{"id":34580,"date":"2026-08-27T09:00:46","date_gmt":"2026-08-27T07:00:46","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=34580"},"modified":"2026-08-27T13:24:36","modified_gmt":"2026-08-27T11:24:36","slug":"numero-4-2026-focus-generations","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/smz\/2026\/08\/numero-4-2026-focus-generations","title":{"rendered":"Issue 4\/2026 \u2013 \u00abGenerations\u00bb Special Feature\u00bb"},"content":{"rendered":"<h3><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-74991\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/SMZ_online_Cover_4_26.jpg\" alt=\"\" width=\"1375\" height=\"1000\" \/><\/h3>\n<h3>Table of contents<\/h3>\n<h3><strong>Focus<\/strong><\/h3>\n<p><em><strong>Straddling Two Generations<\/strong><\/em><br \/>\n<em>Interview. Ilva Eigus was already considered a star while she was still a minor. Born in 2007 in Zurich, she tells us how she gets along, in her line of work, with older orchestra musicians and a graying audience\u2014as well as with her father and occasional collaborator, pianist Nik B\u00e4rtsch.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Guitarists and DJs on Tour at Nursing Homes<br \/>\n<\/strong>For the past two years, the young band from Vaud, L\u00e9a &amp; the Lions, has been working on an unusual project: getting seniors to dance.<\/p>\n<p>&nbsp;<\/p>\n<p><em><strong>The Curious Shift in Musical Tastes<\/strong><\/em><br \/>\n<em>For a long time, opinions have differed across generations regarding how much interest people should take in the latest music trends. But in this regard as well, the Internet has brought about a significant upheaval.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Toward New Horizons<br \/>\n<\/strong>An article that directly concerns us: RMS is undergoing major changes. Writer Jean-Damien Humair reflects on his long collaboration with Editor-in-Chief Katrin Spelinova and writer Pia Schwab, who are both retiring.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Chat: Phanee and Laurent discuss their relationship<br \/>\n<\/strong>Singer Phanee de Pool talks with her father, who is also her manager. Balancing work and family life.<\/p>\n<p><em>(Italics: French summaries of German articles)<\/em><\/p>\n<p>&nbsp;<\/p>\n<h3>Reviews<\/h3>\n<p><a href=\"https:\/\/www.revuemusicale.ch\/en\/categorie\/critiques\/\">New books, albums, sheet music<\/a><\/p>\n<p>&nbsp;<\/p>\n<h3><strong>Echo\u00a0<\/strong><\/h3>\n<p><em>(The space available in the print edition is not sufficient for everything we wish to publish. This table of contents also lists articles that only appear online, or of which the print edition contains only an extract. Most of these articles were published before the print edition).<\/em><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/06\/ende-und-anfang-in-der-kartause\"><strong>End and Beginning at the Ittingen Charterhouse <\/strong><\/a><br \/>\nThe 30th Ittingen Pentecost Concerts, held from May 22 to 25, 2026, focused on the theme of \u00abstopping.\u00bb \u2013 On the festival\u2019s inaugural edition under the artistic direction of Reto Bieri and the vertical dimension of the musical experience.<\/p>\n<p><strong>From whale dances to wildfires, the Anthropocene is setting Verbier ablaze<\/strong><br \/>\nThe majestic serenity of the mountains transports us to a sense of eternity and immutability. Yet, in the midst of climate change, the mountains are suffering, the glaciers are melting, and this scorching summer is suffocating us in every corner of the world. The August 1 concert, \u00abVoice of Nature; The Anthropocene,\u00bb echoes this reality.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/07\/schweizer-klaenge-am-vilnius-festival\"><strong>Swiss Sounds at the Vilnius Festival<\/strong><\/a><br \/>\nThere are a surprising number of connections between the two small countries of Lithuania and Switzerland. This was also evident at this year's Vilnius Festival.