{"id":31751,"date":"2026-03-26T09:00:20","date_gmt":"2026-03-26T08:00:20","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=31751"},"modified":"2026-06-04T09:44:05","modified_gmt":"2026-06-04T07:44:05","slug":"numero-2-2026-focus-opinion","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/smz\/2026\/03\/numero-2-2026-focus-opinion","title":{"rendered":"Issue 2\/2026, focus on \u00abopinion\u00bb"},"content":{"rendered":"<figure id=\"attachment_31762\" aria-describedby=\"caption-attachment-31762\" style=\"width: 2362px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-31762 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26.jpg\" alt=\"\" width=\"2362\" height=\"1688\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26.jpg 1399w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-300x214.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-1024x732.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-768x549.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-1536x1098.jpg 1536w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-2048x1464.jpg 2048w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-18x12.jpg 18w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-245x175.jpg 245w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-490x350.jpg 490w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-1119x800.jpg 1119w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-920x657.jpg 920w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-1400x1001.jpg 1400w\" sizes=\"auto, (max-width: 2362px) 100vw, 2362px\" \/><figcaption id=\"caption-attachment-31762\" class=\"wp-caption-text\">Estelle Revaz interviewed at the Federal Palace. Photo: Holger Jacob<\/figcaption><\/figure>\n<h3>Table of contents<\/h3>\n<h3><strong>Focus<\/strong><\/h3>\n<p><b>Artists - the company's cultural patrons<\/b><b><span style=\"font-family: 'Arial',sans-serif;\">\u200a<\/span>?<br \/>\n<\/b>Interview with Estelle Revaz, the first professional musician to be elected to the National Council. She represents Geneva's Socialist Party and is also pursuing an international career as a cellist. <b><\/b><\/p>\n<p><em><strong>Pop and populism<\/strong><\/em><br \/>\n<em>Politics loves to use powerful musical messages, sometimes even against the will of the artists themselves. It's populist to present yourself as a rebel while riding the wave of the general public.<\/em><\/p>\n<p><strong>Fanfares valaisannes - political heritage and history <\/strong><br \/>\nIn Valais, brass bands have long been associated with a political orientation, and this has contributed to their success.<\/p>\n<p><em><strong>The dark side of music history <\/strong><\/em><br \/>\n<em>The political affinities of some of the great figures of Swiss musical life in the 20th century are far from having been fully elucidated. Unglamorous revelations continue to surface, particularly concerning the years of the Nazi dictatorship. Such is the case of the emblematic patron of the arts, Werner Reinhart.<\/em><\/p>\n<p><em>(Italics: French summaries of German articles)<\/em><\/p>\n<h3>Reviews<\/h3>\n<p><a href=\"https:\/\/www.revuemusicale.ch\/en\/categorie\/critiques\/\">New books, albums, sheet music<\/a><\/p>\n<h3><strong>Echo\u00a0<\/strong><\/h3>\n<p><em>(The space available in the print edition is not sufficient for everything we wish to publish. This table of contents also lists articles that only appear online, or of which the print edition contains only an extract. Most of these articles were published before the print edition).<\/em><\/p>\n<p><strong>Ein Tor zur Welt aufstossen<\/strong><br \/>\nDaniel Schnyder ist seit jeher fasziniert von den Schnittstellen zwischen Musikstilen und -traditionen weit \u00fcber Europa hinaus. In den Hirschmann-Meisterkursen teilt er seine Erkenntnisse mit dem Nachwuchs.