{"version":"1.0","provider_name":"Rassegna musicale svizzera","provider_url":"https:\/\/www.revuemusicale.ch\/it","author_name":"Laurent Mettraux","author_url":"https:\/\/www.revuemusicale.ch\/it\/author\/laurent-mettraux","title":"\u00catre femme et musicienne ind\u00e9pendante - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"jLm1ibaqzP\"><a href=\"https:\/\/www.revuemusicale.ch\/it\/basis\/usdam\/2023\/06\/etre-femme-et-musicienne-independante\">Essere donna e musicista indipendente<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/it\/basis\/usdam\/2023\/06\/etre-femme-et-musicienne-independante\/embed#?secret=jLm1ibaqzP\" width=\"600\" height=\"338\" title=\"&#8220;\u00catre femme et musicienne ind\u00e9pendante&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"jLm1ibaqzP\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/06\/Marion-Devaud.png","thumbnail_width":515,"thumbnail_height":341,"description":"Violoniste freelance, Marion Devaud est principalement engag\u00e9e \u00e0 l\u2019OSR, r\u00e9guli\u00e8rement depuis 2005, mais \u00e9galement au Sinfonietta de Lausanne. Elle enseigne, et joue aussi d\u2019autres types de musique dans des groupes tels que l\u2019Ensemble Artefact et Dear De\u00ebr. Elle monte actuellement sa plateforme de concerts priv\u00e9s et musique pour l\u2019\u00e9v\u00e9nementiel qui s\u2019intitulera Neon."}