{"version":"1.0","provider_name":"Rassegna musicale svizzera","provider_url":"https:\/\/www.revuemusicale.ch\/it","author_name":"Jean Damien Humair","author_url":"https:\/\/www.revuemusicale.ch\/it\/author\/jean-damien-humair","title":"\u00ab Vies de musiciennes extraordinaires \u00bb - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"RV2o4aLH2A\"><a href=\"https:\/\/www.revuemusicale.ch\/it\/entretien\/2025\/06\/vies-de-musiciennes-extraordinaires\">\"Vite di musicisti straordinari<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/it\/entretien\/2025\/06\/vies-de-musiciennes-extraordinaires\/embed#?secret=RV2o4aLH2A\" width=\"600\" height=\"338\" title=\"&#8220;\u00ab Vies de musiciennes extraordinaires \u00bb&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"RV2o4aLH2A\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/06\/Adele.png","thumbnail_width":352,"thumbnail_height":512,"description":"Un t\u00e9moignage d\u2019Adele Posani sur l\u2019enseignement de la musique en Palestine. \u00ab La musique comme masseuse de l\u2019\u00e2me, qui aide \u00e0 faire \u00e9merger les \u00e9motions, \u00e0 ne pas se fermer, \u00e0 \u00e9couter et \u00e0 communiquer. \u00bb"}