<\/p>\n<p><a href=\"https:\/\/www.revuemusicale.ch\/en\/compte-rendu\/2026\/08\/a-montreux-80-septembres-en-musique\/\"><strong>In Montreux, 80 Septembers of Music<\/strong><\/a><br \/>\nIt is one of the oldest classical music festivals in Switzerland. The Septembre Musical is celebrating its 80th anniversary in Montreux with a mix of emerging talent and established favorites, under the inspired direction of Mischa Damev.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/06\/das-schoepferische-erproben\"><strong>Exploring Creativity<\/strong><\/a><br \/>\nThe \u00abAtelier Cr\u00e9ation\u00bb took place for the first time at the Stellwerk Basel in late May. It is a small festival initiated by the Basel Music Academy that is dedicated to creativity at the intersection of amateur and professional practice.<\/p>\n<h3><strong>Basis<\/strong><\/h3>\n<p>Articles and association news<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/musikalische-bildung\" target=\"_blank\" rel=\"noopener\">Musikalische Bildung Schweiz<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/kmhs\" target=\"_blank\" rel=\"noopener\">Konferenz Musikhochschulen Schweiz (KMHS) \/ Conference of Swiss Colleges of Music (CHEMS)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smr\/\" target=\"_blank\" rel=\"noopener\">Schweizer Musikrat (SMR) \/ Swiss Music Council (CSM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smm\/\" target=\"_blank\" rel=\"noopener\">Swissmedmusica (SMM) \/ Swiss Association of Music Medicine (SMM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smg\/\" target=\"_blank\" rel=\"noopener\">Schweizerische Musikforschende Gesellschaft (SMG) \/ Swiss Musicological Society (SSM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smv\/\" target=\"_blank\" rel=\"noopener\">Schweizerischer Musikerverband (SMV) \/ Union Suisse des Artistes Musiciens (USDAM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smpv\/\" target=\"_blank\" rel=\"noopener\">Schweizerischer Musikp\u00e4dagogischer Verband (SMPV) \/ Soci\u00e9t\u00e9 Suisse de P\u00e9dagogie Musicale (SSPM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/sonart\/\" target=\"_blank\" rel=\"noopener\">SONART - Musikschaffende Schweiz<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/sjmw\/\" target=\"_blank\" rel=\"noopener\">Stiftung Schweizerischer Jugendmusikwettbewerb (SJMW)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/arosa-kultur\/\" target=\"_blank\" rel=\"noopener\">Arosa Kultur<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/suisa\/\" target=\"_blank\" rel=\"noopener\">SUISA - Genossenschaft der Urheber und Verleger von Musik<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/vms\/\" target=\"_blank\" rel=\"noopener\">Verband Musikschulen Schweiz (VMS) \/ Swiss Association of Music Schools (ASEM)<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>The Burden of Generations<br \/>\n<\/strong>Chris Walton's riddle<\/p>\n<p>________________________________________<\/p>\n<p><strong><a href=\"mailto:contact@musikzeitung.ch\">Order this issue for CHF 12.- (+ CHF 2.- postage)<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Table des mati\u00e8res Focus A cheval entre deux g\u00e9n\u00e9rations Interview. Ilva Eigus \u00e9tait d\u00e9j\u00e0 consid\u00e9r\u00e9e comme une star alors qu\u2019elle \u00e9tait encore mineure. N\u00e9e en 2007 \u00e0 Zurich, elle nous confie comment elle s\u2019entend, dans son m\u00e9tier, avec des musiciens d\u2019orchestre plus \u00e2g\u00e9s et un public aux cheveux grisonnants \u2013 ainsi qu\u2019avec son p\u00e8re et [&hellip;]<\/p>\n","protected":false},"author":36252,"featured_media":34581,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1565],"tags":[2401,2400,2402,2403,2404,2405,2406,2407,2398,1983,2408,2409,2410,2411,2412],"class_list":["post-34580","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-smz","tag-atelier-creation","tag-ems","tag-generations","tag-ilva-eigus","tag-kartause-ittingen","tag-katrin-spelinova","tag-laurent-de-pool","tag-lea-the-lions","tag-montreux","tag-phanee-de-pool","tag-pia-schwab","tag-pop","tag-rolling-stones","tag-verbier-festival","tag-vilnius-festival"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Num\u00e9ro 