{"version":"1.0","provider_name":"Rassegna musicale svizzera","provider_url":"https:\/\/www.revuemusicale.ch\/it","author_name":"Musikzeitung-Redaktion","author_url":"https:\/\/www.revuemusicale.ch\/it\/author\/admin","title":"Garantir un acc\u00e8s \u00e9quitable \u00e0 la\u2028formation - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"d8nshyYqWC\"><a href=\"https:\/\/www.revuemusicale.ch\/it\/basis\/2015\/05\/garantir-un-acces-equitable-a-la-formation\">Garantire un accesso equo alla formazione<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/it\/basis\/2015\/05\/garantir-un-acces-equitable-a-la-formation\/embed#?secret=d8nshyYqWC\" width=\"600\" height=\"338\" title=\"&#8220;Garantir un acc\u00e8s \u00e9quitable \u00e0 la\u2028formation&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"d8nshyYqWC\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/SMPV_national_farb-1.jpg","thumbnail_width":554,"thumbnail_height":259,"description":"L\u2019initiative sur les bourses d\u2019\u00e9tudes de l\u2019Union des \u00e9tudiant-e-s de Suisse (UNES) vise \u00e0 introduire une r\u00e9glementation uniformis\u00e9e des bourses en \u00adSuisse.\u2029 Pour subvenir \u00e0 leurs besoins, plus des deux tiers des \u00e9tudiants suisses exercent une activit\u00e9 lucrative parall\u00e8lement \u00e0 leurs \u00e9tudes \u00e0 plein temps. Cette situation peut prolonger la dur\u00e9e des \u00e9tudes et limiter [&hellip;]"}