{"version":"1.0","provider_name":"Rassegna musicale svizzera","provider_url":"https:\/\/www.revuemusicale.ch\/it","author_name":"Laurent Mettraux","author_url":"https:\/\/www.revuemusicale.ch\/it\/author\/laurent-mettraux","title":"La vie musicale au c\u0153ur de la soci\u00e9t\u00e9 - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"jIQjmosrIx\"><a href=\"https:\/\/www.revuemusicale.ch\/it\/basis\/usdam\/2023\/11\/la-vie-musicale-au-coeur-de-la-societe\">La musica al centro della societ\u00e0<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/it\/basis\/usdam\/2023\/11\/la-vie-musicale-au-coeur-de-la-societe\/embed#?secret=jIQjmosrIx\" width=\"600\" height=\"338\" title=\"&#8220;La vie musicale au c\u0153ur de la soci\u00e9t\u00e9&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"jIQjmosrIx\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/12\/1b-PhilMobil.jpg","thumbnail_width":1225,"thumbnail_height":817,"description":"Depuis plus de 15 ans, le Netzwerk Junge Ohren soutient les protagonistes et institutions de la vie musicale classique sur la voie d\u2019une culture musicale durable, diversifi\u00e9e, inclusive et transdisciplinaire. L\u2019USDAM compte parmi ses partenaires."}