4\/2026 \u2013 focus \u00ab\u00a0g\u00e9n\u00e9rations\u00a0\u00bb - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/en\/smz\/2026\/08\/numero-4-2026-focus-generations\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Num\u00e9ro 4\/2026 \u2013 focus \u00ab\u00a0g\u00e9n\u00e9rations\u00a0\u00bb - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Table des mati\u00e8res Focus A cheval entre deux g\u00e9n\u00e9rations Interview. Ilva Eigus \u00e9tait d\u00e9j\u00e0 consid\u00e9r\u00e9e comme une star alors qu\u2019elle \u00e9tait encore mineure. N\u00e9e en 2007 \u00e0 Zurich, elle nous confie comment elle s\u2019entend, dans son m\u00e9tier, avec des musiciens d\u2019orchestre plus \u00e2g\u00e9s et un public aux cheveux grisonnants \u2013 ainsi qu\u2019avec son p\u00e8re et [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/en\/smz\/2026\/08\/numero-4-2026-focus-generations\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-27T07:00:46+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-27T11:24:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/SMZ_online_Cover_4_26.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1375\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jean Damien Humair\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jean Damien Humair\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2026\\\/08\\\/numero-4-2026-focus-generations#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2026\\\/08\\\/numero-4-2026-focus-generations\"},\"author\":{\"name\":\"Jean Damien Humair\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/1b30ea7776e9b81b23463f6dc0e62de1\"},\"headline\":\"Num\u00e9ro 4\\\/2026 \u2013 focus \u00ab\u00a0g\u00e9n\u00e9rations\u00a0\u00bb\",\"datePublished\":\"2026-08-27T07:00:46+00:00\",\"dateModified\":\"2026-08-27T11:24:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2026\\\/08\\\/numero-4-2026-focus-generations\"},\"wordCount\":655,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2026\\\/08\\\/numero-4-2026-focus-generations#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/SMZ_online_Cover_4_26.jpg\",\"keywords\":[\"Atelier Cr\u00e9ation\",\"EMS\",\"G\u00e9n\u00e9rations\",\"Ilva Eigus\",\"Kartause Ittingen\",\"Katrin Spelinova\",\"Laurent de Pool\",\"L\u00e9a &amp; the Lions\",\"Montreux\",\"Phanee de Pool\",\"Pia Schwab\",\"Pop\",\"Rolling Stones\",\"Verbier Festival\",\"Vilnius Festival\"],\"articleSection\":[\"SMZ\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2026\\\/08\\\/numero-4-2026-focus-generations\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2026\\\/08\\\/numero-4-2026-focus-generations\",\"name\":\"Num\u00e9ro 4\\\/2026 \u2013 focus \u00ab\u00a0g\u00e9n\u00e9rations\u00a0\u00bb - 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N\u00e9e en 2007 \u00e0 Zurich, elle nous confie comment elle s\u2019entend, dans son m\u00e9tier, avec des musiciens d\u2019orchestre plus \u00e2g\u00e9s et un public aux cheveux grisonnants \u2013 ainsi qu\u2019avec son p\u00e8re et [&hellip;]","og_url":"https:\/\/www.revuemusicale.ch\/en\/smz\/2026\/08\/numero-4-2026-focus-generations\/","og_site_name":"Revue Musicale Suisse","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2026-08-27T07:00:46+00:00","article_modified_time":"2026-08-27T11:24:36+00:00","og_image":[{"width":1375,"height":1000,"url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/SMZ_online_Cover_4_26.jpg","type":"image\/jpeg"}],"author":"Jean Damien Humair","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"Jean Damien Humair","Est. reading time":"4 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