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/news\/personen\/2026\/03\/100-jahre-caspar-diethelm\" target=\"_blank\" rel=\"noopener\"><strong>100 Jahre Caspar Diethelm<\/strong><\/a><br \/>\nZum Jubil\u00e4um engagiert sich der Pianist Patrizio Mazzola zusammen mit weiteren Musikerinnen und Musikern f\u00fcr die Erinnerung an eine herausragende K\u00fcnstlerpers\u00f6nlichkeit und ihr Werk.<\/p>\n<p><a href=\"https:\/\/www.revuemusicale.ch\/en\/entretien\/2026\/03\/quand-le-classique-decoiffe\/\" target=\"_blank\" rel=\"noopener\"><strong>When the classic takes off<\/strong><\/a><br \/>\nA vibrant cultural ecosystem, the M Classics series is bolder than ever with a 180\u00b0 turn. Interview with its artistic director, Mischa Damev.<\/p>\n<p><strong>Musical tribute to the victims of Crans-Montana<br \/>\n<\/strong>On January 29, the Rosey Concert Hall in Rolle was the venue for a concert in tribute to the victims of the tragedy in Crans-Montana earlier this year.\u00a0<strong><br \/>\n<\/strong><\/p>\n<p><strong>Lehrplan erf\u00fcllt?<\/strong><br \/>\nWie wird Musikunterricht auf der Primarstufe tats\u00e4chlich unterrichtet? Bernhard Suter, Mentor und Dozent f\u00fcr Fachdidaktik Musik an der P\u00e4dagogischen Hochschule Z\u00fcrich, hat eine Umfrage gemacht.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/02\/die-energie-eines-orchesters\" target=\"_blank\" rel=\"noopener\"><strong>Die Energie eines Orchesters<\/strong><\/a><br \/>\nDas Kammerorchester Basel schickte ein Trio ins Tinguely-Museum, um \u00fcber Nachhaltigkeit nachzudenken. \u00abUnter Strom\u00bb lieferte Musikgeschichte im Speedrun, viele Fragen und wenig Antworten.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/03\/pgm-sparen-im-nebel\" target=\"_blank\" rel=\"noopener\"><strong>Sparen im Nebel<\/strong><\/a><br \/>\nAm Treffen der Parlamentarischen Gruppe Musik vom 4. M\u00e4rz wurden die m\u00f6glichen Auswirkungen des \u00abEntlastungspakets 27\u00bb auf die Musikbranche er\u00f6rtert. Das Paket, das die Musikschaffenden belastet, wurde in grosser Eile geschn\u00fcrt mit unklaren Folgen.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/02\/amerika-schwerpunkt-beim-lucerne-festival\" target=\"_blank\" rel=\"noopener\"><strong>Amerika-Schwerpunkt beim Lucerne Festival<\/strong><\/a><br \/>\nSebastian Nordmann hat sein ers Sommerprogramm vorgestellt. Das Festival will relevanter werden, das brisante Thema aber rein musikalisch verstanden wissen.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/02\/jerusalem-im-zentrum\" target=\"_blank\" rel=\"noopener\"><strong>Jerusalem im Zentrum<\/strong><\/a><br \/>\nDas f\u00fcnft\u00e4gige Kammermusik-Festival Mizmorim setzte in Basel Ende Januar auf interkulturelle Begegnungen. Renommierte K\u00fcnstler und Ensembles wie das Gringolts Quartet, der Klarinettist Reto Bieri oder der Fl\u00f6tist Ariel Zuckermann sorgten f\u00fcr musikalische Exzellenz.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/03\/die-verzweifelte-lust-an-der-apokalypse\" target=\"_blank\" rel=\"noopener\"><strong>Die verzweifelte Lust an der Apokalypse<\/strong><\/a><br \/>\nDas Z\u00fcrcher Opernhaus zeigt<em> Monster's Paradise<\/em>. Gemeinsam mit Elfriede Jelinek hat die \u00d6sterreicherin Olga Neuwirth eine h\u00f6chst aktuelle Oper geschaffen, in der sie die Ungeheuer der Gegenwart aufeinander losl\u00e4sst.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/02\/ein-festival-wird-umgebaut\" target=\"_blank\" rel=\"noopener\"><strong>Ein Festival wird umgebaut<\/strong><\/a><br \/>\nIn Locarno wurde Ende Januar das neue Musikfestival von Ascona vorgestellt. Kein Stein bleibt auf dem anderen: Aus Francesco Piemontesis K\u00fcnstlerfestival Settimane musicali wird der kulturelle Event \u00abclassicAscona\u00bb.