{"version":"1.0","provider_name":"Rassegna musicale svizzera","provider_url":"https:\/\/www.revuemusicale.ch\/it","author_name":"Katrin Spelinova","author_url":"https:\/\/www.revuemusicale.ch\/it\/author\/spelkat","title":"Pierre Boulez \u2013 un lien ind\u00e9fectible avec la Suisse - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"WKdsd6UWm4\"><a href=\"https:\/\/www.revuemusicale.ch\/it\/entretien\/2025\/11\/pierre-boulez-un-lien-indefectible-avec-la-suisse\">Pierre Boulez: un legame indissolubile con la Svizzera<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/it\/entretien\/2025\/11\/pierre-boulez-un-lien-indefectible-avec-la-suisse\/embed#?secret=WKdsd6UWm4\" width=\"600\" height=\"338\" title=\"&quot;Pierre Boulez - un legame indissolubile con la Svizzera&quot; - Swiss Music Review\" data-secret=\"WKdsd6UWm4\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/11\/boulez-libre-de-droits.jpg","thumbnail_width":1024,"thumbnail_height":768,"description":"L\u2019ann\u00e9e 2025 marque le centenaire de la naissance de Pierre Boulez, et c\u00e9l\u00e8bre l\u2019\u0153uvre et la pens\u00e9e du compositeur, chef d\u2019orchestre, th\u00e9oricien et p\u00e9dagogue fran\u00e7ais \u00e0 travers un ensemble de manifestations. Une occasion de s\u2019interroger sur l\u2019h\u00e9ritage de cette figure majeure d\u2019avant-garde."}