{"version":"1.0","provider_name":"Rassegna musicale svizzera","provider_url":"https:\/\/www.revuemusicale.ch\/it","author_name":"Musikzeitung-Redaktion","author_url":"https:\/\/www.revuemusicale.ch\/it\/author\/admin","title":"Contexte social \u2013 polyphonies - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ysgy5dXnqO\"><a href=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2016\/03\/contexte-social-polyphonies\">Contesto sociale - polifonie<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2016\/03\/contexte-social-polyphonies\/embed#?secret=ysgy5dXnqO\" width=\"600\" height=\"338\" title=\"&#8220;Contexte social \u2013 polyphonies&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"ysgy5dXnqO\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/5451761983_af7ec6b261_b.jpg","thumbnail_width":554,"thumbnail_height":408,"description":"Deux livres viennent de para\u00eetre aux Editions Aedam Musicae : le premier d\u00e9crit les dispositions et les conditions (apprentissage, contexte social) n\u00e9cessaires \u00e0 l\u2019\u00e9criture de la musique savante ; le second \u00e9tudie les polyphonies de la seconde moiti\u00e9 du 20e si\u00e8cle."}