{"version":"1.0","provider_name":"Rassegna musicale svizzera","provider_url":"https:\/\/www.revuemusicale.ch\/it","author_name":"Musikzeitung-Redaktion","author_url":"https:\/\/www.revuemusicale.ch\/it\/author\/admin","title":"Un mod\u00e8le de\u2029formation unique en son genre - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"eoI9FqyqMV\"><a href=\"https:\/\/www.revuemusicale.ch\/it\/basis\/2014\/03\/un-modele-de-formation-unique-en-son-genre\">Un modello di formazione unico<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/it\/basis\/2014\/03\/un-modele-de-formation-unique-en-son-genre\/embed#?secret=eoI9FqyqMV\" width=\"600\" height=\"338\" title=\"&#8220;Un mod\u00e8le de\u2029formation unique en son genre&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"eoI9FqyqMV\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/SMPV_national_farb-1.jpg","thumbnail_width":554,"thumbnail_height":259,"description":"L\u2019autorisation des fili\u00e8res de master du D\u00e9partement\u2028musical de la Haute \u00e9cole\u2028sp\u00e9cialis\u00e9e Kalaidos marque la fin des anciennes \u00e9tudes SSPM. L\u2019occasion de faire un rappel historique sur les cent ans de ce mod\u00e8le de formation unique en son genre.\u2029 En 1911, l\u2019Association suisse des musiciens se vit proposer par la Soci\u00e9t\u00e9 internationale de p\u00e9dagogie musicale d\u2019adh\u00e9rer [&hellip;]"}