{"id":34710,"date":"2026-10-21T16:00:49","date_gmt":"2026-10-21T14:00:49","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=34710"},"modified":"2026-10-21T15:51:02","modified_gmt":"2026-10-21T13:51:02","slug":"melancolies-francaises","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/en\/critiques\/2026\/10\/melancolies-francaises","title":{"rendered":"French Melancholies"},"content":{"rendered":"<figure id=\"attachment_34715\" aria-describedby=\"caption-attachment-34715\" style=\"width: 906px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-34715\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1.jpg\" alt=\"\" width=\"906\" height=\"566\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1.jpg 906w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1-300x187.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1-768x480.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1-18x12.jpg 18w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1-280x175.jpg 280w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1-560x350.jpg 560w\" sizes=\"auto, (max-width: 906px) 100vw, 906px\" \/><figcaption id=\"caption-attachment-34715\" class=\"wp-caption-text\">The Capella Leonis Ensemble. Photo: Kath. Kirchengemeinde L\u00f6rrach und Inzlingen<\/figcaption><\/figure>\n<p>An album that seeks to recreate a sonic bubble: that melancholy that creeps into the pages of 17th-century French music. This is a far cry from the philosophical manifesto and the passion that Elizabethan England had for dark moods just a few decades earlier, but the Ensemble Capella Leonis seems here to want to highlight a certain sonic atmosphere.<\/p>\n<p>In the introductory notes, Gabriel Garrido also explains the key element used by conductors C\u00e9dric Costantino and Philippe Foulon to achieve this result: a gentle approach to color, both in the instrumentation and in the voices. \u00abUnusual choices that lift the veil on musical practices in private homes as well as on the taste for fusion among scholars of the time ,\u00bb adds the Argentine conductor, and these colors guide us on a journey of exquisite melancholy, woven together through the musical language of the instrumental pieces and poems set to music by de Grigny, Couperin, du Mont, and de Boesset.<\/p>\n<p>Two small examples of success amid this gentle, melancholic harmony: Gilles Thom\u00e9\u2019s chalumeau solos and soprano Marie Najma\u2019s performance in the finale. A quick note for musicology enthusiasts: the album includes a acknowledgment to organist Jean-Luc Perrot, for his remarkable work in harmonically reconstructing de Grigny\u2019s Overture, which survived only in the first violin manuscript of Lully\u2019s orchestra at the Arsenal\u2014a manuscript that also includes a second soprano part for Couperin\u2019s *Carillons*. What is remarkable is the collaborative effort of the four and the resulting outcome: Jean-Luc Perrot provided his harmonization; Huguette Gr\u00e9my-Chauliac further developed the harmonic interpretation in the style; Costantino arranged it for five parts, thereby achieving sonic balance, and then asked Thomas Leininger to review the melodic line using his expertise in period orchestration and to refine the arrangement. The result is a rendition that offers a delightful glimpse into what the work was like, and this is the first time we\u2019ve heard it on a recording. The rest of the album features a selection of pieces that are extremely rare or previously unrecorded, which we discover in this special light\u2014rich in color and texture\u2014thanks to the conducting of C\u00e9dric Costantino, who makes a remarkable debut here.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-34729 size-medium\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-300x300.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-12x12.jpg 12w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-175x175.jpg 175w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-350x350.jpg 350w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-150x150.jpg 150w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-100x100.jpg 100w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-24x24.jpg 24w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-48x48.jpg 48w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-96x96.jpg 96w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-250x250.jpg 250w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><em>Capella Leonis: Love Comes to Find Me Everywhere. Indesens Records. IC094<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>The Capella Leonis Ensemble presents instrumental pieces and poems set to music by Grigny, Couperin, du Mont, and de Boesset.<\/p>","protected":false},"author":36265,"featured_media":34715,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1615],"tags":[2424,2263],"class_list":["post-34710","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-disques","tag-ensemble-capella-leonis","tag-langage-musical-baroque"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>M\u00e9lancolies fran\u00e7aises - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/en\/critiques\/2026\/10\/melancolies-francaises\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"M\u00e9lancolies fran\u00e7aises - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"L&#039;Ensemble Capella Leonis pr\u00e9sente des morceaux instrumentaux et des po\u00e8mes mis en musique par Grigny, Couperin, du Mont et de Boesset.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/en\/critiques\/2026\/10\/melancolies-francaises\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-21T14:00:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"906\" \/>\n\t<meta property=\"og:image:height\" content=\"566\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"fabian.renz\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"fabian.renz\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/melancolies-francaises#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/melancolies-francaises\"},\"author\":{\"name\":\"fabian.renz\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/bee73db8a48e75ce4c0987aa85f04e5b\"},\"headline\":\"M\u00e9lancolies fran\u00e7aises\",\"datePublished\":\"2026-10-21T14:00:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/melancolies-francaises\"},\"wordCount\":470,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/melancolies-francaises#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/chor-cappella-leonis-gruppe1-1.jpg\",\"keywords\":[\"Ensemble Capella Leonis\",\"Langage musical baroque\"],\"articleSection\":[\"Critiques\",\"Disques\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/melancolies-francaises\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/melancolies-francaises\",\"name\":\"M\u00e9lancolies fran\u00e7aises - Revue Musicale Suisse\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/melancolies-francaises#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/melancolies-francaises#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/chor-cappella-leonis-gruppe1-1.jpg\",\"datePublished\":\"2026-10-21T14:00:49+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/melancolies-francaises#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/melancolies-francaises\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/melancolies-francaises#primaryimage\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/chor-cappella-leonis-gruppe1-1.