{"id":34641,"date":"2026-09-24T09:12:03","date_gmt":"2026-09-24T07:12:03","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=34641"},"modified":"2026-09-24T08:32:26","modified_gmt":"2026-09-24T06:32:26","slug":"doff","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2026\/09\/doff","title":{"rendered":"A Practical Approach to Educational Equity"},"content":{"rendered":"<figure id=\"attachment_34648\" aria-describedby=\"caption-attachment-34648\" style=\"width: 321px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-34648\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/SD_3.jpg\" alt=\"\" width=\"321\" height=\"481\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/SD_3.jpg 667w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/SD_3-200x300.jpg 200w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/SD_3-683x1024.jpg 683w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/SD_3-768x1152.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/SD_3-1024x1536.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/SD_3-8x12.jpg 8w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/SD_3-117x175.jpg 117w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/SD_3-233x350.jpg 233w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/SD_3-533x800.jpg 533w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/SD_3-920x1380.jpg 920w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/SD_3-300x450.jpg 300w\" sizes=\"auto, (max-width: 321px) 100vw, 321px\" \/><figcaption id=\"caption-attachment-34648\" class=\"wp-caption-text\">Prof. Dr. Sabine Doff, professor at the University of Bremen (Photo: Bilderinstitut Berlin)<\/figcaption><\/figure>\n<p class=\"p1\">\u201cSchools are doing tremendous work,\u201d writes Sabine Doff in the text accompanying her study, in which she provides a detailed profile of twelve schools\u2014six in the city of Bremen and six in Bremerhaven. To achieve lasting educational equity\u2014in other words, to provide equal opportunities for all children\u2014she recommends that administrators and policymakers place their trust in schools and provide more opportunities for dialogue and networking.<\/p>\n<p class=\"p1\"><b>\"Equal doesn't mean identical,\" you say\u2014we shouldn't be talking about equality, but about equity in education. What does that mean?<\/b><\/p>\n<p class=\"p1\">Generally speaking, it\u2019s important to understand that giving everyone the same thing doesn\u2019t necessarily lead to greater fairness, because everyone\u2019s circumstances are different. When you ask children how to divide a bar of chocolate among five children, they usually say that everyone should get an equal share. That\u2019s great, of course, because it shows they\u2019ve learned to share. However, there might be a child among them who is lactose intolerant. One might have just eaten an entire bar of chocolate, while another has never eaten chocolate in their life. Another approach is to take into account the individual\u2019s unique circumstances. What is the child particularly good at? What happened before? What strengths and weaknesses do they bring with them into the educational system?<\/p>\n<p class=\"p1\"><b>You distinguish three forms of equity\u2014we\u2019ve already discussed two of them. Could you briefly explain these three forms?<\/b><\/p>\n<p class=\"p1\">When everyone receives the same thing, regardless of their respective resources and circumstances, we call this distributive equity (<span class=\"s1\"><i>Distributive Justice<\/i><\/span>). It has the advantage of being easy to implement, but the major drawback is that it does not address existing inequalities. The second form is equity of recognition (<span class=\"s1\"><i>Fairness in Recognition<\/i><\/span>). It recognizes that not all children have the same needs and takes their strengths and weaknesses into account appropriately. The third is threshold equity (<span class=\"s1\"><i>Threshold Equity<\/i><\/span>). For example, it\u2019s stated that all children must be able to swim across the Amazon River, and from there, what\u2019s offered to them and how they\u2019re supported is entirely organized around that goal. Perhaps there are already excellent swimmers who need a new challenge. Others may not yet know how to swim. The goal is for everyone to ultimately reach the set benchmark.<\/p>\n<p class=\"p1\"><b>What led you to focus on equity in education? <\/b><\/p>\n<p class=\"p1\">I grew up with a middle-class worldview. The title of my school biography was: \u00abWhere there\u2019s a will, there\u2019s a way.\u00bb I\u2019ve been working for 17 years in Bremen, Germany\u2019s smallest state. It consists of only two cities, Bremen and Bremerhaven, both of which are characterized by very difficult conditions, particularly in social terms. It was here that I discovered that the credo \u201cwhere there\u2019s a will, there\u2019s a way\u201d does not apply to a growing number of children. Many children and families are willing, but in their daily lives they face limitations and obstacles that they cannot overcome through sheer willpower.<\/p>\n<p class=\"p3\"><b>What might these obstacles be? <\/b><\/p>\n<p class=\"p3\">These might include questions such as: Do I arrive at school feeling full? Did I eat lunch?<span class=\"Apple-converted-space\">\u00a0 <\/span>Can I play on the basketball team, which requires a per-semester fee? Or: Does a child need his or her own instrument to participate in music classes? And language can also be a significant barrier.<\/p>\n<p class=\"p3\"><b>As part of the study, you profiled twelve schools and found that they are making significant efforts to improve equity in education. What leads you to say that? <\/b><b><\/b><\/p>\n<p class=\"p3\">A higher-than-average proportion of the people who work there are extremely committed. School administrators are deeply dedicated; they are often charismatic leaders who inspire their colleagues with their enthusiasm, develop new ideas, and constantly seek ways to adapt the system to better serve the children. As a researcher, meeting such people and seeing what they accomplish has been an extraordinary experience. On the other hand, it\u2019s important to remember that educational equity should function even in the absence of such dedicated individuals. The entire system must change. Furthermore, it\u2019s a shame when every school has to reinvent the wheel. Building networks and fostering exchanges is essential\u2014not only for schools, but also for the administration and the political sphere.<\/p>\n<p class=\"p5\"><b>Where do you see the biggest obstacles to the school's development?<\/b><\/p>\n<p class=\"p5\">One obstacle is excessive bureaucracy. A second is the need for regulation at a level above the individual school: schools can function much better when they are allowed to use their resources flexibly. And I see a third obstacle in communication. The scientific community too rarely presents its findings in a way that resonates with practitioners. Schools know exactly what needs to be done, and so do policymakers at the higher levels\u2014<span class=\"Apple-converted-space\">\u00a0 <\/span>Bremen\u2019s current coalition agreement places a strong emphasis on equity in education. It appears that only the intermediate operational level above the individual school has not yet effectively assumed the pivotal role assigned to it and is struggling to bridge the gap between the two levels.