\n<p>SRG must rely on resistance rather than adaptation, on its uniqueness, if it is not to dig its own grave. It urgently needs to remember which key areas of its mission it needs to protect, and who its comrades and allies in civil society are in the fight against the initiative to halve its budget.<\/p>\n<h3>Signatories (in alphabetical order)<\/h3>\n<p>Heinrich Aerni, Ingrid Alexandre, Dieter Ammann<\/p>\n<p>Ulrike Andersen, Monika Baer, Nik B\u00e4rtsch<\/p>\n<p>Werner B\u00e4rtschi, Andr\u00e9 Baltensperger, Philip Bartels<\/p>\n<p>Felix Baumann, Peter Baur, Andr\u00e9 Bellmont<\/p>\n<p>Elisabeth Berger, Marino Bernasconi, Ramon Bischoff<\/p>\n<p>William Blank, Dominik Blum, Bettina Boller<\/p>\n<p>Hugo Bollschweiler, Th\u00fcring Br\u00e4m, Esther de Bros<\/p>\n<p>Albin Brun, Catriona B\u00fchler, Christiane Bult<\/p>\n<p>Peggy Chew, Jessie Cox, Flurin Cuonz<\/p>\n<p>Reto Cuonz, Therese Cuonz-R\u00e4z, J\u00fcrg D\u00e4hler<\/p>\n<p>Claudio Danuser, Daniela Dolci, Mariana Doughty<\/p>\n<p>Alfred Felder, Adrian Frey, Daniel Fueter<\/p>\n<p>Thomas Gartmann, Bettina Ginsberg, Roger Girod<\/p>\n<p>Katharina Gohl, Anna-Katharina Graf, Kathrin Graf<\/p>\n<p>Ivo Haag, Jonas C. Haefeli, Viviane Hasler<\/p>\n<p>Edu Haubensak, Doris Hauser, Fritz Hauser<\/p>\n<p>Ruedi H\u00e4usermann, Hanna Helfenstein, Horst Hildebrandt<\/p>\n<p>Christian Hilz, Jeannine Hirzel, Beat Hofstetter<\/p>\n<p>Christoph Homberger, Raphael Immoos, Markus Jans<\/p>\n<p>Mischa Kaeser, Eriko Kagawa, Vera Kappeler<\/p>\n<p>Christoph Keller, Max E. Keller, Simone Keller<\/p>\n<p>Burkhard Kinzler, Michael Kleiser, Christian Kobi<\/p>\n<p>Canan Kocaay, Tamriko Kordzaia, Niklaus Kost<\/p>\n<p>Herbert Kramis, Hanspeter Kriesi, Anne-May Kr\u00fcger<\/p>\n<p>Jojo Kunz, Annette Labusch, Mat\u00edas Lanz<\/p>\n<p>Leslie Leon, Heinrich M\u00e4tzener, Delia Mayer<\/p>\n<p>Thomas Meyer, Roland Moser, Moritz M\u00fcllenbach<\/p>\n<p>Marie-Louise M\u00fcller Choquard, Martin Neukom, Lucas Niggli<\/p>\n<p>Anne-Catherine de Perrot, Stefka Perifanova, Peter Reidemeister<\/p>\n<p>Felix Renggli, Nicola Roman\u00f2, Petra Ronner<\/p>\n<p>Michel Roth, Johannes R\u00fchl, Bettina Ruf<\/p>\n<p>Edward Rushton, Nina Sahdeva, Claudine Saner<\/p>\n<p>Urs Saner, Evangelos Sarafianos, Tobias Schabenberger<\/p>\n<p>Sir Andr\u00e1s Schiff, Isabelle Schn\u00f6ller, Oliver Schnyder<\/p>\n<p>Muriel Schwarz, Meinrad Schweizer, Yuuko Shiokawa<\/p>\n<p>Peter Siegwart, Rahel Sohn, Peter R. Solomon<\/p>\n<p>Bruno Spoerri, Eleonor St\u00e4hli, Jacques St\u00e4hli<\/p>\n<p>Urs St\u00e4uble, Egidius Streiff, Monica Thommy<\/p>\n<p>Germ\u00e1n Toro P\u00e9rez, Balz Tr\u00fcmpy, Saadet T\u00fcrk\u00f6z<\/p>\n<p>Nina Ulli, Christoph Ullmann, Petra Vahle<\/p>\n<p>Katharina Weber, Urs Weibel, Andreas Werner<\/p>\n<p>Peter Wettstein, Maki Wiederkehr, Helena Winkelmann<\/p>\n<p>Ren\u00e9 Wohlhauser, Maria Wolff, Alfred Zimmerlin, Samuel Z\u00fcnd<\/p>\n<p>&nbsp;<\/p>\n<h3><a href=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/12\/OffenerBriefHalbierungsinitiative.pdf\" target=\"_blank\" rel=\"noopener\">PDF download of the original letter<\/a><\/h3>\n<figure id=\"attachment_31622\" aria-describedby=\"caption-attachment-31622\" style=\"width: 1400px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-31622 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/12\/1_Echo_Offener_Brief_frei_web.jpg\" alt=\"\" width=\"1400\" height=\"700\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/12\/1_Echo_Offener_Brief_frei_web.jpg 1400w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/12\/1_Echo_Offener_Brief_frei_web-300x150.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/12\/1_Echo_Offener_Brief_frei_web-1024x512.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/12\/1_Echo_Offener_Brief_frei_web-768x384.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/12\/1_Echo_Offener_Brief_frei_web-1536x768.jpg 1536w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/12\/1_Echo_Offener_Brief_frei_web-2048x1024.jpg 2048w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/12\/1_Echo_Offener_Brief_frei_web-18x9.jpg 18w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/12\/1_Echo_Offener_Brief_frei_web-350x175.jpg 350w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/12\/1_Echo_Offener_Brief_frei_web-700x350.jpg 700w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/12\/1_Echo_Offener_Brief_frei_web-1600x800.jpg 1600w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/12\/1_Echo_Offener_Brief_frei_web-920x460.jpg 920w\" sizes=\"auto, (max-width: 1400px) 100vw, 1400px\" \/><figcaption id=\"caption-attachment-31622\" class=\"wp-caption-text\">Image: SMZ<\/figcaption><\/figure>","protected":false},"excerpt":{"rendered":"<p>130 people, mainly from the music industry, have signed an open letter concerning the vote on the<br \/>\nthe \"200 francs is enough\" initiative in March 2026.<\/p>","protected":false},"author":36251,"featured_media":31622,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[27,1612],"tags":[2311,2309,2310],"class_list":["post-31623","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-politique","tag-initiative-200-francs-ca-suffit","tag-ssr","tag-susanne-wille"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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