<\/p>\n<p>&nbsp;<\/p>\n<h3><strong>Basis<\/strong><\/h3>\n<p>Articles and association news<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/kmhs\" target=\"_blank\" rel=\"noopener\">Konferenz Musikhochschulen Schweiz (KMHS) \/ Conference of Swiss Colleges of Music (CHEMS)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smr\/\" target=\"_blank\" rel=\"noopener\">Schweizer Musikrat (SMR) \/ Swiss Music Council (CSM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smm\/\" target=\"_blank\" rel=\"noopener\">Swissmedmusica (SMM) \/ Swiss Association of Music Medicine (SMM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smg\/\" target=\"_blank\" rel=\"noopener\">Schweizerische Musikforschende Gesellschaft (SMG) \/ Swiss Musicological Society (SSM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smv\/\" target=\"_blank\" rel=\"noopener\">Schweizerischer Musikerverband (SMV) \/ Union Suisse des Artistes Musiciens (USDAM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smpv\/\" target=\"_blank\" rel=\"noopener\">Schweizerischer Musikp\u00e4dagogischer Verband (SMPV) \/ Soci\u00e9t\u00e9 Suisse de P\u00e9dagogie Musicale (SSPM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/sonart\/\" target=\"_blank\" rel=\"noopener\">SONART - Musikschaffende Schweiz<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/sjmw\/\" target=\"_blank\" rel=\"noopener\">Stiftung Schweizerischer Jugendmusikwettbewerb (SJMW)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/arosa-kultur\/\" target=\"_blank\" rel=\"noopener\">Arosa Kultur<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/suisa\/\" target=\"_blank\" rel=\"noopener\">SUISA - Genossenschaft der Urheber und Verleger von Musik<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/vms\/\" target=\"_blank\" rel=\"noopener\">Verband Musikschulen Schweiz (VMS) \/ Swiss Association of Music Schools (ASEM)<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Committed and deaf<br \/>\n<\/strong>Pia Schwab's riddle<\/p>\n<p>________________________________________<\/p>\n<p><strong><a href=\"mailto:contact@musikzeitung.ch\">Order this issue for CHF 12.- (+ CHF 2.- postage)<\/a><\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>Table des mati\u00e8res Focus Les artistes \u2013 m\u00e9c\u00e8nes culturels de la soci\u00e9t\u00e9\u200a? Entretien avec Estelle Revaz, premi\u00e8re musicienne professionnelle \u00e9lue au Conseil national. Elle repr\u00e9sente le Parti socialiste genevois et poursuit en parall\u00e8le une carri\u00e8re internationale de violoncelliste. Pop et populisme La politique aime se servir de messages musicaux percutants, parfois m\u00eame contre la volont\u00e9 [&hellip;]<\/p>\n","protected":false},"author":36252,"featured_media":31762,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1565],"tags":[2352,2353,2358,1938,2354,2355,2341,2351,1901,1745,2356,2357,2359,2360],"class_list":["post-31751","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-smz","tag-caspar-diethelm","tag-daniel-schnyder","tag-ecole-de-musique","tag-estelle-revaz","tag-fanfares-valaisannes","tag-fiona-stevens","tag-mischa-damev","tag-musique-de-cuivres","tag-musique-populaire","tag-othmar-schoeck","tag-politique-musicale","tag-populisme","tag-silke-gang","tag-werner-reinhart"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Num\u00e9ro 2\/2026, focus \u00ab\u00a0 opinion \u00bb - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/en\/smz\/2026\/03\/numero-2-2026-focus-opinion\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Num\u00e9ro 2\/2026, focus \u00ab\u00a0 opinion \u00bb - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Table des mati\u00e8res Focus Les artistes \u2013 m\u00e9c\u00e8nes culturels de la soci\u00e9t\u00e9\u200a? 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