{"version":"1.0","provider_name":"Rassegna musicale svizzera","provider_url":"https:\/\/www.revuemusicale.ch\/it","author_name":"Musikzeitung-Redaktion","author_url":"https:\/\/www.revuemusicale.ch\/it\/author\/admin","title":"Nouveaut\u00e9s de Contrechamps - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"v08uEdm1cx\"><a href=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2021\/10\/nouveautes-de-contrechamps\">Novit\u00e0 da Contrechamps<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2021\/10\/nouveautes-de-contrechamps\/embed#?secret=v08uEdm1cx\" width=\"600\" height=\"338\" title=\"&#8220;Nouveaut\u00e9s de Contrechamps&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"v08uEdm1cx\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/bernd-klutsch-NTgngJ8m-uU-unsplash.jpg","thumbnail_width":554,"thumbnail_height":369,"description":"Deux nouvelles monographies d\u2019\u0153uvres marquantes du 20e si\u00e8cle, un recueil d\u2019\u00e9crits de Charles Rosen, la correspondance de la l\u00e9gendaire pianiste russe Maria Yudina aux \u00e9ditions Contrechamps et un ouvrage collectif consacr\u00e9 \u00e0 Kurt\u00e1g aux \u00e9ditions Hermann."}