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/chor-cappella-leonis-gruppe1-1.jpg\",\"width\":906,\"height\":566,\"caption\":\"Photo : Kath. Kirchengemeinde L\u00f6rrach und Inzlingen\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/melancolies-francaises#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"M\u00e9lancolies fran\u00e7aises\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"name\":\"Revue Musicale Suisse\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.revuemusicale.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\",\"name\":\"Revue Musicale Suisse\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"width\":1200,\"height\":243,\"caption\":\"Revue Musicale Suisse\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/?hl=de\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/bee73db8a48e75ce4c0987aa85f04e5b\",\"name\":\"fabian.renz\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g\",\"caption\":\"fabian.renz\"},\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/en\\\/author\\\/fabian-renz\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"French Melancholies - Swiss Music Review","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revuemusicale.ch\/en\/critiques\/2026\/10\/melancolies-francaises\/","og_locale":"en_US","og_type":"article","og_title":"M\u00e9lancolies fran\u00e7aises - Revue Musicale Suisse","og_description":"L'Ensemble Capella Leonis pr\u00e9sente des morceaux instrumentaux et des po\u00e8mes mis en musique par Grigny, Couperin, du Mont et de Boesset.","og_url":"https:\/\/www.revuemusicale.ch\/en\/critiques\/2026\/10\/melancolies-francaises\/","og_site_name":"Revue Musicale Suisse","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2026-10-21T14:00:49+00:00","og_image":[{"width":906,"height":566,"url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1.jpg","type":"image\/jpeg"}],"author":"fabian.renz","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"fabian.renz","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/melancolies-francaises#article","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/melancolies-francaises"},"author":{"name":"fabian.renz","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/bee73db8a48e75ce4c0987aa85f04e5b"},"headline":"M\u00e9lancolies fran\u00e7aises","datePublished":"2026-10-21T14:00:49+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/melancolies-francaises"},"wordCount":470,"publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/melancolies-francaises#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1.jpg","keywords":["Ensemble Capella Leonis","Langage musical baroque"],"articleSection":["Critiques","Disques"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/melancolies-francaises","url":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/melancolies-francaises","name":"French Melancholies - Swiss Music Review","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/melancolies-francaises#primaryimage"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/melancolies-francaises#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1.jpg","datePublished":"2026-10-21T14:00:49+00:00","breadcrumb":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/melancolies-francaises#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/melancolies-francaises"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/melancolies-francaises#primaryimage","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1.jpg","width":906,"height":566,"caption":"Photo : Kath. Kirchengemeinde L\u00f6rrach und Inzlingen"},{"@type":"BreadcrumbList","@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/melancolies-francaises#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.revuemusicale.ch\/"},{"@type":"ListItem","position":2,"name":"M\u00e9lancolies fran\u00e7aises"}]},{"@type":"WebSite","@id":"https:\/\/www.revuemusicale.ch\/#website","url":"https:\/\/www.revuemusicale.ch\/","name":"Swiss Music Review","description":"","publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revuemusicale.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.revuemusicale.ch\/#organization","name":"Swiss Music Review","url":"https:\/\/www.revuemusicale.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","width":1200,"height":243,"caption":"Revue Musicale Suisse"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/?hl=de"]},{"@type":"Person","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/bee73db8a48e75ce4c0987aa85f04e5b","name":"fabian.renz","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g","caption":"fabian.renz"},"url":"https:\/\/www.revuemusicale.ch\/en\/author\/fabian-renz"}]}},"publishpress_future_action":{"enabled":false,"date":"1970-01-01 01:00:00","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts\/34710","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/users\/36265"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/comments?post=34710"}],"version-history":[{"count":9,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts\/34710\/revisions"}],"predecessor-version":[{"id":34731,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/posts\/34710\/revisions\/34731"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/media\/34715"}],"wp:attachment":[{"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/media?parent=34710"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/categories?post=34710"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/en\/wp-json\/wp\/v2\/tags?post=34710"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}