<\/p>\n<p class=\"p5\"><b>For your study, you also spoke with students and asked them to imagine their dream school. What did you find out? <\/b><\/p>\n<p class=\"p5\">One example that really impressed me was the school depicted as a large ship. For the children, it was clear that there were well-defined roles and clear rules: a crew that takes care of the ship, and a principal standing on the deck. The ship itself was very large, as it was meant to provide a sense of security. When a ship is big enough, you don\u2019t notice the swells. Furthermore, the entire ship was very orderly. You could sense that the children were looking for points of reference at school. That they know what they can rely on and what they can expect from others. Often, the dream schools also had a connection to nature\u2014there were solar panels on the roofs, plenty of water, and greenery. And many included spaces for physical activity.<\/p>\n<figure id=\"attachment_34646\" aria-describedby=\"caption-attachment-34646\" style=\"width: 998px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-34646\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_7.jpg\" alt=\"\" width=\"998\" height=\"1000\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_7.jpg 998w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_7-300x300.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_7-1022x1024.jpg 1022w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_7-768x769.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_7-1533x1536.jpg 1533w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_7-2045x2048.jpg 2045w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_7-12x12.jpg 12w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_7-175x175.jpg 175w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_7-349x350.jpg 349w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_7-799x800.jpg 799w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_7-920x922.jpg 920w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_7-1400x1402.jpg 1400w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_7-150x150.jpg 150w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_7-100x100.jpg 100w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_7-24x24.jpg 24w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_7-48x48.jpg 48w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_7-96x96.jpg 96w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_7-250x250.jpg 250w\" sizes=\"auto, (max-width: 998px) 100vw, 998px\" \/><figcaption id=\"caption-attachment-34646\" class=\"wp-caption-text\">Images: UNLOCK THE FUTURE<\/figcaption><\/figure>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-34645\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_5.jpg\" alt=\"\" width=\"954\" height=\"1000\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_5.jpg 954w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_5-286x300.jpg 286w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_5-977x1024.jpg 977w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_5-768x805.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_5-1465x1536.jpg 1465w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_5-1954x2048.jpg 1954w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_5-11x12.jpg 11w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_5-167x175.jpg 167w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_5-334x350.jpg 334w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_5-763x800.jpg 763w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_5-920x964.jpg 920w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_5-1400x1467.jpg 1400w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_5-300x314.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/Bild_5-24x24.jpg 24w\" sizes=\"auto, (max-width: 954px) 100vw, 954px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>The \u00abExpedition Bildungsgerechtigkeit\u00bb study: <a href=\"https:\/\/www.unlock-the-future.de\/\">Learn more<\/a><\/p>\n<p>The Forum on Music Education: <a href=\"https:\/\/www.verband-musikschulen.ch\/fr\/veranstaltungen\/anmeldung\">Learn more<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Equity in education does not mean giving everyone the same thing, but rather giving each person what they need. At the Forum on Music Education, Sabine Doff, a professor at the University of Bremen, will present the key findings of her study \u00abExpedition Bildungsgerechtigkeit\u00bb in concrete terms. <\/p>","protected":false},"author":21891,"featured_media":34648,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[56],"tags":[],"class_list":["post-34641","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-asem"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Une approche pratique de l\u2019\u00e9quit\u00e9 en mati\u00e8re d\u2019\u00e9ducation - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2026\/09\/doff\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Une approche pratique de l\u2019\u00e9quit\u00e9 en mati\u00e8re d\u2019\u00e9ducation - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"L\u2019\u00e9quit\u00e9 dans l\u2019\u00e9ducation, cela ne veut pas dire partager la m\u00eame chose entre tout le monde, mais donner \u00e0 chacune et chacun ce dont elle ou il a besoin. Au Forum sur la formation musicale, Sabine Doff, professeure \u00e0 l\u2019universit\u00e9 de Br\u00eame, pr\u00e9sentera concr\u00e8tement les principaux r\u00e9sultats de son \u00e9tude \u00abExpedition Bildungsgerechtigkeit\u00bb.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/en\/basis\/asem\/2026\/09\/doff\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-24T07:12:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/09\/SD_3.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"667\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Anicia Kohler\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Anicia Kohler\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2026\\\/09\\\/doff#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2026\\\/09\\\/doff\"},\"author\":{\"name\":\"Anicia Kohler\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/e4ba37136bd24461e8c7874590a4762f\"},\"headline\":\"Une approche pratique de l\u2019\u00e9quit\u00e9 en mati\u00e8re d\u2019\u00e9ducation\",\"datePublished\":\"2026-09-24T07:12:03+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2026\\\/09\\\/doff\"},\"wordCount\":1287,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2026\\\/09\\\/doff#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/SD_3.jpg\",\"articleSection\":[\"ASEM\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2026\\\/09\\\/doff\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2026\\\/09\\\/doff\",\"name\":\"Une approche pratique de l\u2019\u00e9quit\u00e9 en mati\u00e8re d\u2019\u00e9ducation - 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