{"version":"1.0","provider_name":"Rassegna musicale svizzera","provider_url":"https:\/\/www.revuemusicale.ch\/it","author_name":"Musikzeitung-Redaktion","author_url":"https:\/\/www.revuemusicale.ch\/it\/author\/admin","title":"Renaud Capu\u00e7on\u2028 succ\u00e9dera \u00e0 Pierre Amoyal - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"VcaNQlZM4E\"><a href=\"https:\/\/www.revuemusicale.ch\/it\/campus\/2013\/06\/renaud-capucon-succedera-a-pierre-amoyal\">Renaud Capu\u00e7on succede a Pierre Amoyal<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/it\/campus\/2013\/06\/renaud-capucon-succedera-a-pierre-amoyal\/embed#?secret=VcaNQlZM4E\" width=\"600\" height=\"338\" title=\"&#8220;Renaud Capu\u00e7on\u2028 succ\u00e9dera \u00e0 Pierre Amoyal&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"VcaNQlZM4E\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Capucon.jpg","thumbnail_width":554,"thumbnail_height":774,"description":"Il est depuis pr\u00e8s de deux d\u00e9cennies l'une des figures les plus en vue de la plan\u00e8te violon. Renaud Capu\u00e7on\u2028 succ\u00e9dera \u00e0 Pierre Amoyal\u2028 comme professeur de violon\u2028\u00e0 l\u2019HEMU, Haute Ecole de Musique de Lausanne, d\u00e8s la rentr\u00e9e acad\u00e9mique 2